An attorney defends an officer on trial for ordering his troops to fire on civilians after they stormed a U.S. embassy in a Middle Eastern country.An attorney defends an officer on trial for ordering his troops to fire on civilians after they stormed a U.S. embassy in a Middle Eastern country.An attorney defends an officer on trial for ordering his troops to fire on civilians after they stormed a U.S. embassy in a Middle Eastern country.
- Awards
- 1 win & 2 nominations
Jimmy Abounouom
- Jimi
- (as Ahmed Abounouom)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Hodges (Tommy Lee Jones) returns to the bombed-out embassy, there is a picture of then Vice President Al Gore on the charred wall. Gore and Jones were roommates at Harvard.
- GoofsNational Security Adviser Bill Sokal is worried about political pressure from other countries about the internationally publicized "slaughter of innocent civilians in Yemen", so he hides the one piece of evidence that would exonerate Col. Childers: a video tape of the crowd initiating contact with the Marines. Sokal does this as a means of "throwing Childers under the bus". The problem with that is that not only would that tape reveal that Col. Childers was innocent and performed his duty admirably, but it would remove all political pressure from the US - thus removing the reason why Sokal hid the tape in the first place. Couple that with the evidence presented in the courts-martial that proved Col. Childers innocent, and it would have been painfully obvious that Col. Childers performed his duties honorably and, therefore, would have been returned to active duty. In short, Sokal helped propagate the very problem he was trying to solve: political pressure against the US, that would cause embassies to be removed around the world.
- Quotes
Colonel Hayes Hodges: You ever had a pissed-off Marine on your ass?
National Security Advisor William Sokal: Is that a threat?
Colonel Hayes Hodges: Oh, yes, sir.
- Alternate versionsSome international prints, made for DVD/TV broadcast, have removed the Paramount logo and fade straight into the Seven Arts Pictures logo. The opening titles also now read "Seven Arts Pictures Present in association with Paramount Pictures". This is due to the fact that Seven Arts owned the international rights and wanted prime credit.
- SoundtracksOn the Threshold of Liberty
by Mark Isham
Contains a sample performed by Mark Isham
Courtesy of The Windham Hill Group
Featured review
Having just watched Rules Of Engagement, I have to say that although Samuel L. Jackson and Tommy Lee Jones are a joy to watch, I have to make some negative comments about this movie.
The movie is extremely manipulative, and comes from the equally manipulative director of The French Connection, William Friedkin. The movie's bad guys, oddly enough, are a crowd of irrational arabs, together with career politicians who won't just let military men do what they have to do.
The problem with the entire scenario is that the entire massacre could have been prevented with a couple of well aimed teargass grenades. Secondly, not a lot of time is spent on the character development of the 'bad guys', namely the Yemenis (in this case), who all seem to be very eager to die killing Americans, including their (the Yemeni's) toddlers. The later images of the little girl shooting a pistol is very manipulative indeed ("oh, see, she deserved to get her leg shot off after all!").
And thirdly, the incident most like it, namely the US Army Rangers debacle in Mogadishu, caused the death of 18 Rangers but 1000 Somali Mogadishuans, most of which were non-combatants. No-one seems to have been called to task for that event, let alone be thrown to the lions to appease public opinion, like Samuel Jackson's character is over a "mere" 83 deaths. (The same thing can be said for the invasion of Panama, where there was a similar death toll among civilians - the truth of the matter is that since WWII, conventional weapons have become infinitely more efficient, with the result that if conflict breaks out in built-up areas, _lots_ of civilians are killed.)
However, the one redeeming value (other than the acting) is that it shines a light on the changed nature of the political war that is required of the modern soldier in places like Somalia, Bosnia, etc., and that started in Vietnam.
The movie is extremely manipulative, and comes from the equally manipulative director of The French Connection, William Friedkin. The movie's bad guys, oddly enough, are a crowd of irrational arabs, together with career politicians who won't just let military men do what they have to do.
The problem with the entire scenario is that the entire massacre could have been prevented with a couple of well aimed teargass grenades. Secondly, not a lot of time is spent on the character development of the 'bad guys', namely the Yemenis (in this case), who all seem to be very eager to die killing Americans, including their (the Yemeni's) toddlers. The later images of the little girl shooting a pistol is very manipulative indeed ("oh, see, she deserved to get her leg shot off after all!").
And thirdly, the incident most like it, namely the US Army Rangers debacle in Mogadishu, caused the death of 18 Rangers but 1000 Somali Mogadishuans, most of which were non-combatants. No-one seems to have been called to task for that event, let alone be thrown to the lions to appease public opinion, like Samuel Jackson's character is over a "mere" 83 deaths. (The same thing can be said for the invasion of Panama, where there was a similar death toll among civilians - the truth of the matter is that since WWII, conventional weapons have become infinitely more efficient, with the result that if conflict breaks out in built-up areas, _lots_ of civilians are killed.)
However, the one redeeming value (other than the acting) is that it shines a light on the changed nature of the political war that is required of the modern soldier in places like Somalia, Bosnia, etc., and that started in Vietnam.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Reglas de combate
- Filming locations
- Morocco(Embassy)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $61,335,230
- Opening weekend US & Canada
- $15,011,181
- Apr 9, 2000
- Gross worldwide
- $71,732,303
- Runtime2 hours 8 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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