The cast of “Spider-Man: Homecoming” includes no shortage of famous faces, including two Oscar nominees and two full-on Oscar winners. But anyone paying close attention while watching this weekend’s box office winner might have noticed a number of other familiar faces. In fact, director Jon Watts has packed nearly every small supporting role he could with a niche comedian or former child star on the verge of adulthood.
Read More: How ‘Spider-Man: Homecoming’ Star Jacob Batalon Went From College Dropout to Blockbuster Star
So below is our guide to the various notable characters that Peter Parker (Tom Holland) encounters over the course of the film, and where else you have seen them before.
Donald Glover
“Spider-Man: Homecoming” Role: Aaron Davis, a local criminal who, it’s been said, is canonically the uncle of Miles Morales, who in the comics eventually becomes Spider-Man. (This is a nice nod to a...
Read More: How ‘Spider-Man: Homecoming’ Star Jacob Batalon Went From College Dropout to Blockbuster Star
So below is our guide to the various notable characters that Peter Parker (Tom Holland) encounters over the course of the film, and where else you have seen them before.
Donald Glover
“Spider-Man: Homecoming” Role: Aaron Davis, a local criminal who, it’s been said, is canonically the uncle of Miles Morales, who in the comics eventually becomes Spider-Man. (This is a nice nod to a...
- 7/10/2017
- by Liz Shannon Miller
- Indiewire
A destination lieu for Ira Sachs dating back to 1994 when he showed his experimental short Lady, I’d be baffled if Love is Strange premieres elsewhere than Park City – the birthplace for his critically acclaimed The Delta (’97), Forty Shades of Blue (’05) and Keep the Lights On (’12). We have a trio of actors in Marisa Tomei, John Lithgow and Alfred Molina who are probably starved for such roles and I have no doubt will hit this out of the Eccles park. Shooting took place in NYC this past summer (here’s the production blog) on the contempo storyline.
Gist: Written by Sachs and Mauricio Zacharias, after 39 years together, Ben and George take advantage of the new marriage laws and tie the knot in a City Hall wedding in lower Manhattan. On the return from their honeymoon, however, and on account of their vows, George gets fired from his longtime job as...
Gist: Written by Sachs and Mauricio Zacharias, after 39 years together, Ben and George take advantage of the new marriage laws and tie the knot in a City Hall wedding in lower Manhattan. On the return from their honeymoon, however, and on account of their vows, George gets fired from his longtime job as...
- 11/20/2013
- by Eric Lavallee
- IONCINEMA.com
It’s the 50th anniversary of the Ann Arbor Film Festival and they’re preparing an all-out blowout on March 27 to April 1 to celebrate! The fest is crammed to the gills with the latest and greatest in experimental and avant-garde film, in addition to a celebration of classic work from Ann Arbors past.
Filmmaker Bruce Baillie was there at the first Aaff — and numerous times since. He’s back this year with a major retrospective of his entire career that spans three separate programs. Baillie, who’ll be in attendance of course, will present a brand-new restored version of his epic pseudo-Western Quick Billy, plus screenings of his classic short movies such as Castro Street, Yellow Horse, Quixote, To Parsifal and more.
There’s also a program dedicated to the films of the late Robert Nelson, including Bleu Shut and Special Warning, as well as sprinklings of underground classics throughout...
Filmmaker Bruce Baillie was there at the first Aaff — and numerous times since. He’s back this year with a major retrospective of his entire career that spans three separate programs. Baillie, who’ll be in attendance of course, will present a brand-new restored version of his epic pseudo-Western Quick Billy, plus screenings of his classic short movies such as Castro Street, Yellow Horse, Quixote, To Parsifal and more.
There’s also a program dedicated to the films of the late Robert Nelson, including Bleu Shut and Special Warning, as well as sprinklings of underground classics throughout...
- 3/7/2012
- by Mike Everleth
- Underground Film Journal
- When I was asked by my editor to go see Forty Shades of Blue, I wasn’t that enthusiastic about it. I didn’t much care that it won the Sundance Grand Jury Prize and the subject matter didn’t appeal to me. Then I had the pleasure of viewing the film and I left the theatre clapping, something I rarely do. Then I had the pleasure of interviewing Ira Sachs, who turned out to be a well spoken filmmaker who is able to clearly express his ideas verbally as he does visually with his films. Then I went back and watched The Delta and his short films Lady and Get it While You Can: My Father in Moscow to get a grasp of his work and I could see a filmmaker who progresses and who will probably continue to progress.Ira SachsJustin Ambrosino: Do you think you would
- 9/29/2005
- IONCINEMA.com
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