Al Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.Al Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.Al Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.
- Nominated for 1 Primetime Emmy
- 1 nomination total
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Storyline
Did you know
- TriviaAccording to Tom Fontana, Ed Begley Jr. is indeed playing his character Dr. Victor Ehrlich character from Fontana's previous show St. Elsewhere (1982). He is not mentioned by name to avoid having to get legal clearances.
- GoofsIn the last scene, as Lt. Giardello, now a ghost, enters the squad room, walking between Mike and Pembleton, Giancarlo Esposito is unable to completely ignore him, and unconsciously moves his arm.
- Quotes
Tim Bayliss: So, you... you'll take me in.
Frank Pembleton: 'I'm gonna take you in' - are you wild?
Tim Bayliss: No - you'll take me in, Frank.
Frank Pembleton: [Shakes his head] No.
Tim Bayliss: Did I take... a bullet for you? Huh?
Frank Pembleton: No, no, cut it out...
[Tim lunges at Frank]
Tim Bayliss: Did I take a bullet for you or not, huh?
Frank Pembleton: I am NOT taking you in...
Tim Bayliss: DID I TAKE A BULLET FOR YOU? I take a bullet for you, and you take a bullet for me - now THAT is square business, Frank!
Frank Pembleton: This is not taking a bullet for you, this is you wanting me to toss your ass in the jackpot! You're confessing to a murder, Tim, do you understand that?
Tim Bayliss: So you want someone else should take me in? Someone else should bust me...
Frank Pembleton: No. No, no...
Tim Bayliss: Is that what you want? Then it HAS to be you!
Frank Pembleton: NO, NO, no! No...
Tim Bayliss: [Grabs Frank] Frank, listen to me! Listen. I've thought about eating my gun, and I'm gonna EAT that gun RIGHT NOW if you don't do the right thing for me, Frank, for right here!
[Gestures to his head]
Tim Bayliss: I have no other... no other option, Frank. Please...
Frank Pembleton: [sighs] So you thought about putting a gun to yourself?
Tim Bayliss: Yeah. Yeah, you'd be saving my life, I dunno for how long, but for now... at least you would.
Frank Pembleton: [Takes a deep breath] I believe that you did not mean to do this killing.
Tim Bayliss: ...yeah, you believe what you want to believe. That's okay.
Frank Pembleton: So we're gonna turn around, right now, and we're gonna go back inside. Okay?
Tim Bayliss: [Anguished, he takes out his badge] Never put off the inevitable, Frank. It's gotta be what it's gotta be.
[Presses the badge into Frank's hand]
Frank Pembleton: [Crying] Son of a bitch...
- ConnectionsEdited from Homicide: Life on the Street: Forgive Us Our Trespasses (1999)
- SoundtracksPick Myself Up
Written and Performed by Peter Tosh
Thanks to the UK's Channel 4's policy of not knowing a good thing when they've bought the rights to it, I have not seen the last series of H:LOTS, simply because they decided that it wasn't getting enough viewers and dropped it. So I don't know how directly this follows on from the TV series in terms of time but I know that it does tie in quite well and close some open questions. The plot is quite simple and lacks the class of the tv series but still works well for what it has to do. Some of the plot is a jump too far but it still works on the whole. The side issues are as interesting as the main plot and the close of the film is actually a lot more moving than I expected it to be.
The main problem the film has is that `every detective is back'. The result of this is that fans get to see characters they haven't seen for years, but the downside is that they are mostly just clutter wheeled in to say a few lines and then disappear. The film is at it's strongest when it focuses on good subplots with the strongest characters hence it is at it's best when Pembleton and Bayliss are the focus. It is still good to see all the faces but at times you wonder why they bothered and why they didn't sacrifice some characters to make for a tighter narrative.
The cast all do well, with Braugher and Secor standing out due to the amount of time and material the film allows them to have. The cameos (although a lot of the cast could be called cameos) are mixed. Priestley and Begley Jnr are a bit of a waste of space but Oz's Walker gives a delicate performance and shows his skill in this media yet again.
Overall I had no great hopes for this film as it is basically a TVM, but I did enjoy it more than I thought. The revolving door of old characters does drag a little at times but the film works and the focus on a group of main characters (Pembleton and Bayliss in particular) works to it's strength and produces a film that, while not comparable to the series in terms of quality, will satisfy many of it's fans.
- bob the moo
- Oct 14, 2003
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