User reviews

I loved the comic book back in the day, and I was with it from the early beginning. So when there was news about a feature movie based on Spawn was in the works, it was naturally thrilling news. And furthermore, with New Line Cinema involved, it could be nothing but good. Right? Well, while "Spawn" certainly has its moments, it is not without its flaws. And believe you me, the flaws in this movie were monumental.

There is a good amount of action throughout the movie, which is essentially the movie's strongest side. Well, that and the fact that it is based on a very popular comic book franchise. The storyline in the 1997 "Spawn" movie wasn't particularly thrilling, and it was essentially just to bring in new fans to the franchise. Especially since most of what was brought to life on the screen had already been covered in the comic books.

Malbolgia was rather poorly animated and why didn't his mouth move as he spoke? Furthermore, why did he sound like Dr. Claw from Inspector Gadget whenever he was speaking? It just didn't really add up to anything worthwhile.

As for fan service, then it was nice to see Angela make a cameo appearance but why didn't she intefere at the galla? Saving her for a later movie perhaps? But I still think that it would have been so much better to have her in the movie more than just a few seconds long cameo.

While we are on cameos; it was also a nice cameo by Todd McFarlane when he showed up and came face to face with his own creation - literally.

John Leguizamo was a good choice to play The Violator, because his rugged voice, wits and charms really transcended well into the character. The cast in "Spawn" was quite good, and there was some good names on the cast list.

"Spawn" does have some pretty good CGI effects. Well, except for the billowing cape which was just out of tune with everything else. Sure, I know it was supposed to be a huge cape, but it just looked so poorly animated. And when Clown was entertaining Cyan, where his eyes and tongue came out of the head, then I was actually ready to turn off the movie. That whole thing just added a very unnecessary layer of stupidity to the movie.

Certain parts of the movie did not correspond with the comic book. Especially the thing with Terry being a white guy.

The practical effects, such as Spawn's skin, was quite good. And the special effects team really brought a lot of life to the characters and the environment.

"Spawn" didn't really do justice to the comic book, but it still was an entertaining movie for what it turned out to be. Just take it as a separate entity away from the comic book and you'll be fine.

This is also the type of movie that you can watch every now and again, and I think I had now seen it four or five times since it was released back in 1997, although years pass in between every viewing.

You can easily tell that comic book based movies were not a popular demand back in the '90s. Spawn is a result of a sloppy adaptation from a source material which is really difficult to rightfully adapt, special effects that were expensive and got dated after two years and a production company that didn't seem to have taken the making of this movie seriously. So logically it feels like a really poor effort, yet it has its moments.

Great casting choice in Michael Jai White, he proved himself worthy of portraying a broken man looking for revenge and a chance to see his family again. Action sequences are actually quite tolerable, and dark humour mostly provided by John Leguizamo's character (in a funny/disturbing performance) was done to a right amount, enough to add a bit of edge to the story and not much to harm the film, a trend you see nowadays in comic book films, too much unnecessary humour.

The special effects are cringe-worthy at best, which don't really appeal visually other than the cape and Spawn's overall look. So, there aren't many reasons to watch this film, well perhaps the hope that a new Spawn adaptation won't be as bad as this one. Even though I know it's bad, I still got a kick out of it, hence my 6 rating.

Oh, if you expect to see a good performance from Martin Sheen, you can forget about it, he's atrocious in this. All I want to do is forget he was in this movie.

This film is just like the comic that inspired it: Great visuals (I still really like McFarlane's superhero art style), but much like the majority of "Spawn" stories, it really doesn't go anywhere. The set looks good, the characters look good, the cape looks REALLY good, but the story? Other than telling the origin and the standard "must stop the bad guy" motive, it doesn't do as much as it should. And yes, I know it's a Hell-based movie, but the metal soundtrack just got distracting and annoying, instead of enhancing the story like it should have. John Williams or Danny Elfman it wasn't.

Need to see the film? It's a great visual ride. Just don't expect much more than that. It did make for some cool toys, though.

