Directed by
Philip Goodhew |
Writing Credits (in alphabetical order)
Philip Goodhew | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
Chris Craib | ... | executive producer |
Lora Fox Gamble | ... | co-producer |
Alex Harakis | ... | executive producer |
Simon Hardy | ... | line producer |
Angela Hart | ... | producer |
Danny Passi | ... | executive producer |
Fabio Chino Quaradeghini | ... | executive producer |
Gary Smith | ... | executive producer |
Nigel Thomas | ... | co-executive producer (uncredited) |
Peter Watson-Wood | ... | co-producer |
Music by
James McConnel |
Cinematography by
Simon Archer |
Editing by
Jamie Trevill |
Casting By
Gillian Hawser | ||
Caroline Hutchings | ||
Kate Plantin |
Production Design by
James Merifield |
Art Direction by
Paul Ghirardani |
Set Decoration by
Gina Cromwell |
Costume Design by
Stephanie Collie |
Makeup Department
Lou Burton | ... | makeup artist |
Mark Coulier | ... | prosthetic makeup artist |
Karen Edwards | ... | hair stylist |
Richard Glass | ... | contact lens optician |
Jemma Scott-Knox-Gore | ... | contact lens technician |
Tracey Wells | ... | key hair stylist |
Tory Wright | ... | hair designer / makeup designer |
Production Management
Rebecca Christensen | ... | production manager |
Second Unit Director or Assistant Director
William Booker | ... | assistant director |
Jez Oakley | ... | assistant director |
Kieron Phipps | ... | first assistant director |
Spike | ... | additional assistant director |
Barry Wasserman | ... | assistant director |
Art Department
Jacqueline Abrahams | ... | stand-by art director |
Liliana Cifonelli | ... | prop hand |
Mike Cuddy | ... | dressing props |
Nicola De Fresnes | ... | art department assistant |
Stephen Dobric | ... | draughtsman |
S.B. Edwards | ... | scenic painter |
Segan Friend | ... | stand-by props |
Rupert Gartrell | ... | dressing props |
Anna-Maria James | ... | propmaker |
Tim Leadley | ... | stand-by carpenter |
George Malin | ... | stand-by props |
Elise Menghini | ... | property buyer |
Simon Morrissey | ... | property master |
David O'Williams | ... | props transport |
Oliver Roberts | ... | prop hand |
Mark Rutherford | ... | stand-by painter |
Jessie Walker Stewart | ... | propmaker (as Jessie Walker-Stewart) |
Teresa Weston | ... | graphic artist |
Stefan Zambinski | ... | art department runner |
Sound Department
Karima Benchemakh | ... | sound trainee |
Owen Bleasdale | ... | dubbing assistant |
Terry Brown | ... | sound effects editor |
Ed Bulman | ... | dubbing assistant (as Edward Bulman) |
Glenn Calder | ... | dubbing mixer |
John Chandler | ... | boom operator |
Felicity Cottrell | ... | foley artist |
Mike Ross-Trevor | ... | sound recording engineer (as Mike Ross Trevor) |
Mags Scholes | ... | sound maintenance engineer |
James Seddon | ... | dolby consultant / stereo sound consultant: Dolby |
Jack Stew | ... | foley artist |
Graeme Stoten | ... | foley recordist |
Keith Tunney | ... | production sound mixer / supervising sound editor |
Visual Effects by
Simon Frame | ... | visual effects producer |
Tom Hocking | ... | digital effects artist |
Stunts
Lex Milloy | ... | additional stunts |
Rod Woodruff | ... | stunt coordinator |
Camera and Electrical Department
Andy Cole | ... | rigging gaffer |
Peter Dones | ... | key grip |
Glyn Fielding | ... | key grip |
Jay Handscomb | ... | rigger |
Thomas Harding | ... | focus puller |
Rupert Lloyd-Parry | ... | grip |
Roger Lowe | ... | lighting consultant |
John Moore | ... | still photographer |
Andrew Purdy | ... | generator operator |
Susi Rowell | ... | clapper loader |
Ricky Stelling | ... | rigger |
Fred Todd | ... | electrician (as Cameron 'Fred' Todd) |
Alf Tramontin | ... | steadicam operator |
Andrew Trewartha | ... | camera trainee |
Tony Tyler | ... | electrician |
Casting Department
Julie Dunne | ... | extras casting |
Gillian Hawser | ... | casting associate |
Caroline Hutchings | ... | casting associate |
Keith Law | ... | extras casting |
Costume and Wardrobe Department
Fiona Lucas | ... | wardrobe assistant |
Lisa Shanley | ... | assistant costume designer |
Gabrielle Spanswick | ... | costume supervisor |
Editorial Department
Mike Fraser | ... | negative cutter |
Alec Gibson | ... | color grader |
Gavin McCarron | ... | negative cutter |
Yannis Sakaridis | ... | assembly editor |
Location Management
Linzi Baltrunas | ... | location scout |
Alex Candlin | ... | location scout |
Caroline Lloyd-Price | ... | location scout |
Philip Pinchin | ... | location scout |
Malcolm Walker | ... | location manager |
Nick Williams | ... | location scout |
Music Department
Peter Adams | ... | ensemble musician: cello |
Sylvia Addison | ... | orchestral contractor |
John Alley | ... | ensemble musician: piano |
David Firman | ... | conductor |
Roy Jowitt | ... | ensemble musician: clarinet |
Roland Roberts | ... | ensemble musician: violin / music supervisor |
Script and Continuity Department
Kim Armitage | ... | script supervisor |
Additional Crew
Meredith Bellamy | ... | stand-in |
Pauline Brown | ... | production accountant |
Zoe Burrell | ... | production runner |
Catherine Charlton | ... | voice coach |
Ananda Coulier | ... | accounting assistant |
Anja Course | ... | production assistant |
Spencer Dodd | ... | floor runner |
Mike Fraser | ... | rushes transfer |
Julia Jones | ... | unit publicist |
Harriet Perry | ... | assistant to producer |
Ben Pitts | ... | stand-in |
Caroline Pope | ... | choreographer |
Spike | ... | runner |
Mark Thomas | ... | development producer: Winchester (uncredited) |
Thanks
Peter Dones | ... | in memory of (as Pete Dones) |
Danny Passi | ... | special thanks |