IMDb RATING
6.8/10
4.7K
YOUR RATING
A group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all meet at the Gates of Hell.A group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all meet at the Gates of Hell.A group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all meet at the Gates of Hell.
Akira Nakamura
- Professor Yajima
- (as Torahiko Nakamura)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film's production company was going out of business while the film was being completed, leading to budget-saving tactics such as the actors helping dig their own holes in the movie's set for Hell. Critics kidded that this film killed the Shintoho Studio.
- GoofsWhile Shiro is on the rope bridge, we see him at various times hanging on to the side handrails. Between shots, without him having changed position, these handrails quite noticeably change in diameter from thin cables to a much thicker cable, indicating that some shots were filmed on a real bridge, others were filmed on a studio mock-up.
- Quotes
Tamura: So you want to turn me in for manslaughter?
Shiro Shimizu: We're the ones who killed him. We caused it. Let's go together. Please.
Tamura: That might ease your conscience, but I'm not interested. It'd be stupid. He was drunk. He ran into the road. It was basically suicide. Besides, he was just some yakuza scum. He's not worth the best years of our lives.
- ConnectionsFeatured in Building the Inferno: Nobuo Nakagawa and the Making of 'Jigoku' (2006)
- SoundtracksComin' through the Rye
(uncredited)
Music: traditional
Japanese lyrics: unknown
Featured review
Certainly not a film for everyone, 'Jigoku' combines visions of Dante, surreal art, nightmarish tortures, and of course, Japanese camp. Director Nobuo Nakagawa presents it all in a dark, dreamlike way, shocking us (mildly) with the death of characters in the first part of the movie, and ramping this up to really shocking us with his vision of the torments of hell. It's in these that the film is at its best. There are the scenes of gore which may have you cringing, but the truly memorable scenes are those which are artistic, such as the field of hands reaching up out of the ground, and the whirling torment of people circling in a frenzy. In Nakagawa's hell, there is both physical pain and mental anguish, as people endlessly seek loved ones or slog through rivers of pus and waste. Where the film is weaker is in providing reasons for why all of the characters end up in hell in the first place. While the initial setup of a hit and run accident is pretty tight, expanding this to a broader set of characters gets a little contrived. Through it all, the character of the dark and sociopathic friend is played well by Yôichi Numata, who stands out in the cast.
- gbill-74877
- Nov 28, 2017
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Details
- Runtime1 hour 41 minutes
- Aspect ratio
- 2.35 : 1
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