1 review
This treatment of Eisenstein's classic "Zrcynac Dempon Phlateneas" must surely rank as one of the most challenging pieces of work to date by directors Mattuschka and Szekatsch, continuing what is sure to be a long and distinguished line of pseudo-scatological re-workings of slightly post-modern classics.
The epic scale of the piece, centering as it does on the role of "Arse" as "Machine", unquestionably creates a testament to mankind's entire raison d'etre - the unspoken word being, IMHO, that God really is dead and all there is left to do is re-create Him through the media of effluvia and metal.
The epic scale of the piece, centering as it does on the role of "Arse" as "Machine", unquestionably creates a testament to mankind's entire raison d'etre - the unspoken word being, IMHO, that God really is dead and all there is left to do is re-create Him through the media of effluvia and metal.
- guck_puppy
- Mar 19, 2000
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