29 reviews
"The Girl From Paris" is not a film the average person would likely watch. It's got subtitles, is very slow and deliberately paced and is about a young lady who abandons Paris to live and work on a farm. But it is a lovely film...one well worth seeing.
Sandrine (Mathilde Seigner) is on a farm owned by Adrien (Michel Serrault) when the film begins. She is looking it over and deciding whether or not to buy the place. So, instead of showing the steps leading up to Sandrine giving up her old life and moving to the farm, the film is more like a snapshot of her life...a small period in which she's already made the decision and has taken classes on agriculture. This is not a bad thing...just unusual that the context isn't important to the film.
As for the elderly Adrien, it's obvious early on that he isn't happy about selling and seems to have little interest nor regard for Sandrine and her new life. He seems, at best, indifferent or perhaps contemptuous of her decision. Slowly, however, through the course of the film the two become closer, as although he's sold the farm, he remains behind in his home while Sandrine lives in a nearby trailer.
Not surprisingly, as time passes, Sandrine and Adrien become a bit closer and he actually begins to talk...something he very rarely did earlier in the film. And, at times, her life is very tough as they live in a mountainous portion of the country....with lots of snow, cold and loneliness.
While none of this sounds exciting or wonderful, the film is very nice if you just accept it for what it is. Don't expect fireworks or romance or great depth....just see two people living their lives and, oddly, you will find that you care and enjoy these little moments.
By the way, I have some words of warning about the film. It is a no holds barred look at farm life. You see a pig brutally killed with lot of blood, several cows being killed and a goat having a stillbirth. It's not a film for the overly tender-hearted....but it is what farm life is often...the good and the ugly.
Sandrine (Mathilde Seigner) is on a farm owned by Adrien (Michel Serrault) when the film begins. She is looking it over and deciding whether or not to buy the place. So, instead of showing the steps leading up to Sandrine giving up her old life and moving to the farm, the film is more like a snapshot of her life...a small period in which she's already made the decision and has taken classes on agriculture. This is not a bad thing...just unusual that the context isn't important to the film.
As for the elderly Adrien, it's obvious early on that he isn't happy about selling and seems to have little interest nor regard for Sandrine and her new life. He seems, at best, indifferent or perhaps contemptuous of her decision. Slowly, however, through the course of the film the two become closer, as although he's sold the farm, he remains behind in his home while Sandrine lives in a nearby trailer.
Not surprisingly, as time passes, Sandrine and Adrien become a bit closer and he actually begins to talk...something he very rarely did earlier in the film. And, at times, her life is very tough as they live in a mountainous portion of the country....with lots of snow, cold and loneliness.
While none of this sounds exciting or wonderful, the film is very nice if you just accept it for what it is. Don't expect fireworks or romance or great depth....just see two people living their lives and, oddly, you will find that you care and enjoy these little moments.
By the way, I have some words of warning about the film. It is a no holds barred look at farm life. You see a pig brutally killed with lot of blood, several cows being killed and a goat having a stillbirth. It's not a film for the overly tender-hearted....but it is what farm life is often...the good and the ugly.
- planktonrules
- Feb 11, 2021
- Permalink
Greetings again from the darkness. Wonderful, subtle French film that displays the nuances of quiet desperation of the young and fear of loneliness and death of the elderly. Make no mistake, the venerable Michel Serrault MAKES this movie! He is downright remarkable as Adrien, the long time farmer, who sells is farm to the young city girl played well by Mathilde Seigner. Many excellent scenes including awkward moments for all. The ridiculous comments about cruelty to animals during the filming is not worthy of mention. This is a fact of life on a farm and obviously the cow scenes were real life - not created for the film. The pig scene, may be painful to watch, but effectively makes the point of life and death on a farm - just like the goat birth scene. As far as the rabbit, give me a break, we see a live bunny and then one being prepared for dinner. This can happen in any restaurant on a daily basis. Yes the hang glider was a bit too much, too often, but I loved the Volvo, the Weimeramer and the "dumb" goat. Very personal film with much insight into human nature at all ages.
