The rather eccentric (especially in her thinking) author of "The Fountainhead" and "Atlas Shrugged" becomes involved with a much younger, and married man, to the dismay of those close to her... Read allThe rather eccentric (especially in her thinking) author of "The Fountainhead" and "Atlas Shrugged" becomes involved with a much younger, and married man, to the dismay of those close to her.The rather eccentric (especially in her thinking) author of "The Fountainhead" and "Atlas Shrugged" becomes involved with a much younger, and married man, to the dismay of those close to her.
- Won 1 Primetime Emmy
- 2 wins & 8 nominations total
- Caroline
- (as Sybil Temchen)
- Aaron
- (as Chris Marren)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBased upon Barbara Branden's book with the same title.
- GoofsIn a scene set in the early 1950s, Frank says that he met Ayn Rand during the filming of The King of Kings (1927). He refers to that movie as "the silent version...the great one". The only version of King of Kings that existed in the early 1950s was the silent version; the remake of King of Kings did not appear until 1961.
- Quotes
Wise-ass Man: Excuse me, Miss Rand. I was wondering if you could give us the essence of your philosophy - standing on one leg.
1st Supporter: Go on!
2nd Supporter: Sit down!
Ayn Rand: [Stands on one leg] Metaphysics: objective reality. Epistemology: reason. Ethics: self-interest. Politics: capitalism.
- ConnectionsFeatured in The 51st Annual Primetime Emmy Awards (1999)
- SoundtracksLove Is, Love Is Not
Written by Jeff Beal, Spencer Proffer, Steve Plunkett & Suzanne DuBarry
Vocals performed by Shirley Eikhard
Produced by Spencer Proffer and Jeff Beal
Music Engineer: Tom Weir
Shirley Eikhard performs courtesy of EMI Records Canada and Blue Note Records
Due to the fact that the script was derived from Branden's book, the emphasis is on her and her bad marriage and less on Rand and her philosophy.
In the movie, Rand (Helen Mirren) becomes involved with Nathaniel Branden (Eric Stoltz), a psychiatrist 25 years younger than she is (and Barbara's husband), and sets up the Nathaniel Branden Institute. When he becomes involved with another woman, she has him banned from the Nathaniel Branden Institute. The movie doesn't say that, but that's true. Stoltz is very good, if somewhat cold. He comes off as a smart man and a sex addict who is unethical.
Helen Mirren likes these roles that de-emphasize her glamour and beauty. She played Alma Hitchcock but she was too glamorous. Ayn Rand was a homely frump. Makeup and clothes did a great job, but Mirren never comes off as frumpy. Nevertheless, she is fantastic, sporting a Russian accent, tremendous passion, and an energetic personality.
As to why Nathaniel would be attracted to Rand, she was a brilliant woman and I imagine charismatic. Barbara, well played by Julia Delpy, was an insecure woman, and his marriage to her was not satisfying.
Peter Fonda does a fine job as Rand's husband, Frank O'Connor, a man Rand loved, but who himself just went along with her and concentrated on things like painting and gardening.
In the movie he becomes a hopeless alcoholic. Part of Rand's philosophy is that you think only of yourself but don't make anyone else unhappy. So she and Branden asked permission of both their spouses to start an affair. Don't tell me they weren't hurt. Branden becomes an integral part of her work until he starts seeing someone else. Not really rational thinking, is it?
When Barbara becomes ill and desperate for help, she calls Ayn, who is having sex with Nathan at the time. Ayn says, "Don't you ever think of anyone but yourself?" And hangs up. That's a true story, too.
I know something of Ayn Rand from reading The Fountainhead and seeing her interviewed. What has most impressed me about her is her prescience, as so much of what she wrote has come to pass.
However, whether she wanted to admit it or not, she was a woman and a human being despite aspirations to be something else. She championed selfishness, capitalism, and reason (you can't make something true just by wanting it to be true). A good example of her philosophy is the phrase "Ask not what your country can do for you but what you can do for your country" which she considered to be the wrong way around.
The problem with Ayn Rand's philosophy is that, like many philosophies, it's impractical. Once it's off a piece of paper, it involves human beings. For instance, she yells at a screenwriter for writing things he doesn't believe in for the studio. I suppose he could quit -- and if he were a brave soul who didn't care about working or money, he could. But most people aren't brave souls and most people can't get along without money. Why not write what you believe in and hand the studio the dreck? That way you can make a living while working to live your best life.
In The Fountainhead, the main character sticks to his beliefs and loses jobs because he won't adhere to the design the client wants. Okay, but it was his business, he wasn't working for someone else. He stuck to his beliefs and found people who bought into them. That's what artists do. The screenwriter would have found a market for his script as well, if he wasn't dead from starvation by then. In The Fountainhead, Howard Roark doesn't have a side job, but most people like Howard Roark probably do.
The film sports excellent production values, capturing the '50s beautifully. There are a couple of faux pas -- in one, Frank makes reference to "King of Kings," the silent version, emphasizing that it was the REAL King of Kings. This indicates there was another, but there wasn't until some years later. Also at one point Nathaniel offers to call his wife a cab. It's New York City. You don't call for cabs. Minor points both.
Helen Mirren is always worth seeing. You'll have to make up your own mind about Rand.