The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for h... Read allThe lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.
- Awards
- 12 wins & 26 nominations
Arthur J. Nascarella
- Detective Berman
- (as Arthur Nascarella)
Douglas McGrath
- Tom
- (as Doug McGrath)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTodd Solondz: as the doorman in Allen, Helen, and Kristina's building.
- GoofsWhen the police officers are sitting in Bill Maplewood's house.
- SoundtracksSoave sia il vento from Cosi Fan Tutte
Written by Wolfgang Amadeus Mozart
Performed by Orchestra of the Royal Opera House Covent Garden, Montserrat Caballé (as Montserrat Caballe),
Janet Baker, and Richard Van Allan
Conducted by Colin Davis (as Sir Colin Davis)
Courtesy of Phillips Records
By Arrangement with PolyGram Film & TV Music
Featured review
I recently saw my first Todd Solondz film, Welcome To The Dollhouse. What a dark ride!
This week it took a couple of evenings for me to get through Happiness. There was a lot to get. Goodness gracious! (As my dear Grandmother might say, who, incidentally, is not a candidate for viewing THIS one!)
I'd read the reviews for Happiness in 1998; I'd had a typically positive Psychic Movie Reviewer moment. This indie sounded unique. I waited for Happiness - sniffle - to appear upon my friendly video store shelves, but saw nada. I imagine that the store probably had like two copies maybe, displayed briefly upon a bottom shelf someplace. I forgot about the existence of this film, until recently. And I recently heard that a certain video chain had allegedly pulled Happiness from its shelves due to customer complaints.
Disturbing yet intriguing, this film pulled me along, the matrix of character interaction becoming increasingly more intricate and strange. Definitely not for all tastes!
The subject of child sexual abuse is handled matter of factly, yet chillingly and effectively. As with the domestic/sexual abuse of women, the problem of child sexual abuse is obviously one that crosses lines of class, social status, and profession. Happiness acknowledges this fact, in the character of family man/psychiatrist Bill Maplewood.
Loneliness, rage, sexual repression/obsession, disintegrating marriages, sadly sophisticated children, relationships built upon artifice, this film has it all. It's Prozac Cinema at its best: try to be on an even keel when pressing 'play'.
Spouses, parents and children seem to be communicating across a void.
After viewing Happiness for the second time, I realized that the entire soundtrack intentionally consisted of melodramatic, and/or ultra perky canned music: a perfectly ironical compliment and contrast in style with the strong, harsh, quirky film scenes.
Presentation: director Solondz sets up the viewer for traditional father/son talk scenes, via mood and pseudo canned music: giving the subject matter and dialogue all the more impact. WHAT did he just say? Ward and Beaver Cleaver never behaved this way.
Got 134 minutes and a desire to see something darkly different? Rent Happiness. Or buy it.
This week it took a couple of evenings for me to get through Happiness. There was a lot to get. Goodness gracious! (As my dear Grandmother might say, who, incidentally, is not a candidate for viewing THIS one!)
I'd read the reviews for Happiness in 1998; I'd had a typically positive Psychic Movie Reviewer moment. This indie sounded unique. I waited for Happiness - sniffle - to appear upon my friendly video store shelves, but saw nada. I imagine that the store probably had like two copies maybe, displayed briefly upon a bottom shelf someplace. I forgot about the existence of this film, until recently. And I recently heard that a certain video chain had allegedly pulled Happiness from its shelves due to customer complaints.
Disturbing yet intriguing, this film pulled me along, the matrix of character interaction becoming increasingly more intricate and strange. Definitely not for all tastes!
The subject of child sexual abuse is handled matter of factly, yet chillingly and effectively. As with the domestic/sexual abuse of women, the problem of child sexual abuse is obviously one that crosses lines of class, social status, and profession. Happiness acknowledges this fact, in the character of family man/psychiatrist Bill Maplewood.
Loneliness, rage, sexual repression/obsession, disintegrating marriages, sadly sophisticated children, relationships built upon artifice, this film has it all. It's Prozac Cinema at its best: try to be on an even keel when pressing 'play'.
Spouses, parents and children seem to be communicating across a void.
After viewing Happiness for the second time, I realized that the entire soundtrack intentionally consisted of melodramatic, and/or ultra perky canned music: a perfectly ironical compliment and contrast in style with the strong, harsh, quirky film scenes.
Presentation: director Solondz sets up the viewer for traditional father/son talk scenes, via mood and pseudo canned music: giving the subject matter and dialogue all the more impact. WHAT did he just say? Ward and Beaver Cleaver never behaved this way.
Got 134 minutes and a desire to see something darkly different? Rent Happiness. Or buy it.
- A_F_Waddell
- May 1, 2001
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Details
Box office
- Budget
- $2,200,000 (estimated)
- Gross US & Canada
- $2,982,011
- Opening weekend US & Canada
- $130,303
- Oct 18, 1998
- Gross worldwide
- $2,982,321
- Runtime2 hours 14 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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