- ferguson-6
- Jun 10, 2003
- Permalink
It's formulaic, of course, but the trick with formulas is to act as if they're NOT formulaic and play it as if it were the most original story that ever came down the Pike. And that's what we get here, a charming, dazzling and ultimately Moving film that explores as if for the first time age-old concerns. Serrault has been here before in Nelly and Monsieur Arnaud so this is a good time to deal with the six degrees of separation aspect. In 'Nelly' Serrault was the older man and Manu Beart the younger woman; in Manon des Source Manu Beart tended goats and here Mathilde Seigneur does the same thing. So much for trivia. They really put more than the usual five minutes thought into this one because the credits come up over breathtaking aeriel shots of the Vercours and you can see why so many English people are inspired to buy second homes in France or even move there entirely. This is reinforced when in the first sequence we cut to Sandrine (Seigneur) caught up in a traffic jam in Paris and looking thoughtfully at a travel poster of Vercours on a bus in front of her. This is economical storytelling and in the very next scene she is telling her mother of her decision to move to the Vercours - in the Rhone Alps - and become a goat-farmer. The mother can't understand, natch, why a girl born and bred in Paris and a successful computer instructor would want to give it all up to become a sort of recluse about town. So we get the argument out of the way in the first reel. Sandrine is a gifted student, one of the best in Agricultural school and soon she is ready to invest 450,000 Francs in a remote goat farm. The farm belongs to old Adrien (Michel Serrault) and he comes with it, at least til he can move into his new flat in Grenoble some 18 months away. We are now ready for the classic battle of Old versus New, Young versus Old, initial antagonism giving way to mutual affection. Like I said, we've seen it all before. But what we HAVEN'T seen before is two Class Acts like Serrault and Seigneur and what they serve up is pure DELIGHT. We are spared nothing, this isn't a Travelogue because after an idyllic Summer comes the Winter of Discontent, so bad that Seigneur seriously considers throwing in the towel. Essentially a two-hander that stands or falls by the the quality of the two pricipals it is also fleshed out with really strong support in the shape of Adrien's neighbor and contemporary, Sandrine's colleague from Paris and sometime lover, and her mother. This is the kind of movie that Hollywood has completely forgotten how to make and which the accountants who run the place wouldn't sanction anyway. Thank God the French and other European countries can still turn them out like this. 10/10
- writers_reign
- Aug 8, 2004
- Permalink
A brave decision for an Internet-teacher in Paris: she leaves everything behind and buys a goat-farm in the south of France, away from all the things she is used to. In a remarkable way she manages to set up a guest-house and an Internet site, on which she sells her goat-cheese. The former owner, who still lives at the farm, starts so like the young woman very much. When they both suffer a fierce winter, it is the beginning of a friendship.
"The Girl From Paris" tiptoes liltingly though a slice of life of a young French city woman who buys a farm and finds herself wrestling with the rigors of farm life and the stoic, laconic, and crusty old previous owner. The odd couple put of with each other at the outset but as time passes they find something of value in one another and a tender, sensitive but mostly unspoken relationship emerges. A light drama about mutual needs in a bucolic milieu which explores a different kind of relationship, "The Girl From Paris" is a lovely little film with minimal dialogue worth a look for anyone into people flicks of the French persuasion. (B)
Sandrine Dumez (Mathilde Seignier) as a farmer and Adrien (Michel Serrault) the owner of the farm, make a debating couple about the future of the farmers in France. It is a hard job, why does a young wife as Sandrine Dumez choose for it? And why does she try to do it all alone? In her former nine to five job in an office as a teacher she was very good to. In her loneliness she has the time to appreciate nature and she lives in complete freedom and without attachment. Until the moment she encounters by accident a youth friend... Moving picture about the question of the choice in life between freedom in nature and companionableness in town.
A few reviewers have commented on the scenes of 'animal cruelty' contained in this film, so I'd like to start with my views on that.
There are two short but very graphic scenes of a pig and some cows being killed. In my opinion, these scenes are horrible to watch and add nothing at all to the film. They need not have been included, and the film would be far better for their removal. Indeed, the inclusion of these scenes is at odds with what is otherwise a mild mannered, soft and pleasant movie.
On to the film . . . Sandrine is a young woman fed up with Paris life, who embarks on a life change by purchasing a remote country farm. Adrien, the seller of the farm, has an agreement to stay at the farm for 18 months after the sale. The farm is his life's work, but he is embittered, cynical and unhelpful towards Sandrine.
