User reviews

The talented Mahesh Manjrekar directs his second feature which centres around the character of a simple guy whose attempts to lead a normal life fail and as a result he becomes a merciless underworld don. Manjrekar's direction is excellent and he successfully depicts the dark tone of the crime world. He offers a grim look at the underworld and not even once does he try to glorify it or show it in a positive light. On the contrary, through the main character he shows how restless those who get involved in it are. The film, though a bit unevenly executed at places, generally remains steadily focused, and the proceedings are raw and serious, without useless attempts at comedy and unnecessary subplots one gets to see so much in Hindi films. Many of the film's scenes are extremely moving.

For the demanding role of Raghunath, Manjrekar casts Sanjay Dutt, one of the industry's most respected and loved stars, yet one of its most underrated actors. Dutt is simply exceptional, portraying every shade of his character with sheer conviction. He actually becomes Raghunath and manages to create a real new screen persona with his line delivery, body language and his often frighteningly serene attitude. This is one of his absolute best. Other cast members do a very good job, with Reema Lagoo delivering the most memorable performance of the lot as Raghu's tormented yet loving mother. Sanjay Narvekar is quite effective as his best friend, while Namrata Shirodkar does a fine job as Sonu, a young prostitute with whom he falls in love.

Vaastav is not without its flaws. I, for one, found Raghunath's transformation far too quick to be completely believable. The film, though generally gritty, intense and matter-of-fact, gets at times a bit too emotional and consequently the level of its authenticity is thus reduced by a iota. Nonetheless, the film's final scenes are powerful and riveting and the very last scene is fantastic. Do watch Vaastav, mainly to see Sanjay Dutt's performance.

Im not your average bollywood fan, in fact quite the opposite, i despise most productions that come out of the Indian film industry. However, this movie is compelling from the first scene to the last, and although it has elements of the stereotypical bollywood film, the film itself illustrates a story that is gripping and intriguing. Sanjay Dutt takes the lead role of Raghunat Namdev Shivalkar, and fulfills it to a frighteningly captivating effect. Dutt who has had a life of controversy and turbulence himself, was perhaps best equipped to play this role like nobody else could. The film traces the life of a young, exuberant man, who is struggling to find direction in his life. The transformation from this depiction, to the character of 'Raghu Bhai' is achieved with pure brilliance, by both the script and performers. Essentially Vaastav is an intelligent movie, revealing the infamously corrupt nature of the Indian political system, as well as the functioning of society itself. These factors are shown to work simultaneously to create a character that is forever embedded in the history of Indian cinema. This is bollywood at its rare finest, and it will not fail in living up to the trademark of the movie itself 'The Reality'. Sanjay Dutt at his pure deadliest.

Vaastav is probably the best movie ever created in Indian Cinema if not the best It should be in top 5 of every list . This movie proves that bollywood is not just about crappy "masala" movies, there is more than that in bollywood . Vaastav is the "Undisputed" king of gangster genre in bollywood .

Sure its not flawless but still the way the story moves , the direction , characterization , transition from scene to scene and most importantly Acting . Sanjay Dutt proves why he is one of the best "ACTORS" who stepped in bollywood and not many can claim that . This movie is definitely his best .

Watch this movie at least 3 times . 1st time for story, 2nd for Sanjay acting and 3rd for overall experience . Watch out for the last scene , one of the greatest scene in bollywood history . Sanjay dutt's facial expressions are enough to tell the story .

Direction could've been a little bit better because the movie gets a "bit(and that's a very small bit)" slow in some parts in the second half.

Ratings

Story 9.5/10 acting 10/10 direction 8.5/10 background score 9/10

Overall -- 9.8/ 10

verdict : if you haven't watched it, CLOSE THIS PAGE NOW and go buy a DVD, Watch it illegally on internet ;), borrow it from a friend but JUST WATCH IT .

