4 reviews
The story is adapted from the extremely successful work of the same title by the renowned Japanese writer Junichi Watanabe published in February 1997, sold 2.6 million copies. What's more, "Paradise Lost" (in Japanese) has become a popular buzzword ever after in the Japanese society.
The detailed analysis of the love life (or need) of the middle-aged is one of the reasons for the success, another one should be the extensive description of Shoichiro Kuki and Rinko Matsubaro's extremely explicit sexual intercourse. Sex sells well. Seeing the success of the book and the movie, the TV station has adapted the story into a series. Again, it's another success, in terms of monetary return.
When most of life's duties have been fulfilled: career has become stable, children have grown up and are independent, the mortgage is nearing its finishing line, the car has been changed to be better and more powerful and, the marriage has also gone "stable", what should one need more? The 50-year-old Kuki, a publishing veteran editor is now trapped in such a maze. Rinko is also stuck in this dilemma. She married a prestigious medical doctor because of his money. Sexually, she is not satisfied because her husband loves SM.
Japan is a conservative and suppressing society. Individual ideas may not be able to survive for long. Just a few days ago, commoner-turned-Princess Owada Masako finally could not keep silent to express that the pressure of the palace suffocates her. And the society stifles many Japanese men: they fight, compete and study hard to enter reputed kindergarten, primary school, high school and university, then a good job and keep climbing the ladder of the company. Arranged marriage is always common. Every thing must be done according to their parents' planning. Kuki expressed his pain once that he is always a good boy, a good student, a good boss, a good daddy and a good hubby, now he wants something for himself. When two down and lonely hearts "collide" together, lethal sparks of emotion explode frantically.
George Lam's "John Lam" in Sylvia Chang's film "Zui Ai" tells more or less the same pain of suppression that Kuki, as a man living in a conservative Asian society, experiences ever since childhood. They cannot but struggle for a channel at any cost.
The detailed analysis of the love life (or need) of the middle-aged is one of the reasons for the success, another one should be the extensive description of Shoichiro Kuki and Rinko Matsubaro's extremely explicit sexual intercourse. Sex sells well. Seeing the success of the book and the movie, the TV station has adapted the story into a series. Again, it's another success, in terms of monetary return.
When most of life's duties have been fulfilled: career has become stable, children have grown up and are independent, the mortgage is nearing its finishing line, the car has been changed to be better and more powerful and, the marriage has also gone "stable", what should one need more? The 50-year-old Kuki, a publishing veteran editor is now trapped in such a maze. Rinko is also stuck in this dilemma. She married a prestigious medical doctor because of his money. Sexually, she is not satisfied because her husband loves SM.
Japan is a conservative and suppressing society. Individual ideas may not be able to survive for long. Just a few days ago, commoner-turned-Princess Owada Masako finally could not keep silent to express that the pressure of the palace suffocates her. And the society stifles many Japanese men: they fight, compete and study hard to enter reputed kindergarten, primary school, high school and university, then a good job and keep climbing the ladder of the company. Arranged marriage is always common. Every thing must be done according to their parents' planning. Kuki expressed his pain once that he is always a good boy, a good student, a good boss, a good daddy and a good hubby, now he wants something for himself. When two down and lonely hearts "collide" together, lethal sparks of emotion explode frantically.
George Lam's "John Lam" in Sylvia Chang's film "Zui Ai" tells more or less the same pain of suppression that Kuki, as a man living in a conservative Asian society, experiences ever since childhood. They cannot but struggle for a channel at any cost.
"Lost Paradise" is beautifully filmed and the two lead actors do a great job. Unfortunately, the story line is very slow and boring. But I do like the ending even thought others I've talked to didn't. As you probably all know this movie inspired a hit serial drama on Japanese TV. However, I never got a chance to watch the TV show so I don't know if the TV show was better than the movie. If you're in Japan and this movie is shown on TV it's worth watching (which is where I saw it) but I probably wouldn't bother renting it.
Although I have heard about this movie and read the original book, I never get a chance to watch the complete one till this afternoon I rent the DVD.
It is really beautiful, every moment, every performance, every scene, natural and artistic, yet so moving and striking to me that I really can not breathe in the end. There is something deep in your soul, which you may never experience in your life. But when it comes to you and you realize that, you jump at it, no matter what consumes, your job, family, even your life.
The most amazing part of this movie is that, when I watch it, I know it is a very strong and passionate one (I have read the original book and I adore it), but every step it takes happens so natural and real that you feel it is just the fate and inevitable. It is not just a romantic story about forbidden love, there is something deeper and more serious inside, where is the real life and love in this modern, developed society? I have long felt there is a aesthetic yet self-destructive tendency in many Japanese novels and movies, just like and blossom of cherry flowers. This one provide another sample.
As usual Koji Yakusho, my favorite current male Japanese actor delivers a very convincing performance. This is my first time to see Hitomi Kuroki. She plays exactly the character in the book, sometimes even better and far beyond it. I do not know how to describe her beauty and acting, it is too perfect, I really love her in this movie. If I were Sholchiro Kuki, I would do everything to make her a happy and complete life.
I guess this movie is not the cup of tea for everyone. First of all, the story itself may be controversial in some sense, going against the conventional moral values. Second, there are quiet a lot sizzling sex scenes. I have to admit, some of them are very arousing and erotic, but they are naturally beautiful with no pretense. To this point,the only comparable movies I can remember are: Damage, The lover, and Unfaithful.
By the way I also would like to recommend the original book with the same title by the renowned Japanese writer Junichi Watanabe. In my eyes, he is the counterpart of D.H.Lawrence in Asia in that both can write sex in such a real and beautiful way.
It is really beautiful, every moment, every performance, every scene, natural and artistic, yet so moving and striking to me that I really can not breathe in the end. There is something deep in your soul, which you may never experience in your life. But when it comes to you and you realize that, you jump at it, no matter what consumes, your job, family, even your life.
The most amazing part of this movie is that, when I watch it, I know it is a very strong and passionate one (I have read the original book and I adore it), but every step it takes happens so natural and real that you feel it is just the fate and inevitable. It is not just a romantic story about forbidden love, there is something deeper and more serious inside, where is the real life and love in this modern, developed society? I have long felt there is a aesthetic yet self-destructive tendency in many Japanese novels and movies, just like and blossom of cherry flowers. This one provide another sample.
As usual Koji Yakusho, my favorite current male Japanese actor delivers a very convincing performance. This is my first time to see Hitomi Kuroki. She plays exactly the character in the book, sometimes even better and far beyond it. I do not know how to describe her beauty and acting, it is too perfect, I really love her in this movie. If I were Sholchiro Kuki, I would do everything to make her a happy and complete life.
I guess this movie is not the cup of tea for everyone. First of all, the story itself may be controversial in some sense, going against the conventional moral values. Second, there are quiet a lot sizzling sex scenes. I have to admit, some of them are very arousing and erotic, but they are naturally beautiful with no pretense. To this point,the only comparable movies I can remember are: Damage, The lover, and Unfaithful.
By the way I also would like to recommend the original book with the same title by the renowned Japanese writer Junichi Watanabe. In my eyes, he is the counterpart of D.H.Lawrence in Asia in that both can write sex in such a real and beautiful way.
- hillspring
- Jun 17, 2004
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