Our two lead characters have differing ages and mindsets, and the film follows their developing relationship against the backdrop of Sandrine's efforts to revive and modernise the farm alone. It does so at a gentle pace, with fine character development, no great drama, and lovely touches of quirky humour.
Take the animal killing scenes away, and you have a lovely, touching and subtle film. Unfortunately, they butchered it with inclusion of the nasties - such a pity.
There are two short but very graphic scenes of a pig and some cows being killed. In my opinion, these scenes are horrible to watch and add nothing at all to the film. They need not have been included, and the film would be far better for their removal. Indeed, the inclusion of these scenes is at odds with what is otherwise a mild mannered, soft and pleasant movie.
On to the film . . . Sandrine is a young woman fed up with Paris life, who embarks on a life change by purchasing a remote country farm. Adrien, the seller of the farm, has an agreement to stay at the farm for 18 months after the sale. The farm is his life's work, but he is embittered, cynical and unhelpful towards Sandrine.
Our two lead characters have differing ages and mindsets, and the film follows their developing relationship against the backdrop of Sandrine's efforts to revive and modernise the farm alone. It does so at a gentle pace, with fine character development, no great drama, and lovely touches of quirky humour.
Take the animal killing scenes away, and you have a lovely, touching and subtle film. Unfortunately, they butchered it with inclusion of the nasties - such a pity.
- TimelessFlight
- Feb 20, 2024
- Permalink
a slow tempo movie, with no big scenes, no breathtaking special effects, just a small number of actors and the peaceful scenery of the French alps that touch the heart. all these are the background of the slow development of the relationship between the 2 main characters of the story. Sandrine, a young Parisian woman, who decided to leave the big city and buy a farm at the French alps. Adrian is the old owner of the farm, who remained living at the farm after the sale, but at first, refuses to help Sandrine and guide her. the peaceful yet cruel nature is the background of the mutual process that the two characters experience. the old man and the young woman who learn to accept each other and even like each other very much.
- kitten_kong
- Apr 17, 2007
- Permalink
'Une hirondelle a fait le printemps' ('The Girl from Paris') weaves its French spell in the manner of the great French filmmakers, and yet this 2001 film was the debut of the man - Christian Carion - who later gave us the tremendously well-done 'Joyeux Noël' in 2005. This story (written by both Carion and Eric Assous) is unique, a study of human desires, needs, and compromises that is more human in feeling than most any other film this reviewer has seen.
Sandrine Dumez (Mathilde Seigner) lives in Paris where she slaves away at teaching computer science to students in tune with the age. She is attractive, successful, popular...and unhappy. She longs to fulfill the dreams of her childhood and become a farmer. Much against her doting mother's advice she enrolls in a school for agriculture and eventually graduates as one of the top students, winning the ability to buy a farm in the Rhone Alps. The snag: the elderly crusty owner Adrien (Michel Serrault), who wants to sell his farm yet maintain his idyllic country existence without the wear and tear of farming, refuses to move off his own property once the contract is signed for Sandrine to take over the land. Sandrine allows Adrien to stay, makes the farm not only succeed despite her novice status, but also adds a hotel ('The Balcony of the Sky') to enhance her income from her goat farm whose chief product is cheese. Encouraging the transition is the jovial neighbor Jean (Jean-Paul Roussillon) whose recent selling of his own farm allows him to travel around in his new Volvo with his trusty (and hilarious) dog Pharaoh. Jean warns Sandrine that when winter come Adrien will become a recluse (remembering the loss of his wife, the Nazi decimation of the French farms, his losses from mad cow disease in the past, etc), yet Sandrine persists - until the winter comes and all but defeats her optimism. Events bond Adrien and Sandrine more closely, so much so that when Sandrine returns to Paris for a much-needed breather - and liaison with her ex-boyfriend Gérard (Frédéric Pierrot) - Adrien discovers how important to him Sandrine has become. The ending is tied into a surprise that touchingly resolves many doubts and questions and allows the viewer to finish the story on his own! The cast is superb, with special kudos to Michel Serrault, a consummate actor. The cinematography of the glorious farm location is by Antoine Héberlé and the very French musical score is by Philippe Rombi. The film is a delight in every aspect and one that deserves repeated viewings. Grady Harp
