Directed by
Luis Mandoki | ... | (directed by) |
Writing Credits (WGA)
Ron Bass | ... | (written by) & |
Al Franken | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
Jon Avnet | ... | producer (produced by) |
Ron Bass | ... | executive producer |
C. Tad Devlin | ... | co-producer |
Al Franken | ... | executive producer |
Jordan Kerner | ... | producer (produced by) |
Simon Maslow | ... | executive producer |
Susan Merzbach | ... | co-producer |
Salli Newman | ... | associate producer |
Music by
Zbigniew Preisner | ... | (music by) |
Cinematography by
Lajos Koltai | ... | director of photography |
Editing by
Garth Craven |
Casting By
Cathy Sandrich Gelfond | ... | (as Cathy Sandrich) (casting by) |
Amanda Mackey | ... | (casting by) |
Production Design by
Stuart Wurtzel |
Art Direction by
Steve Saklad | ... | (as Steven A. Saklad) |
Set Decoration by
Kara Lindstrom |
Costume Design by
Linda M. Bass | ... | (as Linda Bass) |
Makeup Department
Colleen Callaghan | ... | key hair stylist: Ms. Ryan |
Leonard Engelman | ... | key makeup artist: Ms. Ryan |
K.G. Ramsey | ... | hair department head |
Rick Sharp | ... | key makeup artist: Mr. Garcia |
Production Management
C. Tad Devlin | ... | production manager |
Rosalía Salazar | ... | production manager: Mexico (as Rosalia Salazar) |
David Hoberman | ... | executive in charge of production: Walt Disney Studios (uncredited) |
Second Unit Director or Assistant Director
Enrique Arroyo | ... | first assistant director: Mexico |
Shery Blanc | ... | second second assistant director (as Sheryl Blanc) |
Bruce Carter | ... | second assistant director |
Steve Danton | ... | first assistant director |
Aimee DeBaun | ... | second second assistant director: San Francisco (as Aimee A. Morris) |
James W. Gavin | ... | second unit director: San Francisco |
Mickey Gilbert | ... | second unit director: Mexico |
Luciana Kaplan | ... | assistant director: second unit, Mexico |
Marge Piane | ... | second assistant director: Mexico |
Lisanne Sartor | ... | dga trainee |
Annie Spiegelman | ... | assistant director: San Francisco |
Art Department
Gilbert Badillo | ... | labor foreman |
Earl Benton | ... | stand-by painter (as Earl L. Benton) |
John Beuttler | ... | scenic artist |
Robert A. Blackburn | ... | foreman |
Kai Blomberg | ... | swing gang |
Scott E. Bruza | ... | swing gang (as Scott Bruza) |
Marco A. Campos | ... | propmakers foreman (as Marco Campos) |
Andrea Mae Fenton | ... | set dressing buyer |
Joseph Frank Giorgianni | ... | cabinet gang boss (as Joseph Giorgianni) |
Kirk D. Hansen | ... | paint foreman |
John Hoskins | ... | gang boss |
Jonas Kirk | ... | foreman (as C. Jonas Kirk) |
Gary A. Krakoff | ... | construction coordinator |
Tim R. Lafferty | ... | general foreman |
Stephen Lampke | ... | swing gang |
Jack Laspada | ... | labor foreman |
Steven M. Levine | ... | property master |
Ernest Lopez | ... | plaster foreman (as Ernest Lopez Jr.) |
Steven M. Miller | ... | greensman |
Robert Misetich | ... | paint foreman |
David C. Potter | ... | lead man |
William Powley | ... | paint gang boss |
Michael Rizzo | ... | junior set designer |
James Robinson II | ... | assistant props (as James W. Robinson II) |
Lori Rowbotham | ... | junior set designer |
Tommy Samona | ... | swing gang (as Anthony T. Samona) |
Michael P. Sweeney | ... | on-set dresser |
Stan Tropp | ... | set designer |
Kathleen Walker | ... | art department researcher |
Doug E. Williams | ... | propmaker: SF crew |
J. Michael Davis | ... | set dresser: San Francisco (uncredited) |
Sound Department
Rick Ash | ... | re-recording mixer |
Beth Bergeron | ... | adr editor |
Joseph F. Brennan | ... | boom operator |
Fred Burke | ... | foley editor |
David E. Campbell | ... | pre-dub re-recording mixer (as Dave Campbell) |
Thomas Causey | ... | sound mixer (as Thomas D. Causey) |
Midge Costin | ... | sound editor |
Robert Deschaine | ... | adr mixer |
Teri E. Dorman | ... | sound editor (as Teri Dorman) |
Juno J. Ellis | ... | adr supervisor |
John P. Fasal | ... | sound effects recordist (as John Fasal) |
Marva Fucci | ... | sound assistant |
