A struggling dentist's life is turned upside down when a famous gangster moves in next door, and his wife convinces him to inform a notorious mob boss about the gangster's whereabouts.A struggling dentist's life is turned upside down when a famous gangster moves in next door, and his wife convinces him to inform a notorious mob boss about the gangster's whereabouts.A struggling dentist's life is turned upside down when a famous gangster moves in next door, and his wife convinces him to inform a notorious mob boss about the gangster's whereabouts.
- Awards
- 6 nominations
Carmen Ferland
- Sophie's Mom
- (as Carmen Ferlan)
Serge Christiaenssens
- Mr. Boulez
- (as Serge Christianssens)
Renee Madeline Le Guerrier
- Waitress
- (as Renée Madelaine Le Guerrier)
Charles Biddle Sr.
- Bass Player
- (as Charles Biddle)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe three kids who run between Jimmy and Oz when they are standing next to the flower cart are Bruce Willis's three daughters, Tallulah Willis, Scout Willis, and Rumer Willis.
- GoofsDental records cannot be faked. It isn't just a matter of matching up dental work on a couple of Panellipse films (as shown in the movie). There is also everyone's unique bone density/structure, unique root structure, individual tooth sizes and variations in shape to be considered. These are things that cannot be altered. Moreover, those are the things that they look at when identifying someone from dental records.
- Crazy creditsLeanna McOemmecon is listed in the credits as the stand-in for Rosanna Arquette. It should read "Leanna McLennan.": "I worked as a stand in for Rosanna Arquette while filming in Quebec. The correct spelling of my name is Leanna McLennan. Each day, my name would be spelled differently on the call sheet--McLean, etc. Each day, I would correct it. In the end, I am listed in the credits as Leanna McOemmecon, which I find quite amusing."
- Alternate versionsOn most TV broadcasts, including TBS, Jill, although naked, has her left arm covering her breasts.
- ConnectionsFeatured in Siskel & Ebert: The Beach/Snow Day/Holy Smoke (2000)
Featured review
I watched this one on the dish the other day, eager to see Montreal in a movie actually playing Montreal, as opposed to masquerading as New York or Chicago or some other city. Other than that, I really didn't know what to expect.
I was pleasantly surprised in a few ways. Matthew Perry was playing his usual goofy character, as a result of total lack of any acting ability whatsoever. But Bruce Willis is always good, Amanda Peet stole the screen in almost every scene she was in, and the plot line was just quirky enough to be entertaining. Innovative and fresh, I found this film to be more creative than most of what's currently out in the theatres. It didn't have that formula imprint of so many Hollywood films (i.e. take the comedy formula off the shelf and cast it by Friday). I actually laughed out loud at a few moments.
The movie did go wrong in a couple of places. Being a Montrealer, I noticed a few things that most viewers might have missed. For instance that their obsession with Mayonnaise on hamburgers, which is integral to the plot, isn't based on any reality that I know of as I have yet to find a Montreal restaurant that puts mayonnaise on burgers. Rosanna Arquette's French accent is even worse than mine, even though it's supposedly her character's first language. Matthew Perry's love scenes with Natasha Henstridge are so ridiculously unrealistic, even the non-cynical will yawn. And the director seemed to have an obsession with pointing out Montreal landmarks, even if they had nothing to do with the plot.
Those are small things in the grand context of the movie, though. If you liked movies such as The Big Hit, this is very similar. It's not meant to be taken very seriously, so the plot turns are more for absurdity's sake than for any kind of buildup of suspense. Still, if you're looking for some lighter entertainment, it's a good choice.
I was pleasantly surprised in a few ways. Matthew Perry was playing his usual goofy character, as a result of total lack of any acting ability whatsoever. But Bruce Willis is always good, Amanda Peet stole the screen in almost every scene she was in, and the plot line was just quirky enough to be entertaining. Innovative and fresh, I found this film to be more creative than most of what's currently out in the theatres. It didn't have that formula imprint of so many Hollywood films (i.e. take the comedy formula off the shelf and cast it by Friday). I actually laughed out loud at a few moments.
The movie did go wrong in a couple of places. Being a Montrealer, I noticed a few things that most viewers might have missed. For instance that their obsession with Mayonnaise on hamburgers, which is integral to the plot, isn't based on any reality that I know of as I have yet to find a Montreal restaurant that puts mayonnaise on burgers. Rosanna Arquette's French accent is even worse than mine, even though it's supposedly her character's first language. Matthew Perry's love scenes with Natasha Henstridge are so ridiculously unrealistic, even the non-cynical will yawn. And the director seemed to have an obsession with pointing out Montreal landmarks, even if they had nothing to do with the plot.
Those are small things in the grand context of the movie, though. If you liked movies such as The Big Hit, this is very similar. It's not meant to be taken very seriously, so the plot turns are more for absurdity's sake than for any kind of buildup of suspense. Still, if you're looking for some lighter entertainment, it's a good choice.
- How long is The Whole Nine Yards?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Дев'ять ярдів
- Filming locations
- 297 Rue Marcel-Giguère, Blainville, Québec, Canada(Nicholas 'Oz' Ozeransky's house)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $41,300,000 (estimated)
- Gross US & Canada
- $57,262,492
- Opening weekend US & Canada
- $13,731,070
- Feb 20, 2000
- Gross worldwide
- $106,371,651
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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