User reviews

If you were in S.Petersburgh in the early nineties, you feel this movie has been able to grab a cubic meter of air of the city at that time, pack it, and give it to its viewers to breathe. The effect is physical. I can feel the smell of the wet dusty roads, the moulded no man's land of stairways in post soviet blocks of flats and much more. Apart from this high accuracy in physical sensation, the movie is multi-layered (you can watch in it a "boevik" action movie, a social analysis of the period, even a Dostoevki-like study on the value of brotherhood and after all, a unique picture of what Russia is, was, and will be. Those who can enjoy it in original will find some tasty bits of Russian irony and humor.

You will be marinated in Russian-ness after watching this gritty crime drama shot in St. Petersburg. Set in the early 1990s after the fall of Soviet communism, it's a movie whose co-star is the place. The crime and gunplay in the foreground, which cropped up after the collapse of stern authority, seems to perfectly match what we see in the background -- trash-strewn streets, grimy flats, drug-fueled nightclubs. Everyone is poor or barely getting by. Even the gangsters, who you'd think would have some Scarface-type perks, seem to live in squalor.

One thing that will instantly strike you is how everyone in the movie looks like someone you know, not a Hollywood star. I want to call particular attention to Svetlana Pismichenko, the film's love interest, who plays the driver of a streetcar that hauls lumber (?). She's not pretty at all, but you see the love she is capable of and, all I can say is I wish she were my girlfriend. Her last scene is one of the most memorable portraits of heartbreak I have ever seen. She has incredible eyes.

Sergei Bodrov plays the lead, a soldier just back from Chechnya who is drawn into his brother's gangland activities. We never see a flashback of what happened over there and, when asked by others in the film what he did, grins and said he was a clerk in HQ. As we come to see the fearlessness and ruthlessness he is capable of, it is obvious he is lying. This man is steel tempered in a furnace. His gangster enemies are no match for a man with his willingness to prepare for and face death.

I've never been to Russia, but I lived in the Czech Republic for three years and I can testify to the authenticity of this movie's backdrop. When the Iron Curtain fell, it revealed decaying rust belt cities, but also a tough-minded population of attractive and spirited people who, somehow, found ways to be happy in tough times. I am American and half Polish, and this movie made me proud to be a Slav.

A scene in the movie is a homage to Russian good cheer. It is a party in a Russian flat where a few dozen people are chatting, eating, smoking pot, drinking vodka, singing along to a guitar, shooting pool and having fun. They're all young people in their 20's. You'll wish you were at that party.

I really liked this movie. It was a gangster crime movie, but in a totally different style than most American films. There was a good story and great visuals of Russia. I liked the fact that not everything had to be explained to the audience. The director assumed that we were able to think for ourselves, i.e.; the lead character's 'true' past in the army. I don't believe that he was "just a clerk at HQ". I saw the DVD version, and watched the interview with the director. The film is even more amazing considering the shoestring budget. He got his friends to perform some of the acting roles as well as write and play the music (which was quite good). This is a great gritty film. Its one of the more watchable movies from Russia that I have seen. I gave it a 7 out of 10. I plan to see 'Prisoner of the Mountain' next, can't wait.

This film was a blockbuster hit in Russia, for many reasons that international viewers might not understand. "Brother" is a film that speaks directly to Russians (especially the urban population) about the time period directly following the fall of the Soviet Union. This was a lawless time, full of uncertainty about everything including whether your life would be ended by a random criminal on the street. It also suggests the Russian disillusionment with the Chechen War (well, the first one of the 1990s).

Balabanov has created an intense crime drama that attempts to answer Dostoyevsky's "eternal question": what does one do in a lawless society? Danila, the hero, has lost his innocence during the war in Chechnya. In this way he really represents all of Russia in that he has lost his heritage and his identity, and now must make his way in the new Russia. Like many others at the time, Danila turns to crime in order to survive.

The most heart-wrenching thing about "Brother" is that it has an incredible likeness to the reality of life in St. Petersburg in the early 1990s. Though on the surface it seems to be full of senseless violence, Danila's search for identity (that mirrors Russia's) calls for an honest picture of the hard life of the period.