Sandrine Dumez (Mathilde Seigner) lives in Paris where she slaves away at teaching computer science to students in tune with the age. She is attractive, successful, popular...and unhappy. She longs to fulfill the dreams of her childhood and become a farmer. Much against her doting mother's advice she enrolls in a school for agriculture and eventually graduates as one of the top students, winning the ability to buy a farm in the Rhone Alps. The snag: the elderly crusty owner Adrien (Michel Serrault), who wants to sell his farm yet maintain his idyllic country existence without the wear and tear of farming, refuses to move off his own property once the contract is signed for Sandrine to take over the land. Sandrine allows Adrien to stay, makes the farm not only succeed despite her novice status, but also adds a hotel ('The Balcony of the Sky') to enhance her income from her goat farm whose chief product is cheese. Encouraging the transition is the jovial neighbor Jean (Jean-Paul Roussillon) whose recent selling of his own farm allows him to travel around in his new Volvo with his trusty (and hilarious) dog Pharaoh. Jean warns Sandrine that when winter come Adrien will become a recluse (remembering the loss of his wife, the Nazi decimation of the French farms, his losses from mad cow disease in the past, etc), yet Sandrine persists - until the winter comes and all but defeats her optimism. Events bond Adrien and Sandrine more closely, so much so that when Sandrine returns to Paris for a much-needed breather - and liaison with her ex-boyfriend Gérard (Frédéric Pierrot) - Adrien discovers how important to him Sandrine has become. The ending is tied into a surprise that touchingly resolves many doubts and questions and allows the viewer to finish the story on his own! The cast is superb, with special kudos to Michel Serrault, a consummate actor. The cinematography of the glorious farm location is by Antoine Héberlé and the very French musical score is by Philippe Rombi. The film is a delight in every aspect and one that deserves repeated viewings. Grady Harp
Despite the fact that this was mostly a lovely film, visually, in the acting, and script, there are some serious flaws.
There is a horrible scene in which a pig is butchered by by having its brains blown out with a gun, and we must witness the poor animal's suffering from up close. In addition, there is a dream sequence showing cattle being stunned on their way to slaughter, and in addition to all this, there is a close-up of a butchered rabbit which we have seen five seconds earlier in its cute furry bunny form.
This puts a terrible damper on an otherwise sensitive and beautiful film. Why do animals have to die for this?
There is a horrible scene in which a pig is butchered by by having its brains blown out with a gun, and we must witness the poor animal's suffering from up close. In addition, there is a dream sequence showing cattle being stunned on their way to slaughter, and in addition to all this, there is a close-up of a butchered rabbit which we have seen five seconds earlier in its cute furry bunny form.
This puts a terrible damper on an otherwise sensitive and beautiful film. Why do animals have to die for this?
This is a very nice movie that most English-speaking movie goers will never see. Here in the USA it has the title "Girl From Paris", but the French title translates to "one swallow brought spring." Mathilde Seigner, unknown to me before this movie, plays Sandrine Dumez, a single young lady, approaching 30, and living in Paris. One day while running late because of bad traffic, she decides to follow her dream, to get away from the city and become a farmer. This is her story, and also how her life touched that of an old man who thought he had nothing to live for. She was his 'swallow'. Although it is all in French, the subtitles are easy to read and is not a distraction at all. I would recommend it to anyone who likes a good story.
SPOILERS FOLLOW. Sandrine enrolls in a two year school to study farming. She is one of the better students and a hard worker. She finds a farm to buy in a beautiful hilly area somewhere between Paris and Grenoble, probably closer to Grenoble. The old owner had lost his wife some years back, and was just tired of farming, but he didn't look kindly upon "school" farmers, and wasn't very helpful at first. In fact it seemed like he wanted her to fail, even though he had contracted to remain living there for 18 months. But he slowly warmed up to her when he saw how kind she was, and how hard she worked. She converted one building into a hotel and advertised it over the internet as "Balconies in the Sky." She sold her goat cheese over the internet. She worked hard every day. Her business was good.
In a key scene during the cold winter, we see him causing a problem with her hotel's electricity, and we assume he is up to no good. But, what he wanted was for her to be near him, so without heat, he invited her to stay with him in the old guest bedroom. A few days later, he fixed the problem. They shared meals and conversation, and they even danced. Not long before, a sour old man, he now had a little joy in his life.
