The wife of a university research scientist believes that her lakeside Vermont home is haunted by a ghost - or that she is losing her mind.The wife of a university research scientist believes that her lakeside Vermont home is haunted by a ghost - or that she is losing her mind.The wife of a university research scientist believes that her lakeside Vermont home is haunted by a ghost - or that she is losing her mind.
- Awards
- 7 wins & 7 nominations
Storyline
Did you know
- TriviaDirector Robert Zemeckis filmed this while production for Cast Away (2000) was shut down (so Tom Hanks could lose weight for his character).
- GoofsThe bite Claire takes out of the apple is gone when she forces Norman to take a bite out of it.
- Quotes
Jody: [showing off her new convertible] It's a beautiful thing, alimony. You lose a husband, you get a car. Think it'll help me pick up dudes?
Claire Spencer: [later] Pick up any dudes yet?
Jody: I have one in the trunk!
- Crazy creditsWhen the movie title first appears on screen, the word 'Lies' appears just before the rest of the title.
- SoundtracksToo Late
Written by J.C. Brandy (as Justine Brandy), Katie Harris, Lissa Beltri, Claudia Rossi & Doug DeAngelis
Performed by Lo-Ball (as LoBall)
Courtesy of Doug DeAngelis
Featured review
Claire and Norman Spencer's marriage starts to fall apart when she believes there is a ghost in the house. Things gather apace when Claire is convinced that the spirit is trying to tell her something. Something that could be too close to home for comfort.
Robert Zemeckis does Hitchcock? Well yes, the influence is obvious, unashamedly so. But the trouble with that, is having the maestro as a benchmark renders all other modern day attempts as folly. However, casting aside that gargantuan issue, What Lies Beneath is an effective creeper come thriller that boasts star credentials.
Directed by Zemeckis, formed from an idea by Steven Spielberg (from the story by Sarah Kernochan) and starring Harrison Ford and Michelle Pfeiffer as the fragmenting Spencer's. That's a pretty tidy bunch from which to launch your movie. What follows is a mixture of genuine unease and mystery, red herrings and standard boo jump moments, all of which almost gets lost on a saggy middle section as Zemeckis plays Hitchcock one too many times and loses sight of the supernatural heart of the piece, not helped by Clark Gregg's meandering script I might add. None the less, the picture gets pulled around for the finale as the spooky combines with thriller to produce some quality edge of the seat stuff. But it's only then that you totally realise that the makers here have tried to cram too much in to one film. In eagerness to manipulate the audience for the fine ending (though you probably will have it worked out at the half way point) the film just ends up as being confused as to what it mostly wanted to be.
Pfeiffer is excellent and looks stunning and Ford gives it gusto when the script allows. Support comes from Diana Scarwid, Joe Morton, Miranda Otto and James Remar. The house is suitably eerie with its waterside setting and Alan Silvestri's score is perfectly in tune with the creepy elements of the piece. It's a fine enough film in its own right, regardless of the Hitchcockian homages. It's just that it should have been a far better horror picture than it turned out to be. 7/10
Robert Zemeckis does Hitchcock? Well yes, the influence is obvious, unashamedly so. But the trouble with that, is having the maestro as a benchmark renders all other modern day attempts as folly. However, casting aside that gargantuan issue, What Lies Beneath is an effective creeper come thriller that boasts star credentials.
Directed by Zemeckis, formed from an idea by Steven Spielberg (from the story by Sarah Kernochan) and starring Harrison Ford and Michelle Pfeiffer as the fragmenting Spencer's. That's a pretty tidy bunch from which to launch your movie. What follows is a mixture of genuine unease and mystery, red herrings and standard boo jump moments, all of which almost gets lost on a saggy middle section as Zemeckis plays Hitchcock one too many times and loses sight of the supernatural heart of the piece, not helped by Clark Gregg's meandering script I might add. None the less, the picture gets pulled around for the finale as the spooky combines with thriller to produce some quality edge of the seat stuff. But it's only then that you totally realise that the makers here have tried to cram too much in to one film. In eagerness to manipulate the audience for the fine ending (though you probably will have it worked out at the half way point) the film just ends up as being confused as to what it mostly wanted to be.
Pfeiffer is excellent and looks stunning and Ford gives it gusto when the script allows. Support comes from Diana Scarwid, Joe Morton, Miranda Otto and James Remar. The house is suitably eerie with its waterside setting and Alan Silvestri's score is perfectly in tune with the creepy elements of the piece. It's a fine enough film in its own right, regardless of the Hitchcockian homages. It's just that it should have been a far better horror picture than it turned out to be. 7/10
- hitchcockthelegend
- Sep 30, 2009
- Permalink
Details
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $155,464,351
- Opening weekend US & Canada
- $29,702,959
- Jul 23, 2000
- Gross worldwide
- $291,420,351
- Runtime2 hours 10 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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