Five youngsters embrace the 90s clubbing scene on a drug-fuelled weekend of partying in Cardiff.Five youngsters embrace the 90s clubbing scene on a drug-fuelled weekend of partying in Cardiff.Five youngsters embrace the 90s clubbing scene on a drug-fuelled weekend of partying in Cardiff.
- Nominated for 1 BAFTA Award
- 9 wins & 7 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to an article in Mixmag in 1999, the drug gurning etc was for real as the cast did have ecstasy and drank a lot of alcohol whilst filming.
- GoofsWhen Jip is driving home from work, his right foot - his accelerator foot - is tapping along to the music yet the car still drives smoothly.
- Quotes
Jip: The weekend has landed. All that exists now is clubs, drugs, pubs and parties. I've got 48 hours off from the world, man. I'm gonna blow steam out my head like a screaming kettle, I'm gonna talk cod shit to strangers all night, I'm gonna lose the plot on the dancefloor. The free radicals inside me are freakin', man! Tonight I'm Jip Travolta, I'm Peter Popper, I'm going to never-never land with my chosen family, man. We're gonna get more spaced out than Neil Armstrong ever did, anything could happen tonight, you know? This could be the best night of my life. I've got 73 quid in my back burner - I'm gonna wax the lot, man! The Milky Bars are on me! Yeah!
- Alternate versionsA special edition, Human Traffic Remixed, is available on DVD. This is re-cut with new scenes, new CGI effects, and new tracks.
- ConnectionsFeatured in Cinemania: Ypalliloi en drasei! (2009)
- SoundtracksBuild It Up, Tear It Down
Written by Fatboy Slim (as Normal Cook)
Published by PolyGram International Music Publishing
Performed by Fatboy Slim
Licensed courtesy of Skint Records
It is certainly spot on in with it's observations and in it's accuracy. It's obvious the filmmakers have 'been there and done it'. If you are or were once like the people in this film, than there is so much to relate it. It's all there, often depicted humorously but not condescendingly. The fake euphoria of being on 'E'["in the end ,I just want to be happy, yeah ,that's it.....hang on, what the **** was I talking about?"]. The monged conversation at 4 am which seems deep and meaningful but is basically rubbish [ Star Wars being about drugs!]and gets more and more incoherent. Exchanging pleasantries with someone you only see in pubs and clubs and really can't stand. 'Coming up' suddenly at the same time as someone else and mumbling to each other what you're 'on' at the speed of light. Reminiscing how it was better in the 'old days' and is now too commercial and widespread. Doing it all for the first time and going off with a bunch of dodgy geezers who are suddenly your best mates. The thrill of finding the after party. The depressing, inexorable sense of returning to the reality.
The film's attitude to drugs is commendable, drug taking is simply something the characters do, and that's all. Nobody dies or is seriously ill ,and yet there is a sense that it doesn't really lead anywhere. "After all ,we'll not going to be doing this for ever, are we" says one character at the end.
The film falters a little when depicting the lives of it's protagonists. For many scenes, director Justin Kerrigan uses a kind of 'heightened reality', for instance in a scene when a character comments on how the workers in a fast food place are like robots and for a moment they 'become' actual robots. This approach does not always work, and it's a shame since the characters are all the sort you could expect to run into on a Friday night. We do care a bit about their respective lives and problems, but we don't really get to know the female characters properly, and what is really the main thrust of the plot, the blossoming romance between two of the main protagonists, is dwelled on too much and is somehow unconvincing,if sometimes quite sweet. The acting is generally OK if not great.
Human Traffic is not as important a film as, say, Trainspotting, which despite being about heroin addicts seemed to speak to a generation. Nonetheless, it's a truthful depiction of an element of society which films and TV either ignore or condescend to. Incidentally ,there are two versions, the director's edit and the later producer's edit. The latter, which cuts some footage, changes some music and adds some silly CGI, is inferior to the former.
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Generación Éxtasis
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £2,200,000 (estimated)
- Gross US & Canada
- $104,257
- Gross worldwide
- $104,257
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1