Our opening introduction to Mr & Mrs Maeda follows the pair as they hurriedly stash out of sight all their valued possessions, for on the way up the apartment stairs is their son's boss, with an accountant, to present accusations of large-scale embezzlement...
So begins this brilliant cynical social satire, you could almost say chamber drama, stay tuned, unravelling in a volatile atmosphere the offbeat story has some extraordinary surprises ahead...
The outstanding film is deliriously black humoured, a distinctive collaboration between two masters of their art, director Yûzô Kawashima and writer Kaneto Shindô. Complimenting the tale is vibrant expressive colour cinematography, brilliantly composed within the tight settings by Nobuo Munekawa.
Coming back to the film after some years, spellbound throughout, compels me to give an extra shout-out for this classic film, one that still mysteriously lingers somewhat in obscurity.
A knockout cast of flawed characters excel in the confined apartment setting, but one role in particular I will single out. Every captivating performance from Ayako Wakao always seems to be her best. Here she is exceptional as the titular character. . Yasuzo Masumura reflected in a 1970 interview that Wakao was, "selfish and calculating ... she's hardly a pure-hearted woman and she knows it."...
A formidable natural, this is the very essence of her chic, scintillating role as the firm's manipulative accountant Yukie, 'The Graceful Brute'!
Say no more, Shitoyakana kedamono for me is a treasured essential of Classic Japanese Cinema. Highly Entertaining. Highly Recommended!!
