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Phool Aur Patthar review :

Long before Salman Khan went shirtless to evoke cheers from his fans, the original He-man of Bollywood - Dharmendra - appeared bare chested in O. P. Ralhan's Phool Aur Patthar which established his image of a macho action star. The minute garam Dharam removes his shirt and starts moving towards a sleeping Meena Kumari only to cover her with it, the audience used to go berserk with excitement. A young voluptuous Shashikala seducing Dharam in the song 'Sheeshe se pee yaa paimane se" was another 'taalimaar' moment in the film.

Dharam played the kind hearted toughie Shaaka who protects the widowed Meena Kumari and tries to turn a new leaf but fate has something else in store...

The beautiful Meena Kumari and Dharam shared a solid chemistry which ensured Phool Aur Patthar to be a roaring hit at the ticket counters. It also became a re-run favourite at Paradise Cinema, Mahim playing multiple times there in the '80s and '90s when I saw it on one such occasion. Dharam's entry and the shirtless scene evoked ceetis from the audience even after so many years.

Dharmendra's Shaaka character was replicated many times in other '80s films particularly in Pahlaj Nihalani's Aag Ka Gola (1989) where beta Sunny Deol played the namesake good hearted goon.

Regards, Sumeet Nadkarni.

Phool Aur Patthar (1966) : Brief Review -

Tragedy queen Meena Kumari is a rose, Dharmendra is a patthar (turned into a flower), and Shashikala is a sexy thorn in a socially reformative romantic drama. Let's begin with Shashikala, who plays the major supporting role in the film. What a sexy role for her! I don't think she has ever looked so sexy in a film. Yes, there were a few cameos and glimpses in some films, but this film gave her a full-fledged role in a sexy avatar. The hairdo, glamorous outfits, and showing off that cleavage must have been so stimulating in the mid-60s. Dharmendra plays a pro-theif who has been abandoned and cancelled by this so-called sophisticated society. Now, he is giving them back by robbing the rich. You can't think of any other actress to play this role other than Meena Kumari. A widow tortured by her in-laws and threatened by her brother-in-law becomes responsible for changing the thief into a perfect gentleman in society. The last line when she says, "I don't want this money. Give to those poor children so that no flower becomes a stone in the future." The title and the entire essence of the film were defined there. Half a star extra for that. Rest; you have a regular storyline and some mainstream elements like romance, drama, and some action to make those 170 minutes worth it, as the music fails to offer any help. The supporting cast adds some fun here and there and keeps the show floating. However, the film suffers from predictable and dated drama. It doesn't matter much because it's a completely audience-friendly film that appeals to certain emotions at every step. The neighbors who were against the man and the woman are now at their service. That was a cliche, but a relatable one. OP Rahlan's neat and controlled direction makes for a more crowd-pleasing entertainer than a classic blockbuster. It was a Blockbuster at the box office, though.

RATING - 6.5/10*

By - #samthebestest.

Phool Aur Patthar is an extraordinary film mainly due to its striking, realistic message. It has bits of everything, and it shows many human values anyone of us may have. It also has a fine portrayal of society. The society is presented in both bright and dark sides in this film, though not in a way that can be called positive. A commonly hated and infamous thief, Shaka, who comes to rob a well-known family, finds himself saving the life of a young ill and dying widow, Shanti, who was left to die by her in-laws during an epidemic. She has been long maltreated by her in-laws, and when they come back home, they discover to their surprise a healthy Shanti. Her brother in-law tries to rape her, and that's how Shaka takes her to his home. There the real story of coping begins for them. Shanti, an extremely religious woman, tries to help Shaka to make amends. The entire street is gossiping about the two and about Shanti in particular for entering the house of an infamous criminal.

This is a touching story. The main hero has become a thief and a criminal not because he wanted to, but because he was forced by circumstances. The film shows humanity in so many instances and in an amazingly delicate way. It shows how cruel people can be. Shanti's own family leaves her to die while a criminal is the one who actually saves her life. After a few months of living together, Shaka understands he cannot live without her. Shanti's modesty, honesty and intelligence all make Shaka understand that he has found the first true love of his life. Even his pickpocket friend, Kalicharam is charmed by her attitude. I still remember the scene when he first meets her and asks her what he can do for her, and she answers, "nothing, brother". He breaks into a big laugh as he never heard anyone speaking so fondly to him. I was deeply moved by this scene.

The performances are wonderful and every actor contributes to the film in his own way. Dharmendra, in one of his finest performances, is restrained and serious. No songs are pictured on him, and it contributes to the intransigent and tough features of his character. Meena Kumari is wonderful as Shanti. There is no doubt she is one of Hindi cinema's greatest actresses. She is graceful and dignified, and though she cannot be called beautiful (that was the time when she began gradually losing her good looks), she is presented as the epitome of goodness and Indian feminine simplicity, which is aided by her natural acting and excellent line delivery. Shashikala, as Shaka's lover, is extremely beautiful and vibrant. She is the complete opposite of Meena Kumari in this film: westernised, bubbly, at times unkind and always attractive. While the entire film shows her as a woman who is just sexually attracted to Shaka, we later find out that she really loves him. Ram Mohan as Kalicharan is hilarious with his comic sense. Lalita Pawar is great as Shanti's evil mother in-law.

The film has many dramatic, romantic and comic sequences, all of which are very memorable and moving. The music, composed by Ravi, is just out of this world, and Asha Bhosle sings exceptionally every song. Her rendition of "Sheeshe Se Pee", which is one of the most beautiful songs I've ever heard, is outstanding. Other songs such as "Sunle Pukar" and "Zindagi Se Pyar" are also brilliantly performed by this phenomenal singer. The film's title represents both Dharmendra's and Meena Kumari's characters very well. Her Shanti is Phool (flower) and his Shaka is Patthar (stone). How can a flower and a stone live together? You will have to see the film to understand it. A classic 60s picture.

Meena Kumari and Dharmendra were dating that's true and the movie was a huge success around the world. The first choice was Sunil Dutt I don't know why he wasn't signed this became a major jubilee hit and Shashikala was stylish in the movie and it changed the mindset of Hindus and awesome acting