After a particularly hard winter, Sandrine had to take a break, went back to Paris, even taught two days of an internet class. She considered whether she should go back, and decided to. The movie ends with her leading the goats back to the barn in the spring.
SPOILERS FOLLOW. Sandrine enrolls in a two year school to study farming. She is one of the better students and a hard worker. She finds a farm to buy in a beautiful hilly area somewhere between Paris and Grenoble, probably closer to Grenoble. The old owner had lost his wife some years back, and was just tired of farming, but he didn't look kindly upon "school" farmers, and wasn't very helpful at first. In fact it seemed like he wanted her to fail, even though he had contracted to remain living there for 18 months. But he slowly warmed up to her when he saw how kind she was, and how hard she worked. She converted one building into a hotel and advertised it over the internet as "Balconies in the Sky." She sold her goat cheese over the internet. She worked hard every day. Her business was good.
In a key scene during the cold winter, we see him causing a problem with her hotel's electricity, and we assume he is up to no good. But, what he wanted was for her to be near him, so without heat, he invited her to stay with him in the old guest bedroom. A few days later, he fixed the problem. They shared meals and conversation, and they even danced. Not long before, a sour old man, he now had a little joy in his life.
After a particularly hard winter, Sandrine had to take a break, went back to Paris, even taught two days of an internet class. She considered whether she should go back, and decided to. The movie ends with her leading the goats back to the barn in the spring.
- gudpaljoey-78582
- May 23, 2018
- Permalink
It's the 21st century. We have special effects. We have CGI. We have animatronics. Most importantly we have something called "tact". There is no longer any reason to slaughter animals on screen (as if there ever was).
Wake up, director. On-camera animal slaughter is a shameful thing of the past, like the racial and sexist stereotyping of the 50s. We just don't do it any more. Humans have (tried to) evolve.
Even Takashi Miiake, gore-slasher-director-extraordinnaire, knows how to show us blood and guts without killing anything. It's called creativity. Watch "The Bird People of China" for one of the most dramatic, disturbing animal slaughter scenes on celluloid--ALL SIMULATED. Got it?
And right, 80% of you are sitting there with your finger up your nose saying, "Big deal. Animal slaughter happens every day." Yes, it does, but not in the name of "art/entertainment". Humans kill for a lot of stupid reasons. But in the last 50 years, most of us have realized that "art/entertainment" is not a valid reason to take a life.
OK, there's my sermon. Now 80% of you boobs may click on the "did not find this helpful" button and go watch your stupid movie. You guys are so predictable. But the 20% of folks who have some sense of spiritual perspicacity will probably be relieved not to have wasted any time on this disgusting tosh.
Wake up, director. On-camera animal slaughter is a shameful thing of the past, like the racial and sexist stereotyping of the 50s. We just don't do it any more. Humans have (tried to) evolve.
Even Takashi Miiake, gore-slasher-director-extraordinnaire, knows how to show us blood and guts without killing anything. It's called creativity. Watch "The Bird People of China" for one of the most dramatic, disturbing animal slaughter scenes on celluloid--ALL SIMULATED. Got it?
And right, 80% of you are sitting there with your finger up your nose saying, "Big deal. Animal slaughter happens every day." Yes, it does, but not in the name of "art/entertainment". Humans kill for a lot of stupid reasons. But in the last 50 years, most of us have realized that "art/entertainment" is not a valid reason to take a life.
OK, there's my sermon. Now 80% of you boobs may click on the "did not find this helpful" button and go watch your stupid movie. You guys are so predictable. But the 20% of folks who have some sense of spiritual perspicacity will probably be relieved not to have wasted any time on this disgusting tosh.
This movie is just great! It was just 90 minutes of pure pleasure : you must run and see this movie if you want to forget all the nasty details of your day to day life. The fact that the director is my brother is just a fortunate coincidence.
Sandrine, a parisien girl, fed up with her unfulfilling existence as a computer trainer and the everyday problems of city life decides to leave the Paris to become a peasant farmer.
