Directed by
Matthew Barney |
Writing Credits
Matthew Barney | ... | (writer) |
Cast (in credits order)
Produced by
Matthew Barney | ... | producer |
Barbara Gladstone | ... | producer |
Chelsea Romersa | ... | associate producer |
Music by
Jonathan Bepler |
Cinematography by
Peter Strietmann |
Production Design by
Matthew D. Ryle |
Costume Design by
Laurence Esnault | ... | co-costume designer |
Linda LaBelle |
Makeup Department
Regina Harris | ... | beauty makeup artist / hair stylist / makeup designer |
Paul Huntley | ... | wig maker |
Dida Paraschivoiu | ... | manicurist: Bradley Curry Management |
Ramie Roth | ... | makeup assistant: New York |
Alan Tuskes | ... | makeup effects crew |
Art Department
Brian DeRan | ... | on set assistant |
Luther Davis | ... | scenic painter: New York |
Lalena Fisher | ... | C2 graphic |
Derek Haas | ... | carpenter: New York |
Chris Hanson | ... | carpenter: New York |
Zane Mills | ... | scenic painter: New York |
Paul Wilke | ... | carpenter: New York |
Sound Department
Andy Clarke | ... | boom operator: Canada |
Cynthia Daniels | ... | sound engineer (segment "Deseret Hymn") |
Dante Desole | ... | sound engineer (segments "The Ballad of Gary Gilmore", "Compression Prelude", "The Executioner's Step", "The Man in Black", "Postlude Retreat") |
Mark Gantzert | ... | boom operator: Canada |
Adam M. Goldstein | ... | sound editor / sound effects editor |
Chen Harpaz | ... | sound mixer: Cinema Audio Playground |
Alan Silverman | ... | sound engineer (segments "Compression Prelude", "Deseret Hymn", "The Man in Black", "Postlude Retreat") |
Mike Yarske | ... | boom operator: Canada |
Special Effects by
Gabriel Bartalos | ... | prosthetic makeup and effects: Atlantic West Effects |
Derek Haffar | ... | assistant: mold-making |
Tammy Lane | ... | prosthetic makeup effects: Atlantic West Effects |
Steven Lawrence | ... | prosthetic makeup effects: Atlantic West Effects (as Steve Lawrence) |
Michael O'Brien | ... | prosthetic makeup effects: Atlantic West Effects / special effects technician: Atlantic West Effects |
Alan Tuskes | ... | prosthetic makeup effects: Atlantic West Effects (as Al Tuskes) |
Cesha Ventre | ... | prosthetic makeup effects: Atlantic West Effects |
Al Venuto | ... | prosthetic makeup effects: Atlantic West Effects |
Visual Effects by
Karen Ansel | ... | visual effects supervisor: Mobility |
Kim Bromley | ... | special visual effects and animation: Mobility |
Mark DeSousa | ... | special visual effects and animation: Mobility |
Jack Haye | ... | special visual effects and animation: Mobility (as Jack 'Edsel' Haye) |
Steve Linn | ... | special visual effects and animation: Mobility |
Dan McNamara | ... | special visual effects and animation: Mobility |
Dani Morrow | ... | special visual effects and animation: Mobility |
Michelle Motta | ... | special visual effects and animation: Mobility |
Travis Price | ... | special visual effects and animation: Mobility |
Jason Rosson | ... | special visual effects and animation: Mobility |
Ira Shain | ... | character animator: Mobility / special visual effects and animation: Mobility |
Matt Wallin | ... | animator: Mormon Tabernacle choir (as Matthew Wallin) / visual effects producer (as Matthew Wallin) |
Xye | ... | special visual effects and animation: Mobility |
Stunts
Chris Barnes | ... | stunt rigger |
Justin Corgatelli | ... | stunt double: Gary Gilmore |
Randy G. Hatch | ... | stunt double: Gary Gilmore |
Camera and Electrical Department
Carter Berg | ... | assistant still photographer |
Michael James O'Brien | ... | still photographer |
Paul Pisoni | ... | videographer: second unit |
Blithe Riley | ... | grip assistant: New York |
Paul Steketee | ... | grip assistant: New York |
Chris Winget | ... | lighting technician / still photographer / videographer: second unit |
Costume and Wardrobe Department
Jim Platt | ... | costume rental: Reel Cops Costume Rental Corp. |
Leticia Sandoval | ... | specialty costumes |
Dean Sonnenberg | ... | costume: Fay La Foe |
Editorial Department
Michael Buday | ... | on-line editor (as Mike Buday) |
Joe Parisella | ... | color timer |
Music Department
Gregory D'Agostino | ... | musician: organ, "Compression Prelude", "Deseret Hymn", "Interlude Saline" and "Postlude Retreat" |
Transportation Department
Jay Ellis | ... | vehicles in Columbian Exposition provided by |
Shamus Mack | ... | vehicles in Columbian Exposition provided by |
Brian Martin | ... | vehicles in Columbian Exposition provided by |
Michael Pazienva | ... | vehicles in Columbian Exposition provided by |
John Seasock | ... | vehicles in Columbian Exposition provided by: Sudden Impact Racing |