There are moments in Spawn that stand out with exceptional creativity, but what truly stands out about the movie is just how much of a mess it is.

The screenplay is a wreck, the acting is stiff and unconvincing, and the whole thing seems to fly by so fast, that we don't get a chance to experience much other than a look at some nifty visuals. In fairness, I suppose it is easy enough to argue that Spawn delivers its share of action sequences for a ninety minute movie, but perhaps it needs to back down a bit. It needs more story. In the end, Spawn feels like nothing more or less than an exercise in CGI and make-up effects.

It is pretty difficult to get involved with the story, in part because it makes no sense, but mostly because we simply do not care. The character of Al Simmons is about as cheap and plastic as the armour he suits up in during the second half of the feature. Quite frankly I don't find him all that likable. He is cold and nasty, even as a superhero. I really hate it when the good guys talk like the bad guys; when they cackle or make snarly remarks, like Dr. Westlake in the Darkman series.

Some of the special effects work, some don't. Our hero has a blood red cape which can expand to the size of Texas (don't ask me how). I liked that effect. The thing sort of has a computer generated life of its own, and its elegance clashes with the plastic of Spawn's armour. the primary villain is a clown from hell, who can turn into a ten foot armour plated beast which looks a bit like a cousin of the Queen from Aliens. That is another good effect. The climax takes us deep into the fiery pit of hell, which unfortunately does NOT so convincing. My screen saver is a more intimidating computer generated image. I was reminded a bit of the Brinstar level from Super Smash Brothers.

Like so many films do, Spawn ends on a note that just cries out for a sequel. Needless to say, there isn't one and there never will be. Spawn is entertaining in parts, but definitely not as a whole.

This is a tough movie to vote. I personally liked it more than not, but only because I have always been fascinated with comic book super heroes, but that's it, Other than that, and some occasionally very well done special effects, this movie pretty much sucked. The parts where Hell or whatever that ridiculous place is supposed to be are done so poorly I won't even bother loosing words about it. The acting isn't as bad as some claim (well, what exactly can you expect from Martin Sheen anyway)and Theresa Randle is gorgeous as ever. The atmosphere of the movie is very, very dark and morbid, so I would recommend this movie to comic-hero fans ONLY!

There was a time when comic books were not celebrated. When only the disenfranchised cared or knew about them instead of the mainstream. And in those ancient times — let's call them 1992 — no news was bigger than when Marvel's biggest creators left en masse to form Image Comics. At the time, these artists were derided as style over substance. Many of them weren't known for hitting their deadlines. Or even how to draw feet properly. But one of them — Todd McFarlane — took the opportunities that his new home presented and made the most of them, creating his signature character: Spawn.

Spawn is everything that McFarlane loved to draw: a muscular hero covered in spandex, chains and a cape that seems to be way longer than it should be. It was an instant hit, giving birth to a toyline, an HBO animated series (which still holds up) and finally, this movie.

Al Simmons (Michael Jai White, playing one of the first African-American superhero to be a movie lead, as this movie and Shaw's Steel came out at the same time) is a black ops soldier assigned to a mission to investigate a North Korean biochemical weapons site. But he's been set up by his boss, Jason Wynn (Martin Sheen) and is killed by Jessica Priest, Wynn's new top assassin. After being set on fire, he winds up in Hell, where Malebolgia offers him a deal. If Simmons will lead his armies to Heaven's gate, he can see his true love, Wanda, one more time.

You know how those deals with demons work. They're rarely fair. When he returns to Earth, Simmons learns that Wanda is now married to his best friend Terry(D.B. Sweeney, Fire in the Sky, The Cutting Edge), who is raising his daughter, Cyan.

Malebolgia sends one of his demons, Violator (John Leguizamo), to mentor Simmons. But there's also Cogliostro (Nicol Williamson, The Exorcist III), who also sold his soul to become a Hellspawn but who has found his way to Heaven.

