User reviews

This was another low budget western film that 20th Century made in the early and mid 60's to be shown as a double feature mostly at drive-in theaters. And yes, there are a few rough spots in this movie but overall it was not as bad as expected for a 'B' western. As usual the production features a few name actors and many newcomers which makes some of the scenes rather rocky to watch. But because of the western genre, it is easier to pass over the rough spots and make the picture entertaining as possible.

It is a rather simple plot as two young robbers, Jeb and Johnny Sims, has been arrested by the local Marshal. The Marshal wants to get the two criminals out of his territory because he knows that the two boys have many friends and will be wanting to spring them from jail. The Marshal is also dealing with a former gunslinger named Ben Lattimore. Ben's sister was killed by the two boys when they robbed a stage in the area. Lattimore is out for revenge.

The Marshal, with some help from a few people, are taking the boys to the territorial prison on the upcoming stagecoach. Lattimore gets word that the two are being transferred and he rides out to meet the stage. He wants the Marshal to release the boys so that he can take out his revenge. But when the two criminal's friends decide to free the boys, Lattimore may have to help the Marshal keep the prisoners in custody.

There is more to this tale as the wife of Lattimore is leaving him because Ben refuses to stop his gun-fighting. Also the mother of Jeb and Johnny is set on making sure that her boys are freed before they reach prison. Just by luck, or by simple writing, the two women land on the same stagecoach that the Marshal is transporting the prisoners.

Unlike others, I found this low-budget film to be watchable. Sure the acting was rough, the scenes were cheaply done and it seems that the main characters only receive flesh wounds while the no-names are killed with one easy shot -- but overall the viewer got exactly what was expected. The film was made to entertain audiences for an hour, it accomplished its task.

Some time ago, stage-coach-robbing brothers Joe Partridge and Eric Matthews killed Harry Lauter's sister. He has been chasing them since. Marshall Red Barry has captured them and is taking them to prison by stage, and Lauter means to exact vengeance, though his wife tells him she won't be there when he returns. Others are there, too. Hannah Hertelendy, the robbers' mother is on the stage, and a drummer with a very large pistol...

The American B western had vanished under the assault of television. In 1965, the TV western was not in great shape and there was still a market for the darker western. 20th Century-Fox could always use one to offer for double or triple features, and if you could keep the budget down, you could give some professionals jobs and make yourself a few dollars, just like in the old days of the cinematic west. And that is what this was: classic, simple story, competent actors (mostly; I think Jodi Mitchell as Barry's wife offers poor line readings), some decent direction by Lesley Selander and the wide-open camerawork that was often the best part of the old B Western.

In many ways, it looks like a large and gracefully shot, serious episode of a TV western. It is distinguished by Gordon Avil's black-and-white cinematography of the badlands near Kanab, Utah -- John Ford Country, but contrary to legend, a lot of people shot westerns there. Lynn Reynolds was the first in 1924, a decade and a half before Ford first went there for DRUMS ALONG THE MOHAWK. Avil was born in Philadelphia in 1899. His career as a cinematographer began in 1929. By 1930, he had worked on King Vidor's BILLY THE KID. In 1931, it was THE CHAMP, again for Vidor. Then his screen credits vanished for 16 years. He returned to the camera in B movies and television work. After camerawork on a third of the episodes of HOGAN'S HEROES, he retired. He died of a heart attack in the Barbados in 1970.

It's hard to believe that this film dates from 1965 as it had the look and style of a film made at least ten years earlier. No great performances but not any bad ones either. The plot was a bit of a stretch to believe but two bullets sensibly fired early on would have made the film very short. Worth watching for curiosity value to see what must be the very last 1950s style cowboy film. I slightly recognised the lead character but all the rest were new to me. Nicely filmed in glorious black and white, in 1965!, so probably one of the last non colour films made, except for those deliberately done in non colour for added effect, The Elephant Man for example.

Colour had been an established feature of the western genre since the early fifties, so 'Convict West' represents an unusual departure for being in black & white at so late a date. The Utah landscapes are deliberately bleak, the composition is very horizontal, the interiors bare and it betrays its sixties provenance in the frequent use of zooms.

One of the final films of veteran director Lesley Selander, scripted by classic noir scenarist Daniel Mainwaring and one of the very few films in which Harry Lauter was allowed to play a hero. Woman are in the thick of it: one of the first casualties being a young female stagecoach passenger shot in the back while fleeing by a trigger-happy hoodlum, while Hanna Landy cuts a formidable figure as a European matriarch who's quick on the trigger.

