1 review
It had to happen - after I saw perhaps the best "stimulating" bestiality film THE PERVERSE WORLD OF BEATRICE I wondered if other pornmakers had tried their hand at this forbidden genre, beyond the brief teaser sequences one finds in mainstream XXX films like those of Joe D'Amato.
Turns out that Luca Damiano did the trick with this off-putting opus, whose bowdlerized translated title subtly changes the word "Stallion" (Stallone) to "Stud" in hiding its tracks.
Successfully perverse movie opens with a scene that fooled me, as a high-powered female porn executive, flanked by one of her 1-sheets on the wall, tries to sell her product to a distributor played by a very young Roberto Malone, so young he sports a full head of hair. (He also appeared in another bestiality opus, DEFECT IN THE BELLY, but that was in the tame/teaser category).
On the TV set, presented to us framed nearly full screen in the movie proper, is a woman wearing a mask (really only hides her eyes), making love to a horse. What is surprising is that Luca, I guess with the onus off by presenting his disturbing material as film-within-a-film, delivers nearly 20 minutes of actress abusing horsey -more than any curious audience could demand.
My shock was in the realism of this footage. Unlike the arousing, probably expertly faked scene in BEATRICE, this is a real horse, with a real horse cock, and it actually looks dangerous as the horse bucks a bit, threatening at one point to injure the hapless girl. She sucks endlessly on the misshapen (it's real, folks) dong and later sticks as much of it into her vagina as she can. Seeing is believing, and I guess "That's Entertainment!".
But Luca has other kinks in his quiver. In another film-within-a-film, the transsexual title lady from Alberto Cavallone's PAT UNA DONNA PARTICOLARE shows up in an anything-goes orgy with plenty of fellatio executed by persons of all three sexes.
Not content with that, film climaxes in an orgy where an ultra-busty Black transsexual is the centerpiece, again with both boys and girls dishing it out and taking it sexually in what amounts to an AC/DC manifesto that might have inspired Rome resident Gore Vidal to pen a sequel to MYRA BRECKINRIDGE. Too bad the erudite author is unlikely to be watching outré porn like this.
Damiano, who usually is making rather sumptuous porn films that I really admire, and relegates his kinkiness to the durable hit XXX version of SNOW WHITE & 7 DWARFS, pours on the crazy sex here and hits a homer. If, to quote the old soft porn trailers, "you want to see something different", this is the one.
Funniest aspect for me is the casting of the lady pornographer, oh so prim and proper in the intro seen in her tailored business suit. She looked like porn's answer to Arianna Huffington (whoa!), but later on when she disrobed sporting 44DD's I was cured of that peculiar mental association.
Turns out that Luca Damiano did the trick with this off-putting opus, whose bowdlerized translated title subtly changes the word "Stallion" (Stallone) to "Stud" in hiding its tracks.
Successfully perverse movie opens with a scene that fooled me, as a high-powered female porn executive, flanked by one of her 1-sheets on the wall, tries to sell her product to a distributor played by a very young Roberto Malone, so young he sports a full head of hair. (He also appeared in another bestiality opus, DEFECT IN THE BELLY, but that was in the tame/teaser category).
On the TV set, presented to us framed nearly full screen in the movie proper, is a woman wearing a mask (really only hides her eyes), making love to a horse. What is surprising is that Luca, I guess with the onus off by presenting his disturbing material as film-within-a-film, delivers nearly 20 minutes of actress abusing horsey -more than any curious audience could demand.
My shock was in the realism of this footage. Unlike the arousing, probably expertly faked scene in BEATRICE, this is a real horse, with a real horse cock, and it actually looks dangerous as the horse bucks a bit, threatening at one point to injure the hapless girl. She sucks endlessly on the misshapen (it's real, folks) dong and later sticks as much of it into her vagina as she can. Seeing is believing, and I guess "That's Entertainment!".
But Luca has other kinks in his quiver. In another film-within-a-film, the transsexual title lady from Alberto Cavallone's PAT UNA DONNA PARTICOLARE shows up in an anything-goes orgy with plenty of fellatio executed by persons of all three sexes.
Not content with that, film climaxes in an orgy where an ultra-busty Black transsexual is the centerpiece, again with both boys and girls dishing it out and taking it sexually in what amounts to an AC/DC manifesto that might have inspired Rome resident Gore Vidal to pen a sequel to MYRA BRECKINRIDGE. Too bad the erudite author is unlikely to be watching outré porn like this.
Damiano, who usually is making rather sumptuous porn films that I really admire, and relegates his kinkiness to the durable hit XXX version of SNOW WHITE & 7 DWARFS, pours on the crazy sex here and hits a homer. If, to quote the old soft porn trailers, "you want to see something different", this is the one.
Funniest aspect for me is the casting of the lady pornographer, oh so prim and proper in the intro seen in her tailored business suit. She looked like porn's answer to Arianna Huffington (whoa!), but later on when she disrobed sporting 44DD's I was cured of that peculiar mental association.