Meanwhile, Simmons becomes Spawn and attacks Wynn, now a powerful arms dealer. He easily defeats his killer, Jessica, and escapes an attack by an army of mercenaries thanks to his new powers.

Violator — who either appears as a clown or an Alien-esque demon — gets Wynn to add a device to his heart that will release Heat 16, a biochemical superweapon, if he dies. Malebolgia wants Simmons to kill Wynn and start the end of the world. But Violator has his own agenda and nearly kills our hero before Cagliostro saves him. As he learns how to use his powers just as he also learns that Wynn plans on killing everyone he loves.

What follows is a battle on our earth and in Hell, where Spawn denies his contract with the Devil, bests Violator and returns to our reality, ready for the sequel which never came.

Spawn is very of its time, a film packed with early CGI (nearly half of its effects were unfinished until two weeks before it was released) and a soundtrack that mixes techno with hard rock and metal (the Atari Teenage Riot/Slayer mashup "No Remorse" is a highlight). It's a decent enough film but is a sanitized version of the chaos inside every panel of the Spawn comic. It just feels like something is missing. There's no real heart in the film, nor any real threat to our hero.

After years of talk of a sequel, McFarlane announced a new Spawn adaptation in 2015, with the goal of the creator writing the script and directing. In July of this year, it was confirmed that this was true, with the film being produced by Blumhouse. Here's hoping for something great.

Read more at http://bit.ly/2APIBVE

To be honest, this movie is a crap, but it has its charms. Spawn has a good make-up and following effects, and the music is quite good. It could be a guilty pleasure if you have time to waste.

6/10

Al Simmons (Michael Jai White) is an agent of a covert government agency headed by Jason Wynn (Martin Sheen). He is angered by the civilian casualties of the latest hit. Wynn sends him on the next mission to attack a North Korean biochemical plant. Wynn double-crosses him with assassin Jessica Priest (Melinda Clarke). He is sent down to Hell where demon king Malebolgia offers him a deal. It's 5 years late. Al returns to earth to see his love Wanda Blake (Theresa Randle) who is now married to his best friend Terry Fitzgerald (D.B. Sweeney) and raising his daughter Cyan. Evil minion Clown/The Violator (John Leguizamo) reminds him of the deal to kill Wynn and lead the demon army upon Armageddon in exchange for Wanda. Cogliostro was also an assassin from Hell but he saved his soul and battle for Heaven.

It tries to be a darker and uglier type of comic book movie but it ends up more or less campy. I can't really take John Leguizamo seriously. Danny DeVito would have been much better. Everybody is trying too hard to be a cartoon character. Martin Sheen doesn't have to act evil. He would be so much more effect if he acts Presidential. The visual style looks cheap although Spawn himself looks good. The makeup looks pretty good and the CGI is incorporated as well as can be expected. I guess most of the effort was concentrated on the look of Spawn and everything else took a backseat.

The first time I saw this...well, I wanted to like it. I had rented it probably as soon as it came out on VHS. I hadn't read a Spawn comic but knew one thing, he was a badass and a lot of people liked the comics. I had high hopes. Boy, was I disappointed. Now as the time has passed and I've gotten older, I've tried to like it for different reasons. For the campy aspect of it, for Leguizamo's part, for anything...I still don't.

The effects are what they are, and you can't do much with a budget too low for your aspirations when it comes to a work like this. As it is, the suit and cape look pretty good, but it seems like those are the only things that any money were spent on. However, that is the least of my concerns for Spawn.

The acting is...in a word...atrocious. No one other than Leguizamo has any fun in this thing. He's like the guy at a crappy party that says, "Hey, screw it. I'm gonna have a good time whether the rest of you guys are or not!" Did I like his performance? Not really, but you have to give him credit for trying. That's more than I can say for the rest of the cast, crew, pretty much anyone else associated with this. Jai White is awful. The script doesn't help him at all but he was just the wrong choice. That said, there probably weren't too many African-Americans at the time that folks thought could pull it off, so he was chosen. Wrong choice, but I guess you do what you have to. Sheen was so bad I had to watch Apocalypse Now again just to get the vision of Spawn out of my head. Sweeney and Randle....who? They were in this thing? See what I mean?

