User reviews

This French art-house snoozer has to be seen to be believed.Nonsensical and completely absurd plot involves perpetually grunting man-freak-beast dressed in Nazi-garb,medieval castle,a mummy and an annoyingly loud black stallion,which is hunted by the old man.If you have seen Norbert Georges Mountier's inept "Ogroff" you should watch "Devil Story" just to compare these two grade Z flicks from the depths of low-budget grave.The script of "Devil Story" is an incoherent mess with plenty of blood and gore.Unfortunately the action is pretty dull and moves at snail's pace even during its short 72 minutes time.If you are a fan of "Ogroff" or "Sexandroide" give this one a look.5 out of 10.

A four out of ten (4/10) is a good score for a bad movie that while isn't actually bad enough to warn folks away from, it isn't good enough to risk your reputation by advocating it as better than average. That would actually be about the worst score you could give a movie like this -- average -- because it's one of those movies that will either tickle your geek nerve or rub you the wrong way. It is ineptly made, incoherently edited, aimlessly plotted, unconvincingly staged, lacking in subtext or any sense of meaningful artifice of film as a craft, and the special effects "suck". My favorite is when they show people up close bleeding to death and you can see the action of a hand pump shooting the fake blood everywhere.

And yet the movie nonetheless still has something going on in it that I didn't think the French were capable of, namely a sense of humor about how to make art -- this is one of the funniest horror movies I've yet encountered. The best scenes in the film involve airborne attacks by a flying demonic kitty. Then there is the guy in the zombie mask dressed in Boy George's old uniform, shuffling around the French countryside randomly killing people in brutal manners just for the hell of it, apparently. He uses a knife, a shotgun, and one of those spiked gloves they wore in MAD MAX that will split someone's head open like a grapefruit if you punch them hard enough. There is also a mummy, a possessed zombie babe who looks like Soiuxie of The Banshees fame, and a pretty blonde woman (Véronique Renaud in what was sadly her only screen appearance) running around in her underwear, a raincoat and Wellington boots; We need more of this in films today.

There is also a retired war hero of some sort wandering around with what appears to be the same shotgun the zombie guy has, an old hag of a witch who it turns out controls the zombie & is engaged in some kind of task to trap people in the ground, and finally the horse. The horse is perhaps the biggest mystery in the film, it's role within the context of the story is obviously allegorical rather than literal, but I'll be damned if I can figure out what the point of it was other than to allow the director to repeatedly use a sound clip of the horse whinnying. After about the three hundred and fifth whinny you too will wonder what is going on here if you have not already become annoyed & gotten on with your life. But stick with it, this one's worth the effort.

The film is an enigma: It makes no sense, and in that way is very French in nature. I like how it explores the most mundane, unremarkable locations in the French countryside, appearing to have been filmed for the most part on public land when nobody else was around. It was also made for about $25,000 if even by the looks of it, and is in fact SO low budget that a stage hand actually had to toss the demonic attack kitty through the air to simulate it's frenzied assaults. But they managed to find a nice French castle to film for some atmospheric exteriors (complete with ominously hilarious Bach organ music), the movie has a kind of nihilistic aura to it where everyone dies & evil prevails, and there's some genuinely "EWWW!" inducing gore as the zombie guy slowly gets shot to pieces, bleeds grape jelly from the mouth, and keeps right on a-shufflin.

In other words, if the movie had some random gratuitous nudity & the mummy shot laser beams out of it's eye sockets, this film would pretty much have it all. It's easily the most enjoyable horror romp to come out of France since ZOMBIE LAKE, which gets the poo-poo from purists just because Jean Rollin was too snooty to accept the fact that he actually made a movie that was FUN. This one is too, though it doesn't make any sense & probably wasn't meant to. You can do that sometimes in the movies and it isn't necessarily a bad thing.

4/10

Il était une fois le diable aka Devil Story made me laugh a few times. Yes, we get some gore too, but in no way I would call Devil Story a horror movie, it is rather a comedy with a few elements of horror. Anyway, the movie is a bad one, but some may still be entertained. Only recommended if you can cope with lots of trash and want to watch something absurd, grotesque and non-nonsensical. For the laughs, a rate of generous 3.