Sandrine buys a farm high on the Vercors plateau in South-East France from Adrien, an old peasant suspicious of Sandrine's college ideas. It's spring and Sandrine makes a good start, developing other aspects of the farm, a rural Gite welcomes travellers and school parties and a Web sites advertises goat's cheese.
Although the locals are suspicious they are perhaps more accepting of a young, dynamic outsider free of the petty local rivalries that set family against family in these close knit rural communities. This is no Jean de Florette and is illustrated when Adrien defends the changes Sandrine has made to his mates in the village bar.
However the rural idyll is not all that it might seem to city folk. The audience is confronted with graphic scenes of a pig having its throat cut to make Boudin (black pudding) and later of mad cows being killed with a bolt gun. Winter comes and the sense of despair and isolation felt by many small farmers is complete when we see Sandrine in long shot, alone in the barn after one of her goats has stillborn kids.
The film explores the conflicts between conformable but ultimately pointless city life - going nowhere in the Paris traffic and the savage beauty of life on the isolated Vercors plateau. Even the peasants shop at the local hypermarket in Grenoble.
Adrien's initial scepticism gives way to a hope that Sandrine will carry on his farm but he has difficulty with the rapprochement, perhaps caused by events in his own life. The Nazis burned his farm in '44 looking for maquisards and later Government men arrive to kill and burn his cattle infected with mad cow disease. Are the government men worse than the Germans? For Adrien maybe, as these events lead to the death of his wife.
Like the Vercors, Sandrine seems both beautiful but uncompromising but we see constant flashes of the temperament that, like the weather vane in front of her house, cause her to make sudden changes affecting those around her. She is really quite vulnerable needing the occasional love of her city boyfriend and the friendship of Adrien. Maybe it is this qualities that will lead to her eventual success?
A final comment, like many movies these days there is quite a bit of product placement - Volvo cars, Lowe mountain gear, Carrefour but the countryside is wonderfully shot.
Sandrine buys a farm high on the Vercors plateau in South-East France from Adrien, an old peasant suspicious of Sandrine's college ideas. It's spring and Sandrine makes a good start, developing other aspects of the farm, a rural Gite welcomes travellers and school parties and a Web sites advertises goat's cheese.
Although the locals are suspicious they are perhaps more accepting of a young, dynamic outsider free of the petty local rivalries that set family against family in these close knit rural communities. This is no Jean de Florette and is illustrated when Adrien defends the changes Sandrine has made to his mates in the village bar.
However the rural idyll is not all that it might seem to city folk. The audience is confronted with graphic scenes of a pig having its throat cut to make Boudin (black pudding) and later of mad cows being killed with a bolt gun. Winter comes and the sense of despair and isolation felt by many small farmers is complete when we see Sandrine in long shot, alone in the barn after one of her goats has stillborn kids.
The film explores the conflicts between conformable but ultimately pointless city life - going nowhere in the Paris traffic and the savage beauty of life on the isolated Vercors plateau. Even the peasants shop at the local hypermarket in Grenoble.
Adrien's initial scepticism gives way to a hope that Sandrine will carry on his farm but he has difficulty with the rapprochement, perhaps caused by events in his own life. The Nazis burned his farm in '44 looking for maquisards and later Government men arrive to kill and burn his cattle infected with mad cow disease. Are the government men worse than the Germans? For Adrien maybe, as these events lead to the death of his wife.
Like the Vercors, Sandrine seems both beautiful but uncompromising but we see constant flashes of the temperament that, like the weather vane in front of her house, cause her to make sudden changes affecting those around her. She is really quite vulnerable needing the occasional love of her city boyfriend and the friendship of Adrien. Maybe it is this qualities that will lead to her eventual success?
A final comment, like many movies these days there is quite a bit of product placement - Volvo cars, Lowe mountain gear, Carrefour but the countryside is wonderfully shot.
- lovealaska-agility
- Nov 3, 2016
- Permalink
One of those French films with originality of script and warmth released by great comedians such as veteran actor Michel Serrault. Unforgettable! We get acquainted with the new life of a city woman who learns to live in daily Vercors rural life exigence. Very atmospheric and most pleasant!
One of those French films with originality of script and warmth released by great comedians such as veteran actor Michel Serrault. Unforgettable! We get acquainted with the new life of a city woman who learns to live in daily Vercors rural life exigence.