Directed by
Geoffrey Reeve |
Writing Credits (in alphabetical order)
Desmond Lowden | ... | (novel) |
Desmond Lowden | ... | (screenplay) |
Bob Morgan | ... | (additional material) (as Robert Morgan) |
Cast (in credits order) complete, awaiting verification
Produced by
Richard Morris-Adams | ... | co-producer |
Geoffrey Reeve | ... | producer |
Music by
Adrian Burch | ||
David Whitaker |
Cinematography by
Eduard van der Enden |
Editing by
Terry Warwick |
Casting By
Jenny Clare |
Production Design by
Raymond Hughes |
Art Direction by
Jan Hughes |
Costume Design by
Jacqueline Mills |
Makeup Department
Lesley Lamont-Fisher | ... | key hair stylist / key makeup artist |
Rupert Simon | ... | assistant makeup artist |
Stevie Smith | ... | assistant makeup artist (as Steven Smith) |
Production Management
Peter Paul | ... | production manager |
Second Unit Director or Assistant Director
Eric Bartonio | ... | first assistant director |
Simon Gosling | ... | third assistant director |
Mark Harrison | ... | second assistant director |
Sound Department
Maurice Ashkenazi-Bakes | ... | assistant dubbing mixer (as Maurice Bakes) |
Clive Copland | ... | sound recordist |
Fiona Haynes | ... | sound editor |
Peter Hill | ... | sound recordist: second unit |
Roy Lafbery | ... | sound editor |
Keith Pamplin | ... | boom operator |
Adam Severs | ... | dubbing mixer |
Rick Williams | ... | sound editor |
Special Effects by
Harry Wiessenhaan | ... | special effects coordinator |
Stunts
Paul Conde | ... | stunt coordinator |
Rick Wiessenhaan | ... | stunt coordinator (as Ricky Wiessenhaan) |
Camera and Electrical Department
Sophie Aitken | ... | clapper loader |
Philip Astbury | ... | focus puller |
Holly Bates | ... | pony kindly loaned by |
Roberto Contreras | ... | focus puller |
Nick Daly | ... | video assistant operator |
Eddie Dias | ... | lighting coordinator: Michael Samuelson Lighting |
Paul Donachie | ... | focus puller |
Wick Finch | ... | gaffer |
Stephen Foote | ... | camera operator: second unit |
Michael Green | ... | focus puller 'b' camera / focus puller |
Johnny Haddock | ... | still photographer |
Adam Hall | ... | clapper loader |
Ross Keal | ... | assistant grip |
Peter Lamb | ... | electrician |
Keith Manning | ... | key grip |
Gary Nagle | ... | generator operator (as Gary Neagle) |
Jacquie Ordney | ... | clapper loader |
Emma Reeve | ... | pony kindly loaned by |
Robert Southam | ... | focus puller: second unit (as Robert Southan) |
John Webb | ... | focus puller |
Micky Wilson | ... | best boy |
Casting Department
Russell Gow | ... | additional casting |
Costume and Wardrobe Department
Laurence Esnault | ... | costume design assistant |
Editorial Department
Rosemarie Dowson | ... | assistant editor |
Bob Morgan | ... | supervising editor |
Location Management
James Dean | ... | locations |
Music Department
Ray Massey | ... | organist (as Dr. Roy Massey) |
Roy Massey | ... | conductor (as Dr. Roy Massey) / master of choristers (as Dr. Roy Massey) |
Members of Hereford Cathedral Choir | ... | choir |
Huw Williams | ... | sub organist |
Script and Continuity Department
Anne Edwards | ... | script supervisor |
Transportation Department
Roy Butlin | ... | honeywagon driver |
Stephen Foster | ... | unit driver |
David Newall | ... | driver: Michael Caine |
David Porcic | ... | winnibago driver |
Doug Warden | ... | unit driver |
Additional Crew
Tom Cates | ... | production assistant |
Margaret Dean | ... | chaperone: Matthew Pochin |
Seymour Griffiths | ... | production accountant (as Seymour Griffiths) (Seddon Smith) |
Neil McConachie | ... | title design |
Sarah Milsome | ... | production coordinator |
Katherine Reeve | ... | producer's assistant |
Al Senter | ... | publicist |