User reviews

War film logic dictates that both Americans, Germans and the occupied French will all understand each other while speaking fluent Americanese. With this kind of co-operation, why was there ever a war in the first place? Possibly to inspire no-budget tank operas like Battle Of The Last Panzer. It's the tale of a doomed Panzer squad led by the clearly-insane Lieutenant Hunter (played by Italian actor Stan Cooper, real name Stelvio Rosi). His men know the war is over and are on the brink of mutiny, but Hunter, who spends most of the film with his shirt off and practicing his strange full-facial style of overacting, is determined to see his mission through to the last man standing. They bulldoze their way into a tiny French village and capture the sycophantic mayor and his less-than-impressed wife Jeanette, who despises weakness and sees something sexy in Hunter's bullish macho destructive determination.

Played by German actress Erna Schürer who spent most of the Seventies in more sleazy Italian fare such as Strip Nude For Your Killer and Deported Women of the SS Special Section, Jeanette willingly volunteers to become their tour guide, supposedly to save her husband, but after a while trapped in a tank full of sweating, leering Germans her motives are quite clear, showing off her flesh and playing the affections of one soldier against the other. At one point, Hunter peers up her skirt and says "Pull up into the underbrush and park!" Jawohl, mein herr.

Unlike spaghetti westerns, the Italian war cycle was far shorter, much less prolific, and produced no stand-alone genre classics, least of all this one. But Battle Of The Last Panzer from 1969 has the look and feel and musical score of a spaghetti western from the same era - transpose Confederates versus Yankees on top of the WW2 players, substitute a war wagon for the Panzer tank, and gatlings for submachine guns, and you have a Sergio Leone movie. A rough as guts Leone at a third of the running time, one-fiftieth of the cost and with a script rewritten buy a team of monkeys on typewriters, but a Leone film nonetheless. And with a cool red-tinted spaghetti western style shootout at the end, it's worth sitting through this interesting yet deeply flawed Italian-Spanish poverty-row production. So gather the troops and fire up the Tiger for another excursion into enemy territory courtesy of the losing side: the Italian war epic Battle Of The Last Panzer.

The film starts with a brief introduction reads , "As long as there are two men left one Earth, there will be war" . Stelvio Rossi as Lt. Hunter , nicknamed as Stan Cooper , assumes the character of commando leader in this ordinary wartime movie regularly directed by José Luis Merino . It is set during World War II, after the D-Day invasion . At the beginning of the movie happens a raid into French territory , there a two-fisted but unsettling officer , Lt. Hunter (as Stan Cooper) , attempts to organize his Tiger tank crew to escape from enemy army . The lieutenant leads a group of expert soldiers on a risked as well as strange getaway . The relentless run is submitted to strong sufferings , risked adventures and hazardous feats . He is a merciless Lieutenant with only one desire : to go out of beyond of enemy lines . Meanwhile , his nemesis , a tough American officer named Lofty (Guy Madison) who commands the allied Army (whose combat helmets are really postwar Spanish army and all of the American soldiers wielding arms are unique to postwar European) tries to destroy the enemy by besieging them . As the bunch of German Tank Crew fight to survive in France while a french woman called Jeanette (Erna Schurer) has volunteered to lead tank crew back to German lines , subsequently she falls in love with the German lieutenant (Stelvio Rossi) . The unfortunate Nazis , misfits from the German army do not care how its done and will run over anyone who gets in their way .