The movie should NOT have been PG-13 either. We know well enough these days that even when a movie is put out in a director's cut on DVD with an R rating that it doesn't help much. Spawn should have been a "hard R" all the way from the get-go. It also could have helped itself being a bit longer, say 2 hrs total. But maybe it's the best thing that Spawn only tortured us for 90 mins. Any more of Spawn the way it is and you wind up thinking too much about Death's sweet release.

Like I said, I really wanted to like it. I watch it when it comes on FX or whatever other TV channel just to see if I can find a reason to like it, so maybe I won't feel the disappointment I felt the first time. It never works...and it never will.

Al Simmons (Michael Jai White) is one of the top operatives for Jason Wynn (Martin Sheen), who is the head of an organization called A6. When Simmons becomes aware that A6 might be a little shady, he learns the hard way that he isn't allowed to quit A6. This leads to his transformation into Spawn, a superhero with a background and motivations that are just as morally ambiguous as A6. The film largely concerns Spawn discovering and exploring his new identity, while working to uncover a nefarious plot and attain revenge.

If you read my reviews frequently enough over time, you'll notice that my ratings often change on repeated viewings. My rating for Spawn has definitely gone down since my last viewing, but currently, I'm giving it a generous 8 out of 10. There are a lot of things that are brilliant about the film, at least for viewers with particular, odd tastes similar to mine, but there are also too many unfortunate missteps to allow for a higher score.

Let's look at the missteps first. The main problem with the film is that screenwriter Alan McElroy and writer/director Mark A.Z. Dippe tried to squeeze far too much plot and too many characters into a 90-minute film. In retrospect, it would have been better to make one film covering everything up to Spawn's transformation (or the beginning of the transformation), and then save the other material (which comprises the bulk of the story here) for later films. Maybe Todd McFarlane, who created the comic books upon which this film was based, was worried that he wouldn't receive funding for sequels, so a multi-film plan wasn't attractive. As it is, there have been no live action sequels to date (there have been animated versions of Spawn), but I think there may have been if the first film would have been handled differently.

As the film stands, too much time has to be spent explaining the plot. The A6 plot is complicated enough, but there is a very high-concept idea behind the creation of Spawn that also has to be explained, too. Also, a lot of characters, most critically Cogliostro (Nicol Williamson--one of my favorite character actors), are basically wasted. There just isn't time to get into them.

A further problem is that both Sheen and White use odd affectations in their speech. I suppose it's supposed to be over-the-top in a comic book way, but on this last viewing, at least, it was more distracting to me. Also, a lot of the cgi-heavy effects already look very dated, and there's a weird cheesiness to most of the scenes in Hell. On the other hand, I personally like that kind of weird cheesiness, so I didn't subtract any points for that.

And speaking of weird cheesiness, I'm sure a lot of people hate John Leguizamo's character in the film (Clown/Violator), but I love it. It's exactly the kind of surreal campiness--part horror, part humor--that I cherish. As Mike Mayo has said, he's like (an evil) Krusty the Klown on acid. That works well for me, but if you're not the kind of person who loves films like Killer Klowns from Outer Space (1988), you probably won't like this Killer Klown either.

There is also a great campy quality to the material overall, including some of the dialogue (a scene where a father yells at a son in "Rat City" for spitting out a meal they retrieved from the garbage because it's "wasting good food" is a treasure). Spawn, the comic, is really a bizarre amalgamation of a number of different influences, from horror to twisted fairy tales, and the film is not afraid to indulge in that.