I haven't seen a crime movie with action more realistic than that in Brat. This movie emphasizes that when you get shot you can't run as fast as a cheetah unlike the Hollywood films even today. It was a breakthrough picture for Russia's film-making and, in my opinion, a picture that could take on most of American movies of the same or similar genre. You wanna see the way things were done in Russia five years ago? You wanna see cruel reality? You want to see the real criminal side of Russia? See Brat. It isn't only an amazing movie because it is so realistic, the acting is awesome and you won't get bored for sure. Brat 10/10

We had a similar lawless period in Bulgaria (the closest satellite to ex-USSR), so I believe that the film is fully correct in this aspect. More important, however, is that of the thousands of films about crimes and criminals, only a few are more or less realistic; my work is closely related to the judicial system, so I know what I'm talking about. Even the real-crime TV shows lie somewhat, their cases carefully selected - always fully resolved, always black and white. For that, and for that alone, Brother deserves a 10/10.

Note that in Russia, "kavkazian" (caucasian) stands for immigrants from the southern ex-USSR republics, mostly muslims, a fair share of them involved in criminal activities.

A fascinating look at the underworld of St. Petersburg, filled with excellent performances, especially by Sergei Bodrov III and Yuri Kutznetsov. I was swept away by the story and characters, thrown into their world. And there is no place else like St. Petersburg. I'd say it's a "must see."

Brother or Brat is an interesting film played out during the post soviet era in Russia. The only knowledge about the movie I came in with was that the budget was 10k dollars. And to my surprise, it's incredible what the director managed to compile.

A story-driven movie about a lost Russian boy that manages to end up in crime ends up being great. With a quite boring beginning, it turns out better at the end.

Brat manages to create some stunning cinematography that is beautiful. With a few exceptions, there were a few poorly filmed scenes, especially on the tram.

I highly recommend you watch Brat you won't be disappointed. A true Russian cult classic that is different from the usual western movies.

I haven't seen a crime movie with action more realistic than is, and can guarantee you that neither have you.This movie emphasizes that when you get shot you can't run as fast as a cheetah unlike the Hollywood films portray every day. The movie is multi-layered (you can watch in as an action movie), a social analysis of the period, even a Dostoevsky-like study on the value of brotherhood and after all, a unique picture of what Russia is, was, and will be.

The story is told brilliantly the main character Danila, doesn't tell or brag about his past, he actually makes himself out to be a humble guy, instead of saying he served in the hot spot in the war and was given recognition and bravery award for saving his platoon members, he often reminds people that he was far from combat, he is passionate and caring and not aggressive at all.

If you were in S. Petersburgh in the early nineties, you feel this movie has been able to grab a cubic meter of air of the city at that time, pack it, and give it to its viewers to breathe.

filled with excellent performances, especially by Sergei Bodrov III and Yuri Kutznetsov. I was swept away by the story and characters, thrown into their world. I'd have to say it's a MUST SEE!!!

Or LITTLE ODESSA meets PUSHER, if you mix up the topic and the style. That's the first time I watch a genuine Russian crime movie, film noir, and so well done. I won't add much to the other comments anyway better than mine. I like this film, so surprising too and with a terrific story telling.

This movie is much inferior to its sequel Brother 2, and some other masterpieces of Balabanov, like the bleakly realistic Cargo 200 . That it is a no budget film is not a problem, many Eastern European movies are and are far superior. This is a commercial hit, and it is a Russian version of a Hollywood movie. Decent acting, but ultimately boring and lacking on artistic front, it is nevertheless improvement compared to the similar Russian cinema of the day, worth mostly for its realistic portrayal of the Russian decadence in the 90s and beyond.

The movie is tailored as populist take pandering to its Russian public. Brother 2 is more nationalistic but also much more artistically accomplished. This move was meant to earn money and it did, so Balabanov used it to make his arthouse masterpiece "Of freaks and men" that has much more to say about a true state of "Russian soul" than this one. All foreigners are portrayed in bad light. The murderous cute boy Danila (actor died in an avalanche, fittingly, a few years later, ushering him into legend in the eyes of vull gar Russian public) goes on to search for his identity by dating corrupt married women and druggies an accurate portrayal of womanhood in Russia to this day.

The mobsters are all realistic, common Russian folk, who practice rr ape (that they became famous for during WWII, so much so that Yugoslav leader Djilas had to scorn Stalin for that, while Stalin defended the "poor soldier lover boys" and approved the rr apes as normal, thinking nothing about the innocent victims, he tried and often managed to enn slave. Fittingly, being kicked out of proud Yugoslavia and when trying to off leader Tito, getting an apt and bad ass message from fellow autocrat, much more sophisticated than the Georgian proudest son - "We caught 7 people trying to kill me. If you don't stop sending them, I will have to send one myself. There will be no need to send another." ). Movie deals ample doses of adult terry, murder, petty mob and Russian version of western hubris and hypocrisy, that is here documented at its most wounded, washed in copious amounts of vodka.