This moving film packs frantic thrills , perilous adventures , relentless feats , and buck-loads of explosive action , violence with reminiscent of Spaghetti Western . The noisy action is uniformly regularly-made , especially deserving of mention the rip-roaring final scenes in which the motley , wayward squadron is really besieged , including some spectacular shootouts and bombing . The ending tank battle is actually very similar to a gundown on the streets of the traditional Western town between the good guys and bad guys . The first half of the film allows the colorful cast of character actors to have their fun as they get their tails whipped into shape and developing a particular love/hateful relationship with their leader . The final part is all action , as the German team pursued by Partisans and US soldiers and then run for their lives . Apart from the values of team spirit , the film has a peculiar starring , far fom the uni-dimensional characters , as the Lieutenant results to be a disturbing role with doubts , nightmares and cowardice . The film is full of feats , suspense , battles , excitement and thrills . However , there are a number of unaccuracies and goofs , as the American troops are armed with Cetme assault rifles that were the ordinary weapons of the Spanish army which also delivered the inappropriate tanks , but actually manufactured in the Fifties . And , in addition , some American soldiers of the U.S. Army are wearing German paratrooper helmets. Rough Stan Vance is leader of the motley pack together thwart the Allied schemes , he gives an overacting and puts faces , grimaces and always on the edge of a nervous breakdown . Stelvio Rossi dominates this adventure war with his hysterical performance . Co-starred by Erna Schurer who eventually performed various Nazi-exploitation, both as a nasty Kapo or psycho-Nazi torturer . Along with a lot of familiar faces , mostly Spanish , who played a lot of Spaghetti/Paella Western , Warlike or other subgenres such as : the fatty Ricardo Palacios as a resistance fighter , the attractive brothers Rubén Rojo , Gustavo Rojo , Milo Quesada as Pierre, Jeanette's husband , Rafael Hernández , Rufino Inglés , Ángel Menéndez, sabtiago Rivero , and Antonio Mayans usual collaborator and actor of Jesus Franco's films .

It packs a moving and thrilling musical score by prolific Angelo Francesco Lavagnino . As well as atmospheric cinematography by Emanuele Di Cola . Filmed on location in Manzanares del Real , Colmemenar Viejo , La Pedriza , Madrid, where in the sixties and seventies had been shot several Chorizo/Pasta westerns . The motion picture was middling and professionally directed by Jose Luis Merino , though resulted to be average and it contains several flaws and gaps . He was a skill and successfully craftsman . Merino often used same actors , such as Stelvio Rossi , Peter Lee Lawrence , George Hilton and Charles Quiney . He has written/directed numerous films of all kinds of genres such as Terror : Ivanna , The hanging woman ; Euro-spy : Colpo Sensazionale al Servicio Del Sifar ; Chorizo/Spaghetti Western : More Dollars for the MacGregors , Frontera Sur , Réquiem for the gringo , Gatling gun , Seven ride to death , ; Wartime : Last Panzer battle , Hell commandos , A Bullet for Rommel , When heroes die ; Musical : Europa Canta , Aquellos Tiempos Del Cuple , and his most successful films are the fresh and diverting adventures : Tarzan and King Salomon's mines , Robin Hood , Rebelion De Bucaneros , El Zorro knight of Justice , El Zorro De Monterrey , and Last adventure of Zorro . Rating . 5.5/10 . So-so but passable and acceptable Paella/Spaghetti warfare movie .

"The Battle of the Last Panzer" was a co-production between the countries of Spain and Italy. Despite two countries collaborating on the movie, it seems that they weren't able to raise a decent budget. Although the events of the movie take place in France, the filmmakers stuck to filming in the Spanish countryside, which looks nothing like France. Also, the French village in the movie is obviously a thinly dressed set used for a spaghetti western!

However, the tacky look of the entire enterprise wasn't what sunk the movie for me. There are two big problems in the movie. The first is that none of the characters is sufficiently fleshed out enough so that we can care about them (or hate them). The second problem is that the movie is pretty boring. There's far too much talk and not enough action. And the little action there is in the movie is poorly directed so that there isn't the least bit amount of excitement. Too bad, because despite the low budget you can see the potential the premise of the movie had.