The best part of the film, though, aside from Leguizamo's character, is Spawn as superhero. The costume and devices of the costume are fantastic, the cgi for the costume is excellent (I especially loved the cape), and White (as well as the stunt person(s)) does a great job physically. All of the action sequences involving Spawn were incredible. I wanted to see a lot more of that kind of material. In fact, the visual style of the film overall is admirably creative, all the way down to the opening and ending credits.

In the end, the film teeters between being something that's "so bad, it's good" and being just a good film with some unfortunate flaws, but in either case, it's still very enjoyable to watch. You just need to approach it not expecting a realist dramatic masterpiece, but rather with a love for the absurd.

I remember seeing this film as a kid, and i remember it being pretty bad-ass. Joining IMDb, and seeing it at a 4.9, I was astonished. But having been over twelve years, I decided to go out and buy the Director's cut. Just to be blunt, it's nowhere near worthy of the rating it's at. But, there is quite a bit of wasted potentiality. I'll start off with the good, which really there is a lot of if you think about it. First off, if you're really into action, look no further because this film sports a nice amount of it. And the basic premise is pretty interesting, but even the director's cut clocks in at under an hour and forty minutes , so it fails to dive any deeper than it certainly could've. The cinematography is by Guillermo Navarro, who many of you probably know from his work with director Guillermo del Toro ( "Blade 2", the "Hellboy" series, "Pan's Labyrinth", etc.), and he does a bang up job. With the right direction this could have been a masterpiece by all means. Mark A.Z. Dippé knew and carried out the bare minimum of film making, and if you look into it is busy now-a-days with animated Garfield productions. What a down grade, huh? About 90% of the visuals are pretty damn good actually, and the acting as it is is all right. For these things alone, I enjoyed this movie, where as I despised "X-Men Origins: Wolverine" for its predictable generic storyline and overly done flashy effects. Michael Jai White was far from terrible and John Leguizamo was pretty terrific if not a bit cartoony at times.

The bad points really hit this film hard. The pacing, attuned to its short run time, zooms by way too quickly with annoying video game like transitions and a score that didn't fit the film too well. Every time I was expecting more to be developed, I was let down. "Oh, this is a cool plot line-wait, what, we're moving on already? oh..okay..". And lastly, amongst 90% of the great CGI and make-up, the battle in hell is painstakingly terrible. They should've gone with an elaborate set and CGI here and there, but it becomes hopeless so you have to sit threw what you would call a lackluster climax.

But for what it is, I highly recommended this movie for its dark humor and awesome action.

After watching Spawn, I felt disappointed. Maybe my expectations were too high, as the comic is not easy to adapt at all, but this film could have been so much better than it was. But to no avail, there are actually some redeeming qualities, which I'd better start with before explaining what I found wrong with Spawn.

First of all, an unrecognisable John Leguizamo is absolutely brilliant as the Clown, while over the top, it was almost very sinister and sadistic, somewhat reminiscent of Pennywise and the Joker. The extremely graphic and violent images, helped by clever zooms and decent special effects were also very well done. I also liked the cameo from Sam and Twitch at the end, which will be likely to please fans of the comic.

However, there are a lot of things that didn't work. I for one found the soundtrack intrusive and generic, and while the visuals were great the direction for me was not, it needed a little more subtlety. While Leguizamo's clown has some delicious lines that is delivered with relish, the rest of the script is very weak. Also while I had no problem whatsoever with Leguizamo, I cannot say the same for the remainder of the cast. Martin Sheen is given very little to do as Wynn, while all Michael Jai White manages to do is act brooding, instead he forgets to act. Plus Nicol Williamson's voice over did nothing for me, it felt somewhat tacked on. Then we have a story that is too rushed with some unintentionally laughable parts like the Devil and the disastrous lip synching and the climax to put it bluntly is a bit of a mess, then again I wasn't expecting a perfect climax considering how little character development there was.