Contrary to what my fellow IMDb reviewer Weirdling_Wolf writes, I believe that the French have given us plenty of decent horror films*, from B&W classic Les Diaboliques, to the dreamlike work of Jean Rollin, to zombie/action flick La Horde, to more contemporary shockers Inside and Martyrs. Devil Story isn't one of them though, being a strong contender for the strangest, if not worst, horror film ever made. This low budget crap-fest from director Bernard Launois is technically inept in almost every department and has a virtually non-existent plot, making it a must for fans of z-grade schlock.

The film opens with a grunting, snuffling facially disfigured man in an SS uniform killing several people with a knife and dumping their bodies down a well, before continuing his murderous spree with a shotgun. The action then cuts to a young married couple who experience car trouble during a storm and seek shelter at a stately home occupied by an old man and his wife. The lady of the house tells the visitors a story about a group of bandits who lured ships onto the rocks, and explains that their descendants still live in the area: the ugly monster from the opening scene and his mother.

During the night, the young woman decides to up and leave without her husband, but wishes she had stayed put when she runs into the hideous killer and his mum, who try to seal her in a tomb. She escapes, but runs into an Egyptian mummy and a zombie woman, who are also roaming the countryside. Meanwhile, the old man from the stately home is trying to shoot a very noisy horse with his shotgun.

Devil Story suffers from poor direction, choppy editing, amateurish make-up effects and lousy acting, but the worst thing about it is the soundtrack, with all sound effects at maximum volume and repeated incessantly: in addition to the constantly whinnying horse we also get a very vocal owl, and repetitive use of that old horror cliché Bach's Toccata and Fugue in D minor, BWV 565 in a misguided attempt to add atmosphere. I reckon if anything is going to make you want to hit the stop button, it'll be that damn horse!

On the plus side, the gore effects, while not exactly special, are plentiful and fun, with quite a lot of spurting blood from wounds, the monster getting injured so that part of his scalp flaps around, and one really unconvincing but very messy moment when the mummy stomps on the man with the shotgun causing his guts to spill out.

2/10. It's film making at its most incompetent, but for a select few, Devil Story will prove every bit as entertaining as a Marvel blockbuster is for the masses.

*their music still sucks, though!

After watching this I wondered if the director had actually ever seen a film before. Because this seems to ignore any and all of the conventions of film making we've come to expect. Plot, character development, subtext, all are dashed against the rocks of chaos here.

The movie starts with a mutant dressed in Nazi attire madly tearing his way out of a tent. We then have a prolonged shot of the victim of the mutant bleeding on the ground. Then as the mutant storms of into the woods to kill some one else his foot gets caught on the tent rope and he scuffles with it. Was that intentional? I don't know but they left it in. That question "Was that intentional?" is something I found myself asking a lot throughout the entire movie.

This is one of those film that has to be seen to be believed. There's a demonic cat that lives in the mountains. There's an old witch that controls the Nazi mutant. There's an old man with a shotgun that seems to have an endless supply of bullets. There's an Egyptian mummy that comes out of an old galleon which is magically drawn from the inside of a mountain by a devil horse.

I Liked it. Despite hearing myself sighing throughout I would definitely watch it again.

Again this is one of those movies that everybody wants to see but can't find. it is a french movie never released on DVD and only available on VHS copies. But still if you search The Web you will be able to find some copies. As I watched it I just didn't know what I have seen. Some parts are too long, some parts are gory, someparts are childish. For sure it's a extreme low budget flick, dubbed in English with Greek subs. it's still strange that most of the OOP's and well sought after movies are available in Greece on VHS dubbed English with the unremovable subs. That doesn't bother me, it's the movie that you want anyhow. The parts too long is the part with the cat. He still appears but nothing really happens during that time. The gory parts are the killings, it is a for a low budget and a flick of that era rather gory. The killing itself is mostly done off camera but the result is shown in all their glory. Childish for me was the mummy, anyway. And why that man is trying to shoot that horse and isn't able to do it is still an enigma. Also being made in France it's strange that their is no nudity involved. But still, when the movie starts you will keep watching, even the dull parts.

That's French (it takes place in the French countryside)and that's a horror film, so it is accordingly a real turkey. And this one is incredibly bad: it gathers devilish animals, a monster borrowed from a slasher or Texas chainsaw Massacre, a mummy, a living dead, and especially a nonsensical editing. The story is just absurd and the actors appalling. Well a must see if you want to have a great laugh. Of course this is a rare z movie, so you have to deserve it. It's not very far from Jean rollin, it is much worse actually (and that was hard to be!), but at least you never get bored: it's too dumb and completely crazy. Yes, that is the craziest horror French movie ever.

