As with all of Guy Maddin's films, "The Heart of the World" left me, well, speechless. I'm rarely insightful, usually articulate, but I can never write well about a Guy Maddin film. That Jonathan Rosenbaum wrote a whole essay on this film is not surprising, but it does leave me in awe. A wacky narrative featuring the usual Maddin love triangle, this is six and a half minutes of pure joy. The genius of "The Heart of the World" isn't its wackiness or the technical and stylistic qualities of the film, it's that it's not a bit of showboating, but a fascinating experimental success- what Maddin has done is made a whole feature in six minutes. Most short films are short because that's how they were written, that's how much material the filmmakers had and wanted to make. "The Heart of the World" could have easily been a feature. In fact, it has a more interesting 'plot' than a couple of Maddin's actual features (especially "Brand Upon the Brain!" for me). Rosenbaum suggests this might be the world's first 'subliminal melodrama'. That's a better description than I could come up with. I watched the movie twice in a row but I have a feeling I'll be watching it many, many more times. I absolutely loved this film, but not enough to eclipse "Elimination Dance" as my favorite Canadian short, though "The Heart of the World" is almost unquestionably the greater accomplishment. I prefer Maddin's features "My Winnipeg" and "Careful" to this, but again, it's the staggering accomplishment of this film that makes it so worthy of awe. How many filmmakers have done montage better?