Overall, has redeeming qualities, but a big disappointment overall. 4/10 Bethany Cox

Everyone seems to agree that the original Spawn comic is excellent material for a pointless, violent, stupid and thoroughly amusing movie. This movie, however....It isn't all that violent (if you compare it to the comic book), but it is stupid and utterly pointless. Amusing? It could have been if they had inserted a prolonged torture scene of John Leguizamos Clown character: one of the most un-funny, irritating and tacky "comic relief" characters ever to have (dis)graced the screen. Move over Chris Tucker and Pauly Shore - we have a new candidate for overrated quasi-comedian of the decade. The special effects were kind of confusing - half of them were excellent and half of them looked like beautified Sesame Street animations (the demon "thing" of hell, for example, which had me crying with laughter). Let's hope for the next Spawn movie they take a few chances and make a grittier downbeat tale with more in common with the original comic and not like the muppet show from hell.

Take a great story about someone being damned for his sins and brought back as a demon. Then take out all the spooky dark stuff and add a bunch of sweetness-and-light tenderness that adds absolutely nothing to the story. Tone down the comic-book atmosphere to a more believable level, something around the level of the town of Mayberry. What you're left with is a watered-down, listless waste of time that's guaranteed not to offend anyone, and has all the entertainment value of a cup of oatmeal. I can almost see a bunch of guys sitting around a table, discussing a live action version of "Spawn", and then someone says "But let's make it a lot more like 'Lassie Come Home' so people can take their kids to see it." Stick with the animated version, don't waste your time and money on this saccharine yawn-fest.

I don't understand why so many people was against this movie.

It's not special but not so trash as he looked like. I had never read before a comic of this superhero so i had a blank mind about this character but the movie was enough good. In some points it remember me of '' Batman and Robin'' by 1997. An other movie too criticised but maybe i think so because i was a kid when i watched it.

I hated this movie! I have seen many, many, movies but this is one of the worst. The characters did not connect to me in any way, they were in no way likeable to me. I started to wish I had never even sat down to watch this trash. I'm sorry to say that, but it was so dark, and ugly, throughout the whole movie, and I just could not sit through it. Even the special effects weren't enough to make me want to see it again. I didn't turn it off, because I kept hoping for something better, but it was a huge waste of time.

I remember back in the late 90s, "Spawn" was one of those films that just looked really cool, in the same vein as "Blade" or "The Matrix" (or maybe it's because they all had similar-looking DVD releases). Films like these capitalized greatly on then-impressive special effects, slick cinematic style, frequent action, a dark and Gothic subject matter, and really awesome soundtracks. As cool as "Spawn" seems, however, it's nowhere near as cool as these other films.

The coolness of "Spawn" is that it has a lot of action. It doesn't really drag all that much. It has a cool concept behind its antihero character and the overall story; one that offers potential for some epic special effects and some interesting plot twists. And, it has one of the coolest soundtracks on the market.

The lameness of "Spawn" is that the dialogue is often very corny, the villains are standard megalomaniacs, the special effects are horrid (even by 1997 standards), a few parts are way too cartoony for its own good (especially regarding the clown character), the style of editing can be pretty erratic and weird, and the film overall is watered down for a PG-13 rating (even the R-rated cut doesn't really push the boundaries much).

The thing I find most disconcerting is the execution of the story. The original story for "Spawn" is a pretty dark and compelling drama, on a level similar to "The Crow." It was handled with just the perfect level of respect and quality with the HBO animation. This film takes the material, keeps the core story, but skims over a huge amount of the plot in a short runtime. As such, parts of it are rushed and choppy.

Regardless, it does handle a few aspects appropriately. It is inherently compelling to watch the main character suffering betrayal and loss, before being forced to choose between vengeance and morality. It is a story with promise; it's just told in a goofy way.

For what it's worth, the photography is not bad. The film is edited with some really weird and fancy editing effects, which can be erratic at times and stylish in others. With the iffy special effects, the film sometimes comes off as appearing rather gaudy. Still, the actors do their best: Michael Jai White brings the Spawn character to life with just the right amount of emotional punch and machismo, while Martin Sheen, John Leguizamo, and Nicol Williamson all put on very hammy performances (for better or for worse). Despite the gaudy CGI, this production has fine and dandy sets, props, and costumes. Music is really awesome.