I almost turned this movie off during the first 10 minutes. I decided to continue watching it to see if there really was a plot buried amidst all of the other shortcomings of the film. There are several things that you should know that are bound to annoy the typical war movie viewer. 1. Stupid music. Some of the worst I have ever heard. It reminds me of the old spaghetti westerns. 2. It's a dubbed movie. I'm not a fan of movies that are dubbed, i'd rather watch them in the language they were shot in and read captions. In this case, it's worse because the Americans and the Germans are both dubbed and have no accents what-so-ever. In some really dark scenes, you don't know if you are watching the Germans or the Americans. 3. Authenticity. There are so many inconsistencies with weaponry, uniforms etc that it's hard to tell who is who and who they are shooting at. Even the Germans shoot at the other Germans who are hiding behind a tank early in the movie yet, Later, in pitch black one of the men can identify the Lieutenant from 1/4 of a mile away as he walks down a hillside. 4. Dialogue. War movies are about war. Guns, explosions and people fighting. There are some really odd cut scenes. There is one with a prostitute where a soldier trying to teach her about humanities indecency - she's not interested, she just wants the $64 dollars. Most of the dialog reminds me of watching Japanese Anime.

If you watched it this far, you might as well know that it doesn't get any better. All of the actors have perfected rolling down hills as they die. Apparently gravity always pulls you towards a camera man, never away.

All in all, a complete waste of time. Unless you are just looking for a movie with cheesy dialog, there's ALWAYS something better than this to watch.

Contender for the worst film ever made!

I saw this movie for the first time at the recommendation of a friend. He warned me it would be painful to watch, but I had no idea how painful it would turn out to be.

This film (the English version I saw is entitled "Battle of the Last Panzer") is intended as a WWII epic depicting the struggle of a German tank crew, caught behind enemy lines, trying to get themselves and their vehicle back to German-held territory.

Other than that, I will make no attempt to describe the insanely fragmented and incoherent plot - you simply have to see it for yourselves!

Everything about this movie is just plain bad -- the plot, the dialog, the setting, the special effects, the equipment and uniforms, and the acting.

The star of the show is the Lieutenant in command of the crew (capital letters indicate emphasis):

"Any attempt at disobedience, or talk of desertion ... will be punished by DEATH!"

"As the Fuehrer said ... Those who are not with us ... are AGAINST us!"

"You have one minute, no more, to throw down your arms and get out of sight! After that minute, I'll advance -- RAPID FIRE!"

The film is supposed to be set in France, after the D-Day invasion. But in place of the lush green fields of Normandy, the landscape is arid and looks like Sicily or the south of Spain.

The uniforms are the best! "Americans" wearing Italian uniforms, complete with Italian rank and helmets. The weapons they are carrying are modern G3 assault rifles. The "Germans" are no better - they are carrying Italian-made Baretta submachineguns and pistols! Last but not least, their "Tiger" tank is an old US M-48 tank.

Writing these comments is proving to be almost as painful as watching the film. However, it's a must see. If you want a real shock, watch it right after "Saving Private Ryan" or "Band of Brothers" and you'll find out just how bad bad can be!

It has a great title, but the movie isn't worth the film its made with. The plot is awful and the story of a German tank crew trying to get back to its lines is performed just like a spaghetti western. I mean with the never ending, annoying music and stares of the actors. It culminates in a tank battle taking place approximately 50 feet from each tank. Of course the German tank explodes, but both occupants get out unscathed. The German tank with the American crew also explodes, but no one comes out. Furthermore, the equipment and uniforms are equally ridiculous. Also, the dialogue seems as though it was written by a 10 year old kid. Do not waste your time with this clunker.

World War II movies are my forte and I am well-versed in military history as well as time-period accoutrements. I have seen some bad Second World War flicks in my time, but this "thing" of a picture, this blasphemous abomination, sure cuts the cake! Besides lacking talent, creativity and a determination for a little historical research, the guy who directed this film had to have sympathies with Nazi ideals. First, it was shocking to see the French Resistance portrayed as a roguish band of buffoons headed by an equally idiotic and boisterous leader; a smack in the face to the brave, witty Maquis who courageously resisted the German occupation of their homeland. Secondly,the film is saturated with bad acting, senseless dialog, contemporary uniforms,weaponry and vehicles (check out the "U.S. troops" wearing Spanish Army camouflage uniforms, helmets - which are a direct copy of the old German M1944, poorly concealed by helmet covers and brandishing CETMEs -Spanish copies of the G3 7.62mm automatic rifles). The "Tiger" is clearly a Spanish Army-issue M-48! Need I go on? Rent, but do not buy, this movie. The insatiable stupidity will make you laugh and cry..and laugh again; yes, it's that bad!!!

