Against a background of holocaust memories, a liberal Jewish girl becomes a nanny to a young Jewish boy with a disability and grows fond of him.Against a background of holocaust memories, a liberal Jewish girl becomes a nanny to a young Jewish boy with a disability and grows fond of him.Against a background of holocaust memories, a liberal Jewish girl becomes a nanny to a young Jewish boy with a disability and grows fond of him.
- Awards
- 5 wins & 4 nominations total
Topol
- Mr. Apfelschnitt
- (as Chaim Topol)
Marianne Sägebrecht
- Chaja's Mother
- (as Marianne Saegebrecht)
Mieke Verheyden
- Grandmother
- (as Mieke Verheijden)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFirst-time director Jeroen Krabbé admitted that he very insecure about the movie. When he got a call from composer Henny Vrienten, he was convinced that Vrienten didn't like the first footage shot for the film, and wanted out. However, Vrienten had loved what he saw, and got so inspired that he called to demonstrate some of the score he had written for it.
- Quotes
Mrs. Silberschmidt, Chaya's Mother: It's not the luggage he lost in that filthy war, it was himself.
- ConnectionsReferenced in Ausverkauft! (1999)
Featured review
"Left Luggage" is an interesting effort to deal with children of Holocaust survivors, not a common subject in films.
The child here is a vibrant, secular college student in 1970's Antwerp dealing with her haunted parents and her new employers, a Hassidic family.
It's an international co-production--Isabella Rossellini is actually creditable as the Hassidic mother and Maximillan Schell who has had a huge career playing Nazis is quite good as the unreligious Jewish father. It pushes too many, way too many schmaltzy buttons (yeah yeah, I cried about the adorable sort-of developmentally disabled kid that the young woman is the nanny for, but come on, and comparing reactions to the Nazis to standing up to a crazy, anti-Semitic elevator operator is a bit much).
The changes that the woman goes through relate mostly to her dealings with her parents and they with her, though the changes she puts the Hassidic family through are more moving.
There's an indication of an impact on her own sense of Jewish identity when she finally declares herself Jewish to her gentile best friend and some impact on her romantic life when she kicks her leechy Marxist blond, blue-eyed boyfriend out of her bed, but that's more to do with her independent streak.
(originally written 10/22/2000)
The child here is a vibrant, secular college student in 1970's Antwerp dealing with her haunted parents and her new employers, a Hassidic family.
It's an international co-production--Isabella Rossellini is actually creditable as the Hassidic mother and Maximillan Schell who has had a huge career playing Nazis is quite good as the unreligious Jewish father. It pushes too many, way too many schmaltzy buttons (yeah yeah, I cried about the adorable sort-of developmentally disabled kid that the young woman is the nanny for, but come on, and comparing reactions to the Nazis to standing up to a crazy, anti-Semitic elevator operator is a bit much).
The changes that the woman goes through relate mostly to her dealings with her parents and they with her, though the changes she puts the Hassidic family through are more moving.
There's an indication of an impact on her own sense of Jewish identity when she finally declares herself Jewish to her gentile best friend and some impact on her romantic life when she kicks her leechy Marxist blond, blue-eyed boyfriend out of her bed, but that's more to do with her independent streak.
(originally written 10/22/2000)
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Älskade Simcha
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,069,540
- Gross worldwide
- $2,111,280
- Runtime1 hour 40 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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