David Gertz | ... | foley mixer |
Denise Horta | ... | adr editor |
Allen Hurd | ... | sound recordist |
Richard Kite | ... | cableman |
James Likowski | ... | foley editor |
Victoria Martin | ... | foley editor |
F. Hudson Miller | ... | sound editor |
James Moriana | ... | foley walker |
Maggie Ostroff | ... | sound assistant |
R.J. Palmer | ... | sound editor |
John T. Reitz | ... | pre-dub re-recording mixer (as John Reitz) |
Gregg Rudloff | ... | pre-dub re-recording mixer |
Christopher C. Schiavo | ... | assistant sound editor (as Christopher Schiavo) |
Karen Spangenberg | ... | sound editor |
George Watters II | ... | supervising sound editor |
Jeffrey Wilhoit | ... | foley walker |
Gary Wright | ... | sound editor |
Dean A. Zupancic | ... | re-recording mixer |
Special Effects by
Thomas R. Ward | ... | special effects coordinator |
Visual Effects by
Michael J. Fowler | ... | computer graphics artist |
Rebecca Ramsey | ... | title producer: RGA/LA |
Stunts
Erik Cord | ... | stunts |
Mickey Gilbert | ... | stunt coordinator |
Troy Gilbert | ... | stunts |
Maria R. Kelly | ... | stunts (as Maria Kelly) |
Camera and Electrical Department
Dustin Ault | ... | grip |
Herb Ault | ... | key grip (as Herbert L. Ault) |
Hans Bjerno | ... | photographer: Wescam, San Francisco |
John W. Brumshagen | ... | electrician (as John Brumshagen) |
Colin Crane | ... | assistant camera |
Michael J. Fowler | ... | video playback operator (as Michael Fowler) |
Kurt Grossi | ... | grip |
Frank M. Holgate | ... | photographer: second unit, San Francisco (as Frank Holgate) |
Robert Jason | ... | chief lighting technician |
Frank R. Jimenez Jr. | ... | electrician (as Frank Rene Jimenez Jr.) |
Lee Johnson | ... | lighting technician |
R. Scott Judge | ... | dolly grip |
Kenneth E. King | ... | best boy grip (as Kenny King) |
Randy Lewis | ... | rigging gaffer |
Vincent Mata | ... | camera loader |
Larry McCarron | ... | grip |
Steven J. Mikolas | ... | video assist operator (as Steven Mikolas) |
Fernando Moreno | ... | best boy electric: Mexico |
David Morrison | ... | grip |
Ken Nishino | ... | first assistant camera (as Kenneth Nishino) |
Jeffrey W. Petersen | ... | electrician (as Jeffrey Peterson) |
Marcus Robertson | ... | electrician |
Rod Robertson | ... | best boy electric / underwater scenes |
Pete Romano | ... | underwater photographer: Mexico |
Jesús Romero | ... | best boy grip: Mexico (as Jesus Romero) |
Dennis Seawright | ... | second assistant camera |
Peter Sorel | ... | still photographer |
Michael St. Hilaire | ... | camera operator |
Russ St. John | ... | key rigging grip |
Robert Ulland | ... | steadicam operator: Mexico |
Wayne Baker | ... | assistant camera (uncredited) |
Dan Kneece | ... | camera operator: "b" camera (uncredited) / steadicam operator (uncredited) |
Animation Department
Tony Venezia | ... | main title motion control |
Casting Department
Barbara Harris | ... | voice casting |
Kate Dunn Kennedy | ... | location casting (as Kate Kennedy) |
Karen Miller | ... | casting associate |
Terence Harris | ... | casting associate (uncredited) |
Lesa Lotito | ... | casting associate (uncredited) |
Costume and Wardrobe Department
Diane Crooke | ... | wardrobe supervisor |
Gail Just | ... | key costumer |
Quirina L. Munoz | ... | set costumer |
Editorial Department
Kathryn Camp | ... | assistant editor |
Daniel Craven | ... | first assistant editor |
Samuel Craven | ... | additional editor |
Laura M. Grody | ... | assistant editor (as Laura Grody) |
Gloria Kaiser | ... | color timer |
Chris Masson | ... | post-production assistant |
Theresa Repola Mohammed | ... | negative cutter |
Bruce Dunn | ... | post-production coordinator (uncredited) |
Location Management
Robin Citrin | ... | location manager |
Stefanie Pleet | ... | assistant location manager: San Francisco (as Stefanie Lee Pleet) |
Errol Reichow | ... | location manager: re-shoots |
Rebekah Williams | ... | assistant location manager |
Errol Reichow | ... | location manager (uncredited) |
Music Department
Don Davis | ... | additional orchestrator / composer: additional music |