A German panzer brigade is smashed to bits by Americans ( who are wearing stupid Nazi helmets , what ? ) but one crew survive and must repair their m47 Patton , sorry , tiger in order to get back to their own lines before being captured or killed. The plot sounds interesting but when the film gets started it delivers bad acting , poor action scenes and an array of weapons that are from the 1960's , come on every war film still manages to get the correct uniform and weapons ( besides tanks ). Don't even watch this film sober otherwise you will go to a neighbouring farm and shoot yourself with the farmers shotgun. A poor movie in every aspect and i am shocked that TCM were the ones who showed this on TV.

This one could have easily been called LITTLE LOST PANZER ON THE RANGE, and is a nearly brain dead but nonetheless enjoyable Spaghetti Western masquerading as a war thriller. Since Spaghetti Westerns are essentially cartoons for grown-ups, I can see how BATTLE OF THE LAST PANZER has confused many viewers into thinking it a failure. There are no "good guys" in this movie (a quality shared with Spaghetti), but there are no real "bad guys" either, which is perhaps the movie's biggest flaw -- it's hard to figure out whom exactly one should be rooting for, but one of the characters helpfully states straight out the movie's agenda: There are no good or bad nations, only good or bad men. A worthy and romantic conclusion to be sure but in direct conflict with the traditional role that Germans play in mainstream WW2 movies, which is to be the villains. Just ask Steven Spielberg.

So like Umberto Lenzi's DESERT COMMANDOS, here is a low budget pre- DAS BOOT war movie that asks us to consider the German soldiers as people with the same kind of good/bad dualities that exist within even the most noble of us. "Stan Cooper" plays a more or less straight-laced young German Lt. in command of what is portrayed as the last functioning Panzer tank still fighting World War II, cut off from German lines after a devastating ambush knocks out all of the other Panzers in his column retreating from Normandy after the allied D-Day invasion, the German war effort obviously lost beyond any hope & the Nazis in a near panic as defeat looms. The majority of the film depicts Cooper and his crew roaming the faux-French countryside -- which will look eerily familiar to anyone who has seen at least three Spaghetti Westerns, since most were filmed on the same Spanish exterior locations -- encountering various indigenous locals, fighting off allied elements, and contemplating the meaning of service, loyalty, the value of life, and the price of failure to follow orders. The usual stuff, competently staged & filmed by true professionals. Whether or not the tanks or other equipment used are historically accurate is irrelevant: get over it. This is a well made movie, even if incredibly stupid if you stop to think about it.

Regardless, all of that works pretty well until the film stumbles when the element of a woman is arbitrarily interjected, and Cooper finds himself falling in love with a hostage (blond Erna Schürer, a classic beauty in every sense of the term) who has volunteered to lead the wayward tank crew back to German lines. Skirmishes with odd looking war surplus garbed Partisans and headline Gringo star Guy Madison's ineffectual American brigade kill time and raise the body count, punctuated by a fascinating combat sequence where director Jose Luis Merino -- best known for his Gothic Horror thrillers -- colors his film with nearly opaque red and blue filters. Another interesting moment comes when Cooper is allowed access to the body of his new lust-thang and the thought of his men, his mission, and the danger they are in causes a certain amount of post traumatic stress disorder coitus interruptus, much to the annoyance of his would be squeeze. The romance subplot is perhaps the film's other major flaw but it does allow for some dimension to be added to the character of this zealous, ultra-loyal German officer and leads to the eventual cracking of his surface to let some of the humanity come through.

