A reporter is drawn to a small West Virginia town to investigate a series of strange events, including psychic visions and the appearance of bizarre entities.A reporter is drawn to a small West Virginia town to investigate a series of strange events, including psychic visions and the appearance of bizarre entities.A reporter is drawn to a small West Virginia town to investigate a series of strange events, including psychic visions and the appearance of bizarre entities.
- Awards
- 1 win & 2 nominations total
Zachary Mott
- Otto
- (as Billy Mott)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis movie is based on actual events that occurred between November 1966 and December 1967 in Point Pleasant, West Virginia.
- GoofsWhen John Klein rips the telephone from the wall and throws it, we hear the sound of a telephone with a bell hitting the floor, yet the phone is a modern digital cordless phone.
- Quotes
John Klein: I think we can assume that these entities are more advanced than us. Why don't they just come right out and tell us what's on their minds?
Alexander Leek: You're more advanced than a cockroach, have you ever tried explaining yourself to one of them?
- Crazy creditsSoundtrack listing, song Half Light, which plays over the credits. The movie credits for this song say, "Additional Lyrics by Indrid Cold," the Mothman character of the movie. Toward the end of the song, there is a muffled, whispering voice, similar to one of the prophetic voice heard at various times in the movie. The voice continues just past the end of the song and to the end of the credits, but the words are indiscernible.
- ConnectionsFeatured in Search for the Mothman (2002)
Featured review
Starting off promisingly with X-Files creepy events (deaths and visions) this young persons horror movie has a suitably tense edge. Based on a myth last discussed in great detail in the 60s, this is a modernised version of the legend of the Mothman, a mysterious figure who comes to people to foretell disastrous events. There is an air of Saturday night channel 5 about this film, but don't let that discourage you as its in the upper echelons of b-movie fair.
Richard Gere is surprisingly entertaining as someone who essentially doesn't say much and just gets creeped-out. A lot. His character isn't that challenging for any actor, so there won't be any Oscar gongs headed his way for this. Laura Linney is excellent as the town sheriff, like someone straight out of Twin Peeks. The other characters are pretty much just there to move the plot along, rather than to catch your interest.
The first half hour or so is entertainingly tense, but then the film lulls for the plot in the middle. The ending is satisfyingly and beautifully tidy, with a wonderful action sequence that clears up the vast majority of the weirdness from earlier on. The tight ending, while pleasurable and final is also one of the reasons that the movie isn't better than it is. There is no sensation upon leaving of question or edge. No concerns about turning the next corner for fear of what might be there. This is perhaps why this movie feels like Channel 5, and perhaps why its a 12 not a 15. Essentially its a creepy movie and not an out and out horror.
Richard Gere is surprisingly entertaining as someone who essentially doesn't say much and just gets creeped-out. A lot. His character isn't that challenging for any actor, so there won't be any Oscar gongs headed his way for this. Laura Linney is excellent as the town sheriff, like someone straight out of Twin Peeks. The other characters are pretty much just there to move the plot along, rather than to catch your interest.
The first half hour or so is entertainingly tense, but then the film lulls for the plot in the middle. The ending is satisfyingly and beautifully tidy, with a wonderful action sequence that clears up the vast majority of the weirdness from earlier on. The tight ending, while pleasurable and final is also one of the reasons that the movie isn't better than it is. There is no sensation upon leaving of question or edge. No concerns about turning the next corner for fear of what might be there. This is perhaps why this movie feels like Channel 5, and perhaps why its a 12 not a 15. Essentially its a creepy movie and not an out and out horror.
Details
Box office
- Budget
- $32,000,000 (estimated)
- Gross US & Canada
- $35,746,370
- Opening weekend US & Canada
- $11,208,851
- Jan 27, 2002
- Gross worldwide
- $55,305,279
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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