Having been to Russia at its deepest point of ruin, at the time this movie was made, I can attest to its realism. The unclean fly markets at every metro station, immorality, adoration for worst of western "culture" or dismissing it with unearned hubris, all ring very real. President Putin got Russia out of this mud, and it is no surprise that he is ever so popular. Despite it being essentially a populist commercial Russian potboiler pandering and complimenting the worst instincts of this sometimes great, but often self absorbed nation, it is worth a watch if only to understand how decline and decadence look like up close. Russians might tap themselves over their thick shoulders telling that it is movie speaking only to themselves, but this movie is in fact very successful not only in over the top pandering managing to earn director enough money to move to more serious projects (luckily for everyone), but also for revealing, beneath the nationalistic facade, the true face of well deserved decline after decades of Russian imperial lism in the cloak of being the main bearer of socialist idea that they almost ruined - a fate that awaits the Amuricans too, as the Soviets were as conceited as they are before hitting the rock bottom during the well deserved but awakening Yeltsin years

One thing that some other reviewers failed to comment on is the way that you discover just who Danila is - he covers-up the fact that he saw action in Chechnya and always says he served far from combat. This story is really about the Russian crime situation LESS than about an entire generation of people who served in Afghanistan and Chechnya ('94-'96 and '99-present). This movie will be misunderstood by many Westerners (I am Russian myself) because it does not fit the traditional Hollywood screenplay style - and its characters do not behave themselves like most Hollywood characters would in a crime drama. There is a very Slavic quality in this film that I am VERY happy to see preserved and NOT Westernized. (You must see Brat2 to learn more about Brat.)

This Russian film about a young hitman in St. Petersburg could just as easily have been set in London or New York; killing for profit's the same everywhere, isn't it, and yet Aleksey Balabanov's terrific thriller "Brother" seems peculiarly Russian. You wouldn't really find these characters in London or New York and what happens here wouldn't necessarily happen there, at least not in this fashion.

Danila, (Sergey Bodrov, excellent) is a young ex-soldier who gets into trouble at home so his mother packs him off to live with his older, well-off brother in St. Petersburg. The thing is, however, big brother is a hitman and very soon Danila is, too. The thrills Balabanov serves up aren't the ones you expect. This is a character study like Melville's "Le Samourai" but our young anti-hero is a rank amateur compared with Delon, although he does know his way around a gun. Danilo thinks he's a big shot but he's just another young boy with a passion for rock music, (the film has a terrific score). Even the ending isn't the conventional one. See this.

Anything you wanted to know about that "strange russian soul" is in this movie but I doubt anybody will treat it like a piece of useful information. The West thinks Russians are more asians than europeans. The East thinks they are more europeans. Both agree they are a mix. But they are not )) They are in their own Universe and even Christianity brought to them 1000 years ago didn't change that. When you try to instill new rules in them they make you think they follow the script when they actually don't. It doesn't matter what type of government they have, communist or capitalist, they will first adapt to it and then transform it to something totaly different from its initial plot.

The main character in Brother is not a lost soul in historical turbulence as many here suggest. On the contrary, the no-law-zone is the only comfortable environment for him. It gives him a purpose and a mission. No salary or stable office job can substitute that for him. He is a hitman without benifits of being a hitman, without customers or bosses. He is getting his orders directly from the Universe and his potetntial death doesn't scary him at all. Not a bit.

Brat(1997) and Brat 2 (2000) are two smoking hot Russian neo-noir crime film coming straight from Saint Petersburg, Russia.

Unlike their American Counterparts with lot of glamour and spice, these two stay in the streets with the most realism you can find showing real street thugs and fights.

Calling it a mafia movie may not do these justice and shift the focus of the viewers completely from its realistic approach to show a normal person entering into the world of Crime.

The Search for 'Nautilus' s Wings' is strong and so is the blood for revenge. The movies don't show direct big action sequences or killings and cut right before them or change the camera angle, allowing for the viewer to interprete on their own, but not completely as it stratergically crafts the scene up to show most while showing minimum.