(1965) Convict Stage WESTERN

It opens with a couple of outlaw killers killing two people during a robbery from a stagecoach and one woman. And before the woman dies with a gunshot on the back, she initial the two killers on the sand "J J SIMS" by the time both the sheriff Jethro (Don 'Red' Barry also credited as co-writer) and a gunfighter Ben Lattimore (Harry Lauter) show up, and almost immediately they knew exactly who they were. And although the first two guys bothers Jeb and Johnny murdered and killed were nobody's the woman on the hand they shot in the back happened to be gunfighter, Ben Lattimore's sister. And he wants retribution, while the sheriff wants to bring them back to the town to face trial in Apache Wells. And when Ben goes on his own, for some odd coincidence, Johnny and Jeb's ma, Mrs. Gregory (Hanna Landy) and uncle Adams (George Sawaya) were able to knock him out while he is on pursuit, which resulted to the sheriff to capturing them first. And by the time, Ben goes back in pursuit, we then see his wife,Sally Latttimore (Jodi Mitchell) who happens to be a Quaker and is attempting to talk him out of killing Jeb and Johnny. It was at this point, sheriff manage to place both Jeb and Johnny handcuffed into a stagecoach with his two helpers of the driver, Dix (Fred Krone) and his shotgun rider, Piute (Michael Carr ) to come along with him. Except that three other passengers want to come along with them, including Ben's wife Sally, Sam Gill (Walter Reed) who claims he is a whisky drummer, and Mrs. Gregory posing as a regular citizen. And as soon as Ben found out the sheriff has the prisoners of Jeb and Johnny, he catches up to it before joining the group on their way until they stumble onto the stage station only to find that there are no new horses to exchange them with. Because Mrs. Gregory's hubby, Uncle Adam is garnering reinforcements of seven outlaws sabotaging the horse station for the purpose of slowing them down, forcing the Sheriff and Ben to seclude themselves to a nearby ghost town called "Calico"

Had I not seen better Westerns such as "High Noon" and "3:10 To Yuma" among other movies I probably would have liked this but as a result of seeing better Western movies the writers may have watched to make this one give this movie the thumbs down.

...to this nasty little Western.

Dated 1965 this was presumably a second or even third feature. It's put out by a major studio, but is in B&W-unusual by then. I can't believe that the overall bleakness and moral bankruptcy is deliberate, just a result of poor script, poor acting and consequent total apathy of the viewer to any of the participants. One doesn't even have the satisfaction of the death of the baddies at the end but the presumption of their demise on the gallows.

In its favour is quite good location photography in Utah, but that's no reason to last the course!

For obsessive "tickers" off the Western encyclopedia's entries only....

Two venomous outlaw brothers are on "Top of the World, ma" for their Ma Jarrett type Hanna Landy, the scene-stealer of CONVICT STAGE, a b-Western with a tight, contained story to fit the tight, contained setting of a ghost town where all the characters wind up, including a tough old sheriff along with a gunfighter in Harry Lauter, whose sister gets violently murdered (in an eerily mundane fashion) during a prologue that ignites a revenge plot-line that doesn't completely own the programmer as often happens...

Only the revenge-seeker's wife is consumed by it.. by hating it... threatening to leave if he kills cold-blooded siblings Joe Patridge and Eric Matthews who, given more time and a bigger budget, would have made a classic antagonist duo...

But there's still some cool sporadic action in several dusty locales as the brothers are taken by that titular coach to/towards jail, and that's where faithfully resilient evil mom Hanna Landy comes in (as her phantom gang prepares elsewhere), going undercover under sheriff Don 'Red' Barry's nose as one of several supposedly mundane passengers, also including the ingenue/wife and a few other gun-toting cowboys, who wind up in a rushed shoot-em-up finale...

But only because so much essential time's spent building the characters and motivations since in CONVICT STAGE, everyone's got something either hidden up their sleeve or bleeding right outside it.

Very unusual, so interesting little western, far better for me than most of bigger budget productions, so sure of their cast. It was made by lesley Selander, one of the most prolific western provider of the industry, with also Ray Nazarro. This one is from the early sixties, a period where western topics could be very offbeat. The story of a vengeance and shown not in a classical and predictable way. The directing is unfortunately flat and without surprise. Don Red Barry is at his place in this role. This not STAGECOACH as you can easily guess, but for a B western it remains, I repeat, more interesting than most of them, where you have to watch one hundred of movies to find only one or two worth seeing.