I personally recommend the HBO cartoon version of "Spawn" first and foremost, for it is an excellent and earnest attempt at adapting the original comic. This film may have seemed right at its time, but after all this time it's apparent that it's mostly wrong. It does entertain, but interested parties would do better to rent it first and make up their own minds.

3/5 (Entertainment: Good | Story: Average | Film: Marginal)

"Spawn" is a special effects spectacle unlike anything before it. It has some dazzling CGI effects to complement its dark tone and breathe life into the Gothic fantasy, and wondrous cinematography to carry it out. Unfortunately, that's all it has to offer, which is a real shame, because this had the potential to be one hell (pun intended) of a movie.

As a reader of "Spawn" comics and collector of "Spawn" merchandise (and affiliated McFarlane Toys products), I saw at an early age how "Spawn" revolutionized the comics industry with its mystical premise, graphic visuals, Heaven vs. Hell battle theme and gratuitous sex and violence, and while such gusto has been embraced by fans, this 1997 film adaptation of Todd McFarlane's popular underground comic, directed by Mark A.Z. Dippe', is rated "PG-13" (subsequent home video versions were of the "R"-rated director's cut, which contained additional footage), the watered-down violence more cartoonish than graphic. In short, in the comic book world, Spawn is not like anything else out there.

The story is that the demon Malebolgia needs fresh souls for his ever-growing army of undead soldiers to lead an eventual conquest of Earth, and then, Heaven, in what will eventually bring about Armageddon. All Malebolgia needs is a general for his army, and, Holy Lazarus, recently deceased CIA operative Al Simmons (newcomer Michael Jai White) has just the extra-crispy corpse for the job.

See, Simmons was set up by his insane former employer Jason Wynn (Martin Sheen) after making a bargain with Malebolgia's go-to guy and Earthbound lieutenant, the pudgy, disgusting Clown (John Leguizamo, completely unrecognizable in his get-up), to kill Simmons so that he would be sent to Hell. While in Hell (which looks like a CGI version of a Marilyn Manson concert on steroids), Simmons makes a deal with Malebolgia to lead his army, in exchange for one last chance to see his wife Wanda Blake (Theresa Randle), who is now married to his best friend Terry Fitzgerald (D.B. Sweeney) and together the two now have a young daughter named Cyan (Sydni Beaudoin).

Back on Earth and unaware that five years have passed, Simmons has a burnt-to-a-crisp visage that doesn't sit well with people not accustomed to undead soldiers from Hell. He establishes sympathetic links with the homeless denizens of alley Rat City, chiefly young Zack (Miko Hughes), and is watched over by the Godsend Cogliostro (Nicol Williamson). When Simmons's body comes out of its larval stage and transforms him into a "Hellspawn," a being with an endoplasmic and invincible suit of armor, he sees his chance to use these new powers to exact vengeance on Wynn, his lethal vixen Jessica Priest (Melinda Clarke), reunite with Wanda, and seek a way to break out of his agreement with Hell.

As stated earlier, "Spawn" is one hell of a special effects spectacle, and it looks great, but a lot goes wrong in too many places. I was dazzled to see one of my favorite superheroes on the screen nearly 10 years ago as an impressionable pre-teen. Now at 21, I am sorely disappointed by what I see today. "Spawn" still could have been good, even without with the full-on graphic content and Heaven & Hell mysticism of the source material. While a largely accurate reflection of the comics, it still gives more credence to my assertion that this is "Spawn"-lite. Presumably, studio bosses weren't keen on marketing a Hellbound superhero to the masses, so measures were probably taken to make the vehicle more accessible. (Take my advice and stick to the animated HBO miniseries.)