Dominic Fidelibus | ... | supervising copyist: additional music |
Geoff Foster | ... | score recordist |
Diane Griffen | ... | assistant music editor |
Leszek Kaminski | ... | music recording assistant |
Wojciech Michniewski | ... | conductor |
Rafal Paczkowski | ... | music scoring mixer |
Roy Prendergast | ... | supervising music editor |
John Richards | ... | additional music recordist / music mixer |
Sinfonia Varsovia | ... | orchestra |
Reggie Wilson | ... | contractor: additional music |
Michael Fey | ... | music executive (uncredited) |
Lawrence Johnson | ... | backing vocals (uncredited) |
Matt Walker | ... | music executive (uncredited) |
Script and Continuity Department
Cynthia Upstill | ... | script supervisor (as Cynthia Hyde Upstill) |
Transportation Department
Vernon Dautenhahn | ... | transportation co-captain (as Vern Dautenhahn) |
Lupe Marin | ... | transportation captain: Mexico |
Wayne Roberts | ... | transportation co-captain |
Eddie Lee Voelker | ... | transportation coordinator |
Additional Crew
Jane Alden | ... | adr loop group |
Steve Alterman | ... | adr loop group |
Juan Barnard | ... | diving coordinator: Mexico |
Charles Bartlett | ... | adr loop group |
Michael R. Battaglia | ... | production assistant |
Charles Bazaldua | ... | adr loop group |
Janey Bergam | ... | assistant: Ms. Ryan (as Janey L. Bergam) |
Kevin Berman | ... | consultant |
Luciana Cabarga | ... | unit publicist: Mexico |
Carol Chacamaty | ... | administrator: Avent/Kerner |
Joseph Chapman | ... | adr loop group |
Angela Kay Churchill | ... | stand-in: Ms. Ryan (as Angela Land) |
Almarie Clifford | ... | studio teacher |
Jon Djanrelian | ... | craft service |
Joe Drago | ... | stand-in: Mr. Garcia |
Bruce A. Dunn II | ... | assistant: Ms. Newman |
Judi M. Durand | ... | adr loop group (as Judi Durand) |
Paula M. Endara | ... | assistant: Mr. Avnet (as Paula Endara) |
Dennis Fahey | ... | assistant: Mr. Garcia |
Greg Finley | ... | adr loop group |
Robert Florsheim | ... | intern |
Miranda Garrison | ... | choreographer |
Robert Gordon | ... | assistant accountant |
Javier Grajeda | ... | adr loop group |
Jeremy Green | ... | office assistant |
Bill Hansard | ... | process projectionist (as Billy Hansard) |
Doris Hess | ... | adr loop group |
Art Intemann | ... | pilot consultant |
Jeff Johnson | ... | marine coordinator: Mexico (as Captain Jeff Johnson) |
Inés Jácome | ... | production coordinator: Mexico (as Ines Jacome) |
Bryan A. Kenny | ... | additional assistant: Mr. Mandoki |
Nickole Kerner | ... | production assistant |
Nancy Jane King | ... | production coordinator |
Michael Kolko | ... | assistant accountant |
Lori Koravos | ... | production accountant |
Andrew Magarian | ... | acting coach: children |
Fred Mandel | ... | production assistant |
Vincent Mata | ... | technical advisor |
Connie McAloney | ... | assistant accountant |
Llory J. McDonald | ... | production assistant |
Kathy Menzies | ... | assistant: Mr. Kerner (as Kathy L. Menzies) |
Arlin Miller | ... | adr loop group |
Cecilia Monterrubio | ... | auditor: Mexico |
Jeffrey Moznett | ... | assistant production coordinator (as Jeffrey Monett) / assistant production coordinator |
Bob Neill | ... | adr loop group |
Juan Pope | ... | adr loop group (as J. Lamont Pope) |
David Randolph | ... | adr loop group (as David Rudolph) |
Ahmed Saker | ... | key set medic |
Bryan Scott | ... | adr loop group |
Susan Halli Shaffer | ... | unit publicist |
Matthew J. Siegel | ... | production assistant |
Kerry Stanwyck | ... | assistant production coordinator: San Francisco |
Henry Steinberg | ... | production assistant |
Suzanne Stone | ... | adr loop group |
Leslie Weisberg | ... | assistant: Mr. Mandoki |
Michael A. Willis | ... | craft service |
Kyle Cooper | ... | title designer (uncredited) |
Curran G. Engel | ... | set production assistant (uncredited) |
Christer Hokanson | ... | main title editorial (uncredited) |
Randolph R. Rhodes | ... | production assistant (uncredited) |
Thanks
Alvaro López-Watermann | ... | the producers wish to thank (as Álvaro López-Watermann Ph.D.) |