But the ending is almost an unforgivable cop-out, a seemingly arbitrary "War Is Hell" moment added to show viewers the futility of it all, in case we missed the point on our own & were having fun. In the end Merino's message seems to be that war isn't fun but it can be entertaining for others to watch, especially if you can get your hands on a big, cool looking working tank, a pretty girl or two and some moments of choreographed destruction. The final tank battle is actually very reminiscent of a show down on the streets of a dusty Western town between the hero & the villain, and Merino chose to have the two tanks be identical to sort of tell us that one is just like the other, like Radio Raheem's LOVE and HATE knuckle dusters from DO THE RIGHT THING. It's not the most profound insight into human character ever to pop up in a war movie, but in this case it will have to do.

All in all the movie goes on for about 10 minutes longer than it should have, and while the story is involving for sure it never really resonates on the emotional level that the subject matter would usually endow on a film. So it really is almost a pure example of how the Euro cult genre directors re-tooled their Spaghetti Western approach to ape war movies for the brief period of time (1968 to 1970 or so) that this strange little "Euro War" genre was all the rage, and stands as an instructive example of the process at work. Fans of the Euro B-movie scene from the 1960's/1970's will be well served by taking a look, but anyone in search of a history lesson might want to just see what's on the History Channel. That's not what these movies were made for, and holding it accountable for failing to rise to a standard imposed upon it by a future generation with different social mores isn't fair.

7/10; look for it on one of those bargain priced multi-disc DVD box sets for about $9, and make up your own mind.

First the movie is bad, not horrible just really bad. The only thing that kept me watching was the girl(Erna Schürer)she looks like the long lost twin of Tara Reid. Erna is somehow softer looking, but a close copy. It turns out Erna Schurer is some late 60 early 70 Italian scream queen. She did all those sadistic/exploitation/well endowed nude horror movies that are becoming so popular lately(Italian grind house). If you have a 100min or so to kill, and want to watch a low budget Italian/Spanish anti-war(Vietnam)movie that is poorly written not very well acted, somewhat funny(although it was not filmed for any laughs), and has a better version of Tara Reid then Tara Reid herself in it...then this movie is for you...Andrew Wolf(II)

This film reminded me of Italian-produced World War II films from the 1960s. Oh wait, it IS an Italian-produced World War II film from the 1960s! Naturally, as such, it has precisely NO redeeming qualities whatsoever. In fact, of the dozen plus Italian-produced World War II films from the 1960s that I've forced myself to sit through, this is, without a doubt, the very worst.

It surprises me that films this bad had even produced in the first place. I can only assume that this genre of movie was popular in Italy during this time period because people were starved for entertainment and weren't having better films from other countries available to their theaters. Why else would filmmakers produce utterly heinous crap like this? There's an old adage that one must experience the bad to appreciate the good, but I'm pretty sure that doesn't apply to motion pictures.

"La Battaglia dell'ultimo panzer" is about a German panzer crew caught behind the American lines in France in 1944. The production values of the movie are very low; the anachronisms and errors concerning equipment and uniforms are actually quite obvious. Nevertheless, the plot is quite intelligent. This is a surprisingly serious war movie and much more reflective than most WW II war movies of the period (such as 'Where Eagles Dare' or 'Kelly's Heroes', or the countless Italian rip-offs of these more 'lighthearted' war thrillers.)

This is mainly because the characters, and in particular the German soldiers, are more than just the kind of cardboard cliches one expects from this type of low-budget movie. Especially the main character, a German lieutenant and commander of the crew, played by Stelvio Rosi, is a surprisingly three dimensional character. While he presents himself as a hardline nazi believer at first, we later see that the horrors of war affect him deeply in an unexpected moment and the final scenes of the movie have a very bitter lesson in store for him. Civilians and their different ways of dealing with the occupation also have a place, giving some surprising nuances which most war movies (including the technically infinitely superior, but plot-wise arguably inferior 'Saving Private Ryan') lack.

The acting is middle-of the road. None of the (quite unknown) actors are really bad, but none really stands out. 8/10 for some of the writing, 2/10 for the production values