On the plus side, Michael Jai White makes an efficient hero and this remains the actor's most well-known part. We do feel his pain (even if it seems forced at times), his quips, and overall faithful portrayal of the character. Sheen makes for a coolly sadistic madman but it's Leguizamo who steals the show. His gross-out-humor, maggot-munching portrayal of the Clown is just what takes this movie out of the dregs and into full-blown camp territory. Lastly, the soundtrack, a mix of heavy metal and techno, does have some pretty wicked sounds.

It's easy to see that only core fans will want to stick with this picture. It had such a great chance to be something unlike anything else out there. With the comic book craze still in full swing in Hollywood, "Spawn" seems forgotten, or at the very least, sitting on the sidelines. But "Spawn," to me, seems to be an example of mis-marketing, a brilliant idea gone haywire. Maybe it should have stayed in Hell, where it belongs.

5/10

Honestly, I really don't understand why this movie has such a low rating. I theroughly enjoyed this movie. John Leguizamo was hilarious! In fact, I think Leguizamo and White and great acting chemistry. Lots of action, great special effects for it's time, and it had a perfect blend of dark comedy that not that many writers can pull off. Guys, lighten up, this has got to be my ultimate favorite Michael Jai White move.

Nowadays you can't move at the cinema for someone dressing up in a cape and silly costume and fighting the forces of darkness while flying around a major US city. However, back in 1997 superhero films weren't - believe it or not - guaranteed Box Office gold like they are today. I'd never read any of the 'Spawn' comics, so I went into the movie kind of blind. And I enjoyed it. It was only a few years later during the birth of the internet did I realise how much everyone seemed to hate this film. I've watched it again (a few times, believe it or not) and I can see where the masses are coming from. It's hardly 'high art' (but I enjoyed it anyway!).

It's about a Government hitman who gets double-crossed by his shady employer (when will these hitmen ever learn?) and ends up getting killed. If that wasn't bad enough he wakes up after his 'death' to find he's spent the last five years in hell and the devil has asked him (or rather blackmailed him) into leading his dark army on a siege of Earth. Luckily, our hitman decides that's probably not a great career option and with the help of a 'knight' (or rather modern day homeless mentor Obi-wan Kenobi figure who once was a knight) chooses to fight the forces of darkness instead.

When I first watched it I guess I hadn't seen that many superhero films (Tim Burton's Batman duo excluded), so I enjoyed the dark tone, the cool suit our anti-hero wore and the action in general. Michael Jai White gives a good performance as the grizzled 'Spawn' and the real stand-out performance is the (totally unrecognisable, thanks to excellent make-up) John Leguizamo as the most memorable bad-guy 'The Violator.'

However, I guess nowadays it's fair to say that it hasn't aged well. Any criticism you may hear regarding how the special effects look like they've been rendered for a Playstation 2 are pretty on the nose (and even at the time I wondered why the beast-like Devil's lips never moved when he spoke), but, looking at it afresh, I can't help but notice how bad Martin Sheen's dialogue is. He's supposed to be the main villain and yet he's even more cliché than any Bond super-villain you've ever seen.

The whole film basically 'tell' not 'show.' Every piece of dialogue is some sort of 'set-up' to give the viewer information and let them know what's happening, solely designed to move the plot forward and avoid confusion. 'Spawn' is never really going to be remembered as much more than a missed opportunity. It's certainly not up to the coherent standards of today's superhero movies. I still watch it, because - for some reason - I feel quite a twang of nostalgia for it (despite its numerous flaws!). But even people who saw it back in the late nineties don't hold it in the same - reasonably - high regard as me. I hear there's a 'reboot' on the way, so maybe that will bring Spawn to the audience he probably deserves to be show to. But John Leguizamo is definitely awesome in this - if you hate absolutely everything else about this film, you should appreciate his performance as sheer evil foulness.

The problem again here with this movie, that had an excellent story, is the usage that the director gave to it. This director could not handle the story and delivered just a plain and simple story, that is kind of boring. Mark Dippe, learn from directors as Norrington (Blade), and from Guillermo del Toro (Mimic). What a shame.