A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.
- Dancer
- (uncredited)
- Limehouse Brown
- (uncredited)
- Eddie Matthews
- (uncredited)
- Interlocutor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe street signs behind the opening credits - W. 142nd St. and Lenox Ave. - are at an intersection in the Harlem neighborhood of Manhattan in New York City. Lenox Avenue is a continuation of Sixth Avenue north of Central Park, renamed for philanthropist James Lenox (1800-1880) in 1887. It was co-named Malcolm X Boulevard in 1987 for the civil rights leader.
- Quotes
Bill Green: [singing] Girls, I sat up last night - right on side the bed / Why, I wrote a song that's just too bad, children it'll knock you dead. / I know you've all danced the Charleston, the Black Bottom away. / Now, just stand at attention, prance awhile, do just as I say. / Get up hot, don't you stop. Woo-doodle-ee-do!
Black Orchids: What's that?
Bill Green: Bill Robinson's Stomp.
- ConnectionsFeatured in Hollywood and the Stars: The Fabulous Musicals (1963)
- SoundtracksOld Folks at Home
(uncredited)
aka "Swanee River"
Written by Stephen Foster
Played briefly during the opening credits
Also performed by Bill Robinson (tap dance)
It's one of the several all-Black short subjects that Vitaphone and other short-subject producers turned out. Although they played many theaters, they were conceived as something to offer the Blacks-only theaters of the era; producing a long-form race film (as films starring Blacks in the era were called) was not considered a viable business model, but a short subject was much cheaper to turn out, and the polish that Vitaphone could bring to a production like this was appreciated.
Although I could watch Bill Robinson and his easy-going, self-assured dancing endlessly, the big number is "Got the Jitters" featuring Babe Matthews, the chorus line and some great lighting by Vitaphone cameraman E. B. DuPar.
Details
- Release date
- Country of origin
- Language
- Also known as
- Broadway Brevities (1933-1934 season) #28: King for a Day
- Production company
- See more company credits at IMDbPro
- Runtime21 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1