Metacritic reviews

With its dry, throwaway humor and constant stream of chuckles, it creates its own category of stealth comedy.

For me, the experience was much like seeing Mike Nichols' "The Graduate" and George Lucas' "American Graffiti" before the hype machines kicked in.

It's too smart to be maudlin.

Wickedly funny.

A weird, wonderful and funny work that stands as a true original. As if that weren't enough, director and co-writer Anderson has given Bill Murray his best role in years.

One of the great things about this unpredictable, exhilaratingly goofy fable is how it shows that even the clueless - and the tragically morose - have a shot at redemption.

One of the weirdest, hardest-to-place studio films I've seen in years.

This film is the product of artists working at the peak of their powers.

Seems torn between conflicting possibilities: It's structured like a comedy, but there are undertones of darker themes, and I almost wish they'd allowed the plot to lead them into those shadows.

You can't have Rushmore without Max, and though Anderson obviously planned it this way, the kid is finally too off-putting to tolerate.