35
Metascore
21 reviews · Provided by Metacritic.com
- 60The New YorkerThe New YorkerLevinson is terrific at claustrophobia. In fact, this doesn't resemble any of his previous films so much as it does his gripping TV series, "Homicide."
- 60The New York TimesJanet MaslinThe New York TimesJanet MaslinWhile this is no quick-witted treat on a par with Mr. Levinson's ''Wag the Dog,'' it's a solid thriller with showy scientific overtones.
- 40Washington PostDesson ThomsonWashington PostDesson ThomsonKeeps you hanging on until the very last moment, not because it's scary, but because you can't believe that's all there is to it.
- 40Austin ChronicleRussell SmithAustin ChronicleRussell SmithDon't trust the impression created by Sphere's intriguing trailers that it has much to do with the awe and terror of direct contact with an advanced alien intelligence.
- 38Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertA watered-down take on the sci-fi classic "Solaris," by Stanislaw Lem, which was made into an immeasurably better film by Andrei Tarkovsky.
- 38The Globe and Mail (Toronto)Rick GroenThe Globe and Mail (Toronto)Rick GroenFilled with visual potential, yet Levinson can't tap it. He's just a whole lot more comfortable trying to tame the human software than the technical hardware.
- 38ReelViewsJames BerardinelliReelViewsJames BerardinelliBy trying to satisfy every kind of viewer, it's possible that Sphere may end up pleasing no one.
- 30New York Magazine (Vulture)New York Magazine (Vulture)At the end of Sphere, the three principals -- Dustin Hoffman, Samuel L. Jackson, and Sharon Stone -- agree, for the good of humanity, to forget everything that has happened to them in the movie up to that point. This is a pact I can only rush to join, and with exactly the same motive.
- 30Chicago ReaderJonathan RosenbaumChicago ReaderJonathan RosenbaumThe film itself regresses, starting in the present and winding up with a cautionary ending that evokes the hokiest SF movies of the 50s.