Leo Terrizzi | ... | vehicles in Columbian Exposition provided by |
Dave Venti | ... | vehicles in Columbian Exposition provided by |
Additional Crew
Rick Azure | ... | production assistant: Canada |
Denise Baer | ... | production assistant: New York |
Andrés Baiz | ... | production assistant: New York |
Chris Barnes | ... | production assistant: New York |
Joy Barrett | ... | production assistant: Canada |
Roy Batty | ... | buffalo wrangler |
Bruce Benedict | ... | additional lighting technical: Hotlights |
Willa Bepler | ... | production assistant: New York |
Brent Bingham | ... | salt engineering: Bingham Engineering |
Joe Bishop | ... | security officer |
Joe Bosack | ... | 2-D graphic artist |
Edgar R. Brewster | ... | Masterpoint verse by: Brewster Foundation |
Bill Bulek | ... | production assistant: Canada |
Brian Cahill | ... | production assistant: Canada |
Jeremy Carnagey | ... | production assistant: Canada |
Armand D'Agostini | ... | mechanic: Mustang |
Timothy J. Davey | ... | principal production team |
Richard Davis | ... | buffalo provided by |
Scott Denny | ... | production assistant: Canada |
Brian Deran | ... | production assistant: New York |
Jim Dini | ... | production assistant: Canada |
Brett Dixon | ... | salt engineering: Bingham Engineering |
Yvanne Faught | ... | production assistant: Canada |
Sam Green | ... | production assistant: New York |
Tyla Guss | ... | production assistant: Canada |
Dion Gyll | ... | white 1966 Mustang provided by |
Sean Gyll | ... | white 1966 Mustang provided by |
Roy Hadley | ... | organizational support for rodeo: Utah |
Lori Hinson | ... | production assistant: Canada |
Juliet Izatt | ... | production assistant: Canada |
Richard Johnson | ... | gas station provided by (as Richard Johnson DDS) |
Thomas Kearns | ... | metamorphosis cabinet: GT Custom |
Tammy Lane | ... | production assistant: New York |
Eugene Larson | ... | blue 1966 Mustang provided by |
Peter Lemieux | ... | ice guide: Icewalks |
Lynne Mackey | ... | milliner |
Muneto Maekawa | ... | production assistant: New York |
Matsu | ... | production assistant: New York |
Hal McFeely III | ... | body double: body double on fallen bull / principal production team |
Andrew Mount | ... | production assistant: New York |
Brad Nelson | ... | production assistant: Canada |
Michael Sean O'Mahony | ... | production assistant: New York |
Kembra Pfahler | ... | body double: Bessie Gilmore |
Paul Pisoni | ... | principal production team |
Josh Reiman | ... | production assistant: New York |
John Roche | ... | production assistant: New York |
Ellen Ross | ... | insurance consultant: Acordia Northeast |
Joe H. Roundy | ... | supervising veterinarian: Tooele Veterinary Clinic (as Joe H. Roundy D.V.M.) |
Kristin Schattenfield | ... | principal production team |
Bob Scura | ... | bee wrangler: New York |
Christopher Seguine | ... | offline facility: Sublime Films |
Leonard Simpson | ... | buffalo trainer |
Mike Stapely | ... | helicopter pilot: Alpine Helicopters |
Shusei Sugawara | ... | principal production team |
Neil Thompson | ... | helicopter pilot: Canadian Helicopters |
Lisa Vollmer | ... | production assistant: New York |
Matt Wyatt | ... | production assistant: Canada |
Thanks
Paul Barratt | ... | thanks |
Eric Bonwitt | ... | thanks: Los Angeles |
Grace Clark | ... | thanks |
Marti Domination | ... | thanks |
Mary Farley | ... | special thanks |
Günter Ford | ... | thanks: World Management |
Jessica Frost | ... | thanks |
Maria Gallerie | ... | thanks |
Robert Isabel | ... | thanks |
Al Kisys | ... | thanks |
David Korty | ... | thanks: Los Angeles |
Elias Kostis | ... | thanks: Los Angeles |
Ken Levitan | ... | thanks: Vector Management |
Janice MaChipiness | ... | thanks |
Norman Mailer | ... | special thanks: permission for use of "The Executioner's Song" |
Judith McNally | ... | thanks |
Morris | ... | thanks |
Ed Mulick | ... | thanks |
Maxine Neuman | ... | thanks |
Jean-Yves Noblet | ... | thanks |
Scott Olsen | ... | thanks |
Lisa Overduin | ... | thanks: Los Angeles |
Steve Perry | ... | thanks: Days Inn of Wendover |
Grant Potter | ... | thanks: Canada |
Priester | ... | thanks |
Shaun Caley Regen | ... | thanks: Los Angeles |
John Romersa | ... | thanks |
Lawrence Schiller | ... | special thanks: permission for use of "The Executioner's Song" |
Chris Sleater | ... | thanks |
Tim Smith | ... | thanks |
Jean Stein | ... | thanks |
Dieter Szczypinski | ... | thanks: World Management |
Marilyn Toone | ... | thanks: Central Utah Film Commission |
Stacey Tunis | ... | thanks |
Leigh Von Der Esch | ... | thanks: Utah Film Commission |
Kathi Whitley | ... | thanks: Vector Management |