This is in my Top 10 Bollywood Best Movies of all time. It is no doubt the Best Sanjay Dutt movie ever. Sanjay Dutt received BEST Actor award from Filfare, Zee and International Indian Awards. I remember when this movie first came out. I was told its a new Gangster movie and is a Big Hit in India. I did not expect much since Bollywood hasn't really made any realistic Gangster Movies (apart from Parinda) in the likes of Hollywood Classics (Scarface, Goodfellas, Godfather). Vaastav is easily among the best Hindi Gangster Movie, others include (Company, Hathyar). There have been Hindi Gangster Movies before, but all copy of Hollywood movies such as Aatish (A better tomorrow), Aatank hi aatank + Sarkar (Godfather), footpath (State of Grace) etc. Vaastav has its own storyline that suits with India life, Serious and Entertainment. Sanjay dutt gives a powerhouse performance of his career. Namrata Shirodkar looks quite sexy as the prostitute and wife of Raghu. I managed to get a few people into Bollywood because of this film. If you ain't seen it, then See it.

Though almost everyone is just bragging about Sanjay Dutt's acting performance, the storyline itself made him important one. all actresses & actors did their role perfectly. beyond that, why it is mirror of the Reality ? That is important part of this movie. let it, Raghu's forced start in crime world to the ending words of wisdom through his Mother about 'having a choice' are grim reality unveiled by script. the direction was influencing in such a way that, it pushes us to really look for other side common people don't want to see. though it affects all. Also the way it approached issues of sex workers, sold out police at the same time vulnerable police in front of politicians. All in all a milestone in Indian cinemas. the ending was quite disturbing but sensible & insightful where mother herself shoots the son from all distress of being tired. Truly, Hats off.

Vaastav has the Mumbai underworld as its backdrop. This subject has been dealt with before many times in Hindi films. But rarely is it handled properly. Satya is probably the best underworld film to come out Bollywood in recent years. Vaastav is not flawless like Satya, but it has a gripping storyline, good direction and characterizations, and most importantly - Sanjay Dutt.

This is probably the best role Sanjay Dutt has got his hands on since Khal-Nayak, and he takes full adavantage of it. Sanjay Dutt does an excellent job as the guy gone astray. He is as superb as the good-for-nothing lad in the initial reels as the dreaded man of the underworld in the latter ones. Namrata Shirodkar gets very limited scope and gives a fair performance. Shivaji Satam shines as Sanjay Dutt's father. Reema, as Sanjay's mother, also delivers a praiseworthy performance. Mohnish Bahl is wonderfully natural. Sanjay Narvekar , as Dedh-Phutiya, is mind-blowing. Here's a guy who is talent personified! Mohan Joshi is able. Paresh Rawal is likeably restrained. Ashish Vidyarthi gets less scope but does well. Depak Tijori leaves a mark. Usha Nadkarni is excellent. Ektaa, Himani Shivpuri, Jack Gaud, Achyut Potdar, Sunil Shencle, Ganesh Yadav, and Kashmira Shah (in a special appearance) lend average support.

The film is very well directed by the debutant Mahesh Manjrekar. Being his first film, he is excellent. Production values are not very high; anyway the film does not require pomp & showbiz, as it's so close to the ultimate truth. The film belongs to Sanjay Dutt all the way. Sanjay justifies the faith of his director and carries the film on his shoulders, ably supported by others. The only drawback of the film can be the songs, which are not so catchy. To sum it up Mahesh Manjrekar has a winner on his hand and Sanjay Dutt will get lots of accolades for this film.

A Silver Jubilee (25 weeks run) HIT. One of the Top Ten Hits of 1999.

I am not exactly one of the millions of ardent Bollywood movie watchers, in fact i could quite possibly be categorized as an ardent hater of most Bolywood produced movies. Yet i found myself intrigued by this film in which Sanjay Dutt plays a most intriguing role. Sanjay Dutt is the anti-hero of this movie which rollicks through his early years and shows him to grow up a confused and very bitter human being. True to Bollywood style, it has it's fair share of "romance scenes" and the never ending songs, but the fairly original and interesting script, and some fairly decent acting by Dutt makes up for the rest of the movie's failings. I suggest you watch it at least once and judge it for yourself.

One of the best Indian movies in that genre. This Movie depicts the reality and cruelty of the Streets in such countries.