I recently placed a big order at Vinegar Syndrome. I gave some movies a chance knowing nothing about them. Of course this leads me to hit and miss. Devil's Story is a painful watch that goes nowhere. It's description on Wikipedia is "nazispoitation meets slasher and Euro trash horror". The storytelling is inept and incoherent. The acting is beyond terrible. There is some level of creepiness and nastiness but this drags the viewer into a coma. I was hoping to discover a nasty gem with ultra violence and brutality. It does have that element, but to sit through this film is pure torture. I should have read a couple of reviews before buying. Don't make the same mistake as I did. Avoid this movie at all costs.

I seriously can't tell if this 80s French z movie is ridiculously inept or intentionally a surreal cheese-fest. Either way, it's lack of plot, inane pacing, bad acting, gore, and horrific dubbing are stupidly entertaining. It's like Ed Wood meets Fulci...

Devils Story - 1986 (This Film Rates a B- ) The film starts off with a grunting mutant zombie who kills two clueless campers. One is even skipping through the woods with a hand full of sticks. The first few deaths happen rather quickly, plus there is a mysterious wandering cat that has entrancing powers. It features a disfigured nazi zombie, a devils riding horse, a mummy, some woman who rises from the dead, and an old man who are all searching for a pirates lost treasure. How does all this fit together? None of that really matters because nothing makes sense. There is so much to laugh at here whether intentional or not. The acting is bottom of the barrel. Cheap, bargain basement effects ie the toy ship rising from the miniature ground scene. There is plenty of fake blood that is always pumping out. Terrible script with over dramatic acting, reminiscent of a high school play. The whole story is nonsense and many of the sequences last way too long ie the old man shooting at the horse or the mutant getting kicked by the horse a few times. That slow motion fall just before the 54 minute mark. Its painful to endure. Everything here is all pure schlock and its really a terrible film yet somehow it manages to be a whole lot of fun.

For anyone who feels that class and subtlety is an unavoidable facet of French cinema then this is the film for you! This no budget splatter movie is both incoherent and technically appalling in a combination that could almost be described as pretty impressive. The story (such as it is) has a demented Nazi uniform wearing, homicidal mutant - who looks like what you would get if you combined Leatherface with Frank Bough - roaming the countryside murdering anyone he encounters; add to that a pirate ship embedded in a cliff, a mummy, a possessed horse and a very evil cat. Its absolutely ridiculous from start to finish and concludes with a suitably biscuit-taking ending. On the one hand, it's utter rubbish of course, yet at the same time, it deliriously strange and relentlessly unpredictable. And it doesn't really resemble any other film I can think of at all, its a z-grade island all of its own in the cinematic pond. It's really entirely down to how high your tolerance is for severe levels of cut-rate psychotronic madness as to whether or not you are going to get anything out of watching this one.

Devil Story (1985)

*** (out of 4)

If you're looking for a "story" then you're not really going to find it here. The film starts off with a deformed man/creature killing anyone he comes across while grunting like a nut. The story then goes to a dark castle where a mummy is running around and there's an old legend dealing with wreck ships. All of this is happening as a crazy man keeps shooting at a black horse and a blonde woman tries to escape something. Oh yeah, there's a black cat running around as well.

DEVIL STORY is without a doubt one of the strangest movies that you're ever going to see. I had never heard of the movie before getting a preview of it on a Facebook group and from here I read a couple reviews that made the film seem like one of the craziest ever made. I read these wild reviews and thought to myself that there's no way the film could live up to the hype but it actually met that hype and surpassed it. DEVIL STORY is a film that will be impossible to forget once you see it.

Jeez, where do you start? The film begins with some rather campy murder scenes but director Bernard Launois at least knows that horror fans want gore so each stabbing has all sorts of red stuff shooting out in just about every direction possible. After a few murders the film then goes to a Gothic style, which really reminded me one TOMBS OF THE BLIND DEAD. The mummy itself looked quite good and we're given several good scenes with it including one great one where it gets its faced ripped only to have white goo start to go everywhere.

The film is really, really surreal and often times it doesn't make a bit of sense. Scenes happen that don't add up and then you wonder what the hell it is you're watching. I'm not going to ruin the ending but it just kinda knocks you upside the head and you don't know what to think. There's not any nudity but that doesn't take away from the exploitation factor. The gore level and flat-out weirdness is just unlike anything I've seen before and I like to think that I've seen all sorts of weird films. DEVIL STORY is certainly one of a kind.

