An adventurous girl, a young blind hermit, and a goofy two-headed dragon race to find the lost sword Excalibur to save King Arthur and Camelot from disaster.An adventurous girl, a young blind hermit, and a goofy two-headed dragon race to find the lost sword Excalibur to save King Arthur and Camelot from disaster.An adventurous girl, a young blind hermit, and a goofy two-headed dragon race to find the lost sword Excalibur to save King Arthur and Camelot from disaster.
- Nominated for 1 Oscar
- 1 win & 6 nominations total
Jessalyn Gilsig
- Kayley
- (voice)
Cary Elwes
- Garrett
- (voice)
Andrea Corr
- Kayley
- (singing voice)
Bryan White
- Garrett
- (singing voice)
Gary Oldman
- Ruber
- (voice)
Don Rickles
- Cornwall
- (voice)
Jane Seymour
- Juliana
- (voice)
Céline Dion
- Juliana
- (singing voice)
- (as Celine Dion)
Pierce Brosnan
- King Arthur
- (voice)
Steve Perry
- King Arthur
- (singing voice)
Bronson Pinchot
- Griffin
- (voice)
Jaleel White
- Bladebeak
- (voice)
Gabriel Byrne
- Lionel
- (voice)
John Gielgud
- Merlin
- (voice)
- (as Sir John Gielgud)
Frank Welker
- Ayden
- (voice)
Sarah Rayne
- Young Kayley
- (voice)
Al Roker
- Additional Voices
- (voice)
Storyline
Did you know
- TriviaBill Kroyer, the original director of this movie, intended to make a darker movie, more faithful in tone to the original book. Following the phenomenal successes of the movies of the Disney Renaissance, Warner Bros. among many other studios, moved into Warner Bros. Feature Animation hoping to replicate similar successes with their own animated movies. At Warner Brothers' behest, Kroyer's vision for this movie was rejected, in favor of a more Disney animated musical movie-style, and the movie was put into production before the story was even finalized. The complex plot and dark nature of the novel, The King's Damousel, were replaced with several animation trademarks of the 1990s-era: musical numbers, a strong female heroine, a power hungry antagonist who wants to usurp the kingdom, a romantic subplot where the couple lives happily ever after, talking animal sidekicks, and family-friendly comedy gags.
- GoofsWhen Devon and Cornwall make shadow puppets on the wall, Garrett (who is supposedly blind), looks at the shadow puppets on the wall.
- Crazy creditsOn the On Demand print, during the closing credits, the offer for the movie's soundtrack on CD & Cassette, that is seen before the movie begins, plays again.
- Alternate versionsIn the version released on Netflix and YouTube, the Warner Bros. Family Entertainment logo is plastered by the Warner Bros. Television logo.
- ConnectionsFeatured in Troldspejlet: Episode #19.6 (1998)
- SoundtracksUnited We Stand
Written by Carole Bayer Sager and David Foster
Produced by David Foster and Carole Bayer Sager
Performed by Steve Perry
Courtesy of Columbia Records
Featured review
I am going to agree with the majority of the other posters here. There is a lot of good elements in this movie, but it is all put together as much more of a cliche then it had to be.
It seemed like there were too many singing scenes and they were too abrupt and not integrated into everything. Every time one started, I couldn't wait for it to be over so we could get back to the story. And as others mentioned, the singing voices were too different from that of the characters themselves. Imagine if they had used the time during the songs to actually give more plot and character development.
Everyone seemed too two-dimensional. As someone else pointed out, how did the bad guy even get to the round table in the first place? He was charming in his own way, but too cookie-cutter.
As others mentioned, the animation is very hit-or-miss. The backgrounds and overall mood are very well done, but a lot of the characters were just not animated well, the hawk was frequently deformed, etc. It stood out badly due to the quality of everything around it. Take a look at something like Princess Mononoke to see characters animated on a limited budget that meshes much better with everything else, with a lot more visual style.
It seems like it would have a feminist bent, but then she is still rescued most of the time, and the dress scene at the end seems especially absurd in the context of everything else.
Some of the comedy elements were cute, but I did dislike all of the movie references and everything. Since everything else seems centered in the world, it seems out of place.
Like the Black Cauldron, this was an OK movie that could have been a lot better. But at least BC didn't have all that singing. Sword in the Stone also worked a lot better while being in a similar vein.
If you want an American animated movie that is really consistent with its own world, animated well, has good characters, etc. check out the Secret of Nimh. You can get it really cheap on DVD now. Seeing Quest for Camelot the day after Nimh, there really is no comparison...
It seemed like there were too many singing scenes and they were too abrupt and not integrated into everything. Every time one started, I couldn't wait for it to be over so we could get back to the story. And as others mentioned, the singing voices were too different from that of the characters themselves. Imagine if they had used the time during the songs to actually give more plot and character development.
Everyone seemed too two-dimensional. As someone else pointed out, how did the bad guy even get to the round table in the first place? He was charming in his own way, but too cookie-cutter.
As others mentioned, the animation is very hit-or-miss. The backgrounds and overall mood are very well done, but a lot of the characters were just not animated well, the hawk was frequently deformed, etc. It stood out badly due to the quality of everything around it. Take a look at something like Princess Mononoke to see characters animated on a limited budget that meshes much better with everything else, with a lot more visual style.
It seems like it would have a feminist bent, but then she is still rescued most of the time, and the dress scene at the end seems especially absurd in the context of everything else.
Some of the comedy elements were cute, but I did dislike all of the movie references and everything. Since everything else seems centered in the world, it seems out of place.
Like the Black Cauldron, this was an OK movie that could have been a lot better. But at least BC didn't have all that singing. Sword in the Stone also worked a lot better while being in a similar vein.
If you want an American animated movie that is really consistent with its own world, animated well, has good characters, etc. check out the Secret of Nimh. You can get it really cheap on DVD now. Seeing Quest for Camelot the day after Nimh, there really is no comparison...
- Shawn Fumo
- Apr 2, 2002
- Permalink
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Details
- Release date
- Countries of origin
- Language
- Also known as
- La leyenda de Camelot
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $22,510,798
- Opening weekend US & Canada
- $6,041,602
- May 17, 1998
- Gross worldwide
- $22,510,798
- Runtime1 hour 26 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1(original & negative ratio)
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