Well played by the entire cast. And the lead role was nothing less then brilliant. He managed to convince the audience about he was a Young slacker, with a Hint of a sociopath the Way he boss and threathens everyone around him in da first running time. Towards the incident that changes his life. And later on he turns on the level a notch, he troughout the Movie keeps a steady level right untill the end. Were we as the audience Can Tell the difference apart from a sociopath or a psychopath. Well done.

I am not exactly one of the millions of ardent Bollywood movie watchers, in fact i could quite possibly be categorized as an ardent hater of most Bolywood produced movies. Yet i found myself intrigued by this film in which Sanjay Dutt plays a most intriguing role. Sanjay Dutt is the anti-hero of this movie which rollicks through his early years and shows him to grow up a confused and very bitter human being. True to Bollywood style, it has it's fair share of "romance scenes" and the never ending songs, but the fairly original and interesting script, and some fairly decent acting by Dutt makes up for the rest of the movie's failings. I suggest you watch it at least once and judge it for yourself.

Plot:Story Off A Normal Man Get's Dragged Into Crime Life And Pay With Life

Cast:Sanjay Dutt As Raghunath "Raghu" Namdev Shivalkhar Namrata Shirodkar As Sonia Sanjay Narvekar As Dedh Foootya Mohnish Bahl As Vijaykanth Namdev Shivalkhar, Raghu's brother Shivaji Satam As Namdev, Raghu's father Reema Lagoo As Shanta, Raghu's mother Deepak Tijori As sub-inspector Kishore Kadam Paresh Rawal As Sulemaan Bhai (Mandavali Badshah) Mohan Joshi As Home Minister Babban Rao Ashish Vidyarthi As Vitthal Kaanya

Performances:Cast Performances Is Great But Sanjay Dutt Steal Movie With Easily One Of Most Powerful Performance Ever Seen In Bollywood And Taking Home Is First Filmfare Best Actor Award Plus Award for Artistic Excellence And 2000 Screen Weekly Awards

Amazing story with even better acting. This movie sucks you in from the beginning to the very end. There really isn't anything wrong with this movie but it could've benefited from being 5-15 minutes shorter and the songs aren't very memorable or special (imo). Thats why i would objectively give this movie a 9 but from a subjective perspective it's an absolute 10. One of the best (bollywood) movies I've ever seen.

Vaastav review :

A film which brought the down and out Sanjay Dutt back in the reckoning; Vaastav was director Mahesh Manjrekar's first Hindi release and his most memorable movie till date. The film not only re-established Sanju Baba as a top actor but also joined the ranks of the finest underworld dramas made in Bollywood alongside Parinda (1989), Satya (1998) and Company (2002).

Sanju played a street smart Marathi lad Raghu who is engulfed in to vortex of crime after committing an unintentional murder. He grows up the ranks to become a hitman for the local politician (Mohan Joshi) but oversteps his limits which leads to his sordid end.

Vaastav belonged to Sanju Baba and the role of a vulnerable yet tough gangster suited him to the T. Manjrekar cast many Marathi theatre actors like Sanjay Narvekar, Bharat Jadhav and Makarand Anaspure who later became big names in Marathi cinema. Namrata Shirodkar was mighty impressive as the prostitute turned Sanju Baba's wife. Reema Lagoo as the mother, who ends up being 'Mother India' in the climax, was effective as ever.

At the box office, Vaastav became an instant hit in Maharashtra particularly Mumbai where its plot was based but took time to pick up in rest of India. It was declared a super hit in terms of return on investment and Sanju Baba got such a massive hit only after Subhash Ghai's Khalnayak (1993). Manjrekar opened his innings in Bollywood with a hit.

A sequel titled Hathyar (2002) was directed by Manjrekar which featured Sanjay Dutt again as Raghu as well as his son Rohit. Deepak Tijori and Reema reprised their roles from the original while the sexy Shilpa Shetty was the new addition to the cast as Rohit's wife. Sadly, Hathyar appeared to be a leftover edit of Vaastav with practically the same plot and bombed badly at the box office.

Regards, Sumeet Nadkarni.