French horror has given us some of the most elegant, most poetic horror in the genre. Franju, Rollin and others, they of tender velvet fingers to caress the soul. Devil Story is a long way away from them. A million blood spattered, brain curdled miles away in fact. Its plot seems less considered than the congealed vomit of an all night geek brainstorming session fuelled by counterfeit Gauloise and antifreeze laden plonk, its script a furied migraine ravaged dash to pull all together in time for filming. There's a deformed headcase in soldier gear who likes to kill everyone he meets, a horse that may be the devil, a creepy old lady, Gothic castle and more, and yet by some alchemy that surpasses even the most shredded synapses it all more or less holds together in the end. No doubt this alchemy plays significant role in making the film work, but much credit goes to the unrelenting attitude of director Bernard Launois on display (this is apparently his only horror but he should have made more). No matter what the absurdity, the film remains focused. Blood spray clearly from somebody pumping a tube? Keep the camera on it. Supposedly dead person clearly still breathing? Who cares? A mummy that appears wrapped in gauze rather than bandages and either has a codpiece or a big schlong? Artistic license! There's a fearless drive that renders all such silliness near irrelevant, and on occasions of an effectively gruesome effect the camera really lingers, the wounded don't get away with dignity here and it conveys a nice brutality. And altogether the no holds barred approach to plot and visuals pays off, however inept there's an aura of unhingement here that at times becomes really quite potent. Not quite as potent as Orgroff (its closest brother in French trash horror cinema), but much better ordered and marginally less inept, with technique that at times could pass for pretty much sane in a less demented product. Basically this is a film for select audiences, more or less just the hardiest of insane trash fiends. But for anyone dedicated enough to have read this far, this is a film for you. Find it, watch it, and watch Orgroff too, the order matters not so much. You can thank me later...

The French are, quite rightly, highly regarded for many refined things: filigree literature; brashly over-gesticulating women; risque approaches to personal hygiene, marvellously melty, odoriferous cheeses; cloyingly rich, artery atrophying food. Their blissful pastries, all salaciously seeped in oleaginous buttery-goodness are, quite literally to die for, and that rotten, rutting rapscallion, Serge Gainsbourg's pervy, screwball funk is A-okay with me, baby; but they don't do horror; and they certainly don't make remotely credible rock music; with the dubious exception of 'Trust' proving the rule, their rock music is a truly abject experience; which leads me somewhat circuitously to this singular, and wildly incongruous splatter-movie from la Belle B-Movie France! If that arch-poseur, and dramatic, dialectical despot of the New Wave, Godard had masterminded this miraculously turgid time-waster, it would no doubt be hailed as an absurdist triumph of the macabre, but he didn't, so they don't! Gallic horror is at best, an oxymoron, and while I ADORE Jean Rollin, I consider him to be an elegiac poet of sublimely erotic, darkly psychedelic, grave-steeped weirdness, rather than a purveyor of post-Hammer, straight-laced Gothic horror (And to avoid further complications, we shan't discuss 'Zombie Lake' here!).

While the breathlessly bonkers blood-fest, 'Devil Story' remains a profoundly eccentric affair; whether one will actually enjoy it, or not, depends greatly on said splatter-fan's especially low tolerance for all the grain alcohol they absolutely MUST consume prior to viewing this calamitously clumsy creep-show, whilst majestically maintaining an equally robust tolerance for the frightful film's singularly lugubrious pacing, and almost nihilistically nonconformist narrative! There will, perhaps, be those adorably outre oddballs that just LOVE the short pants off it; along with an equal amount of splenetic, irk-faced individuals that won't, c'est la vie, fromage fiends! My pants are short, due to uncommonly stumpy legs, and I am a rabidly self-confessed 'adorable oddball', whose tolerance for grotty B-horror cinema ala' merde is epically vast and embracing, so I can say, being only partially medicated, that I heartily grooved on this schizo-splatter offering for ALL the wrong reasons! The more zealous aficionados of no-budget, independent-thinking splatter movie impresarios, Nathan Schiff & Todd Sheets will in all likelihood be the kinda' terminally trashed, sensationally skewed, trash movie-stewed, slime-encrusted celluloid worshipping freaks that shall righteously dig on Gallic gore gourmand Bernard Launois's devilishly demented midnight movie offering the most!!!!