The Handling of Guns and their modification just before a hit are satisfying in a new scense, it is not like tuco making his custom revolver in 'The Good, the Bad and the Ugly", you get to see making of bullets, shotgun shells, bombs, sawed of rifles etc.

The second part like most other films is not an downgrade but in many sense an Upgrade, which gives you the feeling of' Coming to America' Russian Style.

The portrayal of Russians are also human, not like the americans showing a big man fighting bear while Drinking Vodka bare handed, Or an Mafia Manic with Ak-47 and shotgun, shooting everybody up in his path. Showing a Hitman movie like it should be Shown, with mlre tension and planning and not 'boom bam-over'. These along with Brothers(2000) by Takeshi Kitano, show us how an good crime movie set in America away from their Native land should be made while keeping their regional Essense.

This is a great Russian movie, made in a post-soviet Russia, which is looking for a new identity. It is new style Russian cinema, cheaply made due to lack of money, but therefore it has a very genuine feel of it. The story of Daniil that becomes more and more violent than his - already gruesome - brother, is very compelling and horrible at the same time. If you want to begin with a modern Russian movie, rent this one, it has that 'old ultra-violence' thing. It will definitely blow off your socks.

I got fooled by the extremely high rating this movie got on here. Well fooled is a big word because Brat (or Brother for the English title) isn't a bad movie but it's also not a gem. To me it's just overrated. Maybe if I was Russian I would think differently, but I'm not, I'm Belgian. The story isn't bad, but it's not incredible either. It's just entertaining enough to never get bored. The acting skills from Sergey Bodrov playing the main character are certainly not bad, it's one of the positive things about Brat. Would I watch it again in the future? Probably not as there are way too much better movies that I didn't watch yet, but for a Russian movie it's rather good.

That is what makes BRAT real masterpiece of the film-making - it looks real to the last shot. Every moment is a true history of Post Soviet Russia. Even Ukraine was of that kind. We are kinda different now but not in 1990's. All the atmosphere is real - I was not very adult then but I remember everything of the 1990's clearly - I was 17 when the movie was made and this movie was a call of reality for everyone here. You don't have to say it is impossible - we had people killed like that... Sergey Bodrov is a good actor and all the actors in the movie are great. The music of Nautilus makes the atmosphere of being there just at the moment of the story development. This band was on the top of it's popularity at the moment of the middle 1990's. There are a lot of people here allover the Post Soviet places who are fans of the band.

Any way - this movie is about some real aspects of real Post Soviet history.

Dunno about great, but it's definitely a DIFFERENT Russian movie. A demobilized conscript turned hitman on the backdrop of new capitalist Russia and the music "progressive-rock" group Nautilus Pompilius. Product of the war in Chechnya Danila Bogrov is a young man who knows how to kill and practically nothing else, his relations with people he does not have to kill are the most difficult ones for him. There is a lot of violence but it happens either outside the screen or almost outside, here Brat reminds me of Fireworks by Takeshi Kitano. Good Stanislavsky school of acting so visible in old Soveit movies in this one does not exist (save maybe Kuznetsov) but camerawork is rather impressive. I'm not sure I like this movie but definitely it does not suck.

Anyone who has seen Balabanov's eerie OF FREAKS AND MEN may be shocked by this very straightforward thriller about a young army deserter who becomes an efficient killer. Its tale of betrayal is reminiscent of ONCE UPON A TIME IN AMERICA, and Danila is also very much like The Man With No Name, a motiveless stranger pitting two enemies against each other until they are wiped out. The opening sequence (sparse forest, castle, robed woman, intimations of S&M) suggest Gothic,as does a certain burial sequence, but, try as we might, we cannot get away from the sheer amoral banality: a gloriously unneurotic hero, a sweet boy who does everything people of his age should (loitering, discman, drugs, concerts, parties etc.) and just happens to be handy with a gun (he is also the only worker in this former worker's paradise).

This movie a well as like almost any movie of this editor brings only negative messages to people. Nothing good in such kind of art, when you are watching just stupid film you didn't loose anything except your time and maybe small part or your taste(for most idiotic examples), but this one just cant keep any good person calm cause its full of evil and pure pointless inhumanity.

Its an anthem for worst part of 90s in Russia, but without any positive message, just like propaganda of moral degradation and violence as the way of life.

So i just cant recommend it for anyone except for professional critics and psychology fans.