This has to be the best gangster movie ever by Bollywood. 100% original screenplay, direction, and story. Right from the character development to the climax of the film, it just keeps you hooked. Sanjay Dutt is the only actor who could do this film, and gald he did it!. Nobody else could pull it off. Please watch for intense performance and good Mumbai mass music. 😊

Full fledged hard hitting movie. Must watch for the best extracted by Mahesh majrekar n dutt both. Dutt lived the movie. Reema lagoo also besy in her role.

Truly an amazing movie its a testament to how great Bollywood movies can be this movie should be in the top 10 of best of Bollywood

Some people (particularly sports journalists) say success is the difference measured between where you were and where you are. So Saurav Ganguly is a better success than Sachin Tendulkar, whereas Sachin might just be a better player overall. Some people might like to point this definition of success to 'achievement'.

Similarly, if we take boxoffice success as the difference between what the movie (or the producer-director) intended to do and what it actually did - then Vaastav is a FLOP. Mujhe Kuch Whatever Hai is a HIT.

Vaastav was indeed a good effort gone somewhat astray from Mahesh Manjrekar. Since then he has stopped thinking and just went on making movies. Jis Desh Mein Ganga Rehta Hai and what not.

BUT Vaastav has a good storyline. It revolves around Sanjay Dutt - the chawl guy- becoming Raghubhai the dreaded and much-utilized Don. Storyline is predictable and more is the ending. The positive side of making a movie out of a predictable storyline is you have got to be real good in presentation. Guys in the theater already know what's happening and they know who will kill whom at the end. They just want to see HOW!

That is a place Vaastav tilted to be more of an usual movie. Even the presentation was predictable.

There is one good experiment Mahesh did though. This is one of the very few movies where there is NO good guy. No moral hang-ups. If you discount 5 time a day namaazi Paresh Rawal that is. Raghu is the real don. Raghu kills anyone in front of his 5 year old kid. Smokes grass. Visits brothel. Declines to marry the pros at first. Even after marrying he treats her real bad and even calls her 'raand shali' at least once. In fact, it appears more than a few times that as if the film doesn't at all want anyone to sympathize with the main character anyway.

Raghu's father Shivaji Satam is just a father. He never is shown to have said a single word against his son just because he is a mafia don.

That is where the movie puts a big fallacy in front. We see Raghu's mother (played by Reema Laagu who actually looks of the same age as Sanjay) never really voicing anything against her son. At the end though she plays Mother India as if that was the thing she wanted from the day Raghu was born. Bad characterization Mahesh!

This is the only movie where I am personally satisfied by the 'reason' the couple dashes off to Switzerland and sing a very thematic song. Home minister (who else but Mohan Joshi) gifts Raghu two tickets as his wedding present.

Namrata Shirodgar was believable. But not extra-ordinary. It should be banned to brand any leading actress having great acting potential whenever she plays a prostitute. Too much of social engineering! Perhaps this was the first time a Miss India playing prostitute )after Zeenat Aman) made her acting so hyped.

This movie was released during 1999. Somewhere around that time SAB (Shri Adhikari Brothers) was running a comedy show (Shriman Shrimati) with Reema Laagu as one of the main characters. Even apart from that Reema Lagu was so much involved with typical family dramas that no one took her seriously in this movie from beginning. Then perhaps just to prove everyone wrong or out of frustration she pulls off the trigger on her beta at the end.

Did anyone notice Jatin Lalit songs picturised on higher elevation are always hit?

For flesh lovers, there is a bar dance by Kashmira and troupe. Now she is really a good actress in spite of everything. Watch her face in close up when Raghu kills a guy in front of everyone and says 'Nacho item log nacho'.

Long time after Jungle Ki Beta I've seen Jack Gaud saying more than 2 sentences in a movie. And in 'Jungle ki Beta' he played Tarzan!

Overall, Vaastav was and will remain the landmark of Mahesh Manjrekar. Mahesh has off late become just as prolific as his namesake (Bhatt). He was working on 14 movies at same point of time. Somehow, you will feel Mahesh is a good director, his films are good - but perhaps his films will never be the ones you will pick up on a discussion with your friend over beer.

Cruel reality shown in this movie perfectly . Sanjay and others have done amazing work. Must watch as it has a good lessen at the end.

One of the best movie,if not the best. Brilliant movie .