On the eve of his execution, a vice-rackets bigshot recalls his various exploits in crimes such as abortion and white slavery, in which he frequently operated under an alias.On the eve of his execution, a vice-rackets bigshot recalls his various exploits in crimes such as abortion and white slavery, in which he frequently operated under an alias.On the eve of his execution, a vice-rackets bigshot recalls his various exploits in crimes such as abortion and white slavery, in which he frequently operated under an alias.
Photos
Lona Andre
- Florence Davis (edited from 'Race Suicide')
- (archive footage)
- (uncredited)
Dean Benton
- Harry - A Henchman (edited from 'Smashing the Vice Trust')
- (archive footage)
- (uncredited)
Betty Compson
- Mrs. Lucy Morgan (edited from Mad Youth)
- (archive footage)
- (uncredited)
Lester Dorr
- Eddie's Henchman (edited from 'Smashing the Vice Trust')
- (archive footage)
- (uncredited)
Sam Flint
- Martin Standish - Gang Leader (edited from 'Smashing the Vice Trust')
- (archive footage)
- (uncredited)
Kit Guard
- Henchman (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
John Ince
- Judge (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Selmer Jackson
- The District Attorney (edited from 'Smashing the Vice Trust')
- (archive footage)
- (uncredited)
Donald Kerr
- Man at Party House
- (archive footage)
- (uncredited)
Frank LaRue
- Mr. Benton (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Noel Madison
- Nick - Procurer at Nightclub (edited from 'The Pace That Kills')
- (archive footage)
- (uncredited)
Blanche Mehaffey
- Florence Jones (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Rose Plumer
- Mrs. Benton (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Veola Vonn
- Lois - The Nice Girl (edited from 'Smashing the Vice Trust')
- (archive footage)
- (uncredited)
Frank Wayne
- Eddie - Henchman (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Constance Worth
- Judy (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Storyline
Did you know
- TriviaThis wartime exploitation film was mostly made up of scenes from earlier exploitation films. New footage features Willy Castello as a prisoner about be be executed who dictates the the story of his life of crime. This provides the framework for the use of scenes from earlier films.
- ConnectionsEdited from The Murder in the Museum (1934)
Featured review
This movie is a must-have for exploitation film fans as it contains edited clips from a number of other movies within its overarching narrative. In essence, it is a "Best of Willy Castello" retrospective, rather cleverly strung together from bits and pieces of 1930s films in which this Dutch-born actor portrayed criminals. Identification of the movies in which the archival footage originated includes fragments from "Mad Youth" (Willy Castello as a gigolo), "Race Suicide" (Willy Castello as an abortion doctor), "The Pace That Kills" (better known under its reissue title "Cocaine Fiends" -- in which Willy Castello does not appear), and "Smashing the Vice Trust" (Willy Castello as crime lord James "Lucky" Lombado in a prostitution sub-plot). Although at least one of the movies from which the footage is drawn deals with drug use, that aspect of the story is discarded here entirely in favour of a focus on Castello's character as a despoiler of women, first as a gigolo, then as an abortion doctor, and finally as the crime boss who instigates two prostitution subplots -- one in which the focus is on the kidnapping of school girls and another in which he seduces a young woman and sends her to Fat Pearl's brothel when he tires of her. Exploitation of women is also evident in a dainty disrobing sequence in the abortionist's office and a noteworthily non-plot-driven side-show scene showcasing the belly dancers "Carmalita" and "Fatima" (pronounced "Fateema") from another Willis Kent production, "Murder in the Museum." My immediate reaction to this film was to try to identify the sources used in compiling it. Others, whose interests are not attuned to filmic trivia, might fault the story for lack of originality, but beauty is in the eye of the beholder. I liked it, although i realize its firmest audience base will be classic exploitation fans only.
- CatherineYronwode
- Nov 10, 2005
- Permalink
Details
- Runtime59 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Confessions of a Vice Baron (1943) officially released in Canada in English?
Answer