Brazilian cinema was overconcentrated in a sexploitation genre called pornochanchada. Present film is divided in three short stories held in São Paulo. The first segment, about an eviction order, has interesting cinematography (including fast paced scenes and wide-angle close-ups, approximating to magic realism). It could be a nice campy comedy but pokes fun on sexual oppression, what is deffinitely not funny.
The second segment, "Credit card", directed by John Herbert, is by far the best, with very good and funny dialogs of his character with Eva Wilma's. The beginning, when the leading character faces a succession of failures as a costumer in a red-light district, is tepid and irregular, but the film has the very best moment when John Herbert and Eva Wilma are together. The very end has a dark off-colour humour. The third and latest segment, on a young sexually repressed clergyman, is just an amout of bad and unfunny sexploitation, being the worst part of the whole film.
