Directed by
| John Roberts | ||
Writing Credits
| Mark Wallington | ... | (screenplay by) |
| Joanne Reay | ... | (based on an original idea by) |
Cast (in credits order)
Produced by
| Peter Hider | ... | line producer |
| Judith Hunt | ... | producer |
| Lolli Kimpton | ... | line producer: partial |
| Gareth Neame | ... | executive producer |
| Ann Scott | ... | producer |
| David M. Thompson | ... | executive producer |
Music by
| Ilona Sekacz | ... | (music by) |
Cinematography by
| Vernon Layton | ... | director of photography |
Editing by
| Alex Mackie | ... | film editor |
Casting By
| Gary Davy | ||
Production Design by
| Caroline Amies | ||
Art Direction by
| Dick George | ||
Costume Design by
| Amy Roberts | ||
Makeup Department
| Jo Adams | ... | makeup artist |
| Nora Robertson | ... | makeup designer |
| Aaron Sherman | ... | makeup artist: Prunella Scales |
| Maralyn Sherman | ... | makeup artist: Prunella Scales |
| Alex Volpe | ... | makeup artist |
Production Management
| Clare Maclean | ... | post-production supervisor (as Clare Oliver) |
Second Unit Director or Assistant Director
| Catherine Dunne | ... | second assistant director |
| Dick George | ... | assistant director |
| Marios Hamboulides | ... | assistant director |
| Bill Kirk | ... | first assistant director |
| Peter Nightingale | ... | third assistant director |
| Gerry Wigzell | ... | first assistant director |
Art Department
| Alan Bailey | ... | property master |
| Guy Bradley | ... | assistant art director |
| Graham Cole | ... | stand-by carpenter |
| Terry Ennis | ... | stand-by props |
| Dave Fisher | ... | stand-by props |
| Ron Higgins | ... | set dresser |
| Jason Hopperton | ... | set dresser |
| Emily Lutyens | ... | art department assistant |
| Stelios Polychronakis | ... | assistant art director |
| Brian Read | ... | property buyer |
| Tom Roberts | ... | stand-by painter |
Sound Department
| Simon Gershon | ... | supervising sound editor |
| Danny Hambrook | ... | sound recordist |
| Adam Laschinger | ... | sound assistant |
| Philip Meehan | ... | foley artist |
| Andy Moffat | ... | boom operator |
| Keith Tunney | ... | sound recordist: additional photography |
| Hilary Wyatt | ... | supervising dialogue editor |
Visual Effects by
| Richard Stammers | ... | visual effects supervisor |
Stunts
| Riky Ash | ... | stunt coordinator / stunts |
| Glenn Marks | ... | stunt coordinator |
Camera and Electrical Department
| James Gilligan | ... | electrician |
| Andy Hopkins | ... | key grip |
| Stuart Hurst | ... | Best Boy |
| Ossie Jung | ... | gaffer |
| Michael E.J. Miller | ... | camera operator |
| Mike Miller | ... | camera operator |
| James Scott | ... | clapper loader |
| Gordon Segrove | ... | focus puller |
| James Smith-Pryor | ... | electrician |
Costume and Wardrobe Department
| Maggie Partington-Smith | ... | costume assistant |
Editorial Department
| Ergin Ahmet | ... | telecine colorist |
Music Department
| Rachel Bolt | ... | musician: viola (uncredited) |
Script and Continuity Department
| Cathy Doubleday | ... | script supervisor |
Additional Crew
| Jacqueline Bunyan | ... | childrens chaperone |
| Guy de Glanville | ... | runner |
| Paul Mortimer | ... | unit paramedic |
| Gill Raddings | ... | dog trainer |
| Anne-Marie Speed | ... | dialect coach (as Anne Marie Speed) |
| Clare Whitaker | ... | unit nurse |