A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.
- Awards
- 2 wins & 2 nominations total
Danielle Rene
- Cheerleader #2
- (as Danielle Reneau)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsWhen the pickup truck is pulling away in the last scene, a larger truck pulling the pickup can be seen through the tree and even hitting branches of the tree.
- Alternate versionsThe version that ran in theaters had the Lion's Gate logo, then the Fine Line logo, and then the credit: "Fine Line Features presents." This wasn't changed in time, as a deal with Fine Line and the film's production company fell through. On the DVD release the Lion's Gate logo appears and then there is a new credit: "Lion's Gate Films presents." No mention of Fine Line appears.
- SoundtracksChick Habit
(Laisse Tomber les Filles)
Music by Serge Gainsbourg
French lyrics by Serge Gainsbourg
English lyrics by April March
Performed by April March
Published by Yé Yé Music (BMI)
©1964 Bagatelle S.A. (transferred to Sidonic Publishing)
Courtesy of Ideal Records
Featured review
I went into this movie with virtually no preconceptions. Fortunately, as it turns out, as I've barely seen a favorable review anywhere, from the major papers to this message board.
This is an almost perfect movie of its type. Wonderfully written, beautifully shot, intelligently directed, well paced. Every frame has an impact, every frame its reason. The satire is perfectly judged, over the top, but balanced with enough weight to give it impact without pandering to the saccharin melodrama of mainstream Hollywood.
I can see John Waters, to which this has been compared, but the humor is tighter. Visually it has a bit of Tim Burton in there, but has a genuine voice of its own within its indie genre conventions. I can only think of it as a parody of the film that most reviewers seem to have seen.
Add a killer soundtrack and you have a gem: the best and darkest teen comedy since Heathers.
This is an almost perfect movie of its type. Wonderfully written, beautifully shot, intelligently directed, well paced. Every frame has an impact, every frame its reason. The satire is perfectly judged, over the top, but balanced with enough weight to give it impact without pandering to the saccharin melodrama of mainstream Hollywood.
I can see John Waters, to which this has been compared, but the humor is tighter. Visually it has a bit of Tim Burton in there, but has a genuine voice of its own within its indie genre conventions. I can only think of it as a parody of the film that most reviewers seem to have seen.
Add a killer soundtrack and you have a gem: the best and darkest teen comedy since Heathers.
- stephen_gibb
- Jul 17, 2000
- Permalink
Details
Box office
- Budget
- $1,200,000 (estimated)
- Gross US & Canada
- $2,205,627
- Opening weekend US & Canada
- $60,410
- Jul 9, 2000
- Gross worldwide
- $2,595,910
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