A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his fam... Read allA hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
- Awards
- 1 nomination
- Minos P. Dautrieve
- (as Vondie Curtis Hall)
- Priest
- (as Chris Krisea)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to lead Alec Baldwin's co-star Eric Roberts, Baldwin took a huge risk during the shoot (related by Roberts) as follows: "Heaven's Prisoners (1996) was probably one of the best location shoots I've ever had because it was down in New Orleans, and we were down there for probably 10 or 12 weeks, and it was just a blast. Oh, and one little story that people might like: It was my first night there, I wasn't shooting but I was on the set to say hello to Phil Joanou, our director. Alec (Baldwin) had this scene where he had to jump into the water-pond, really-and swim across it. They're getting ready, they're all set up, Phil says, "Here we go! Alec, you ready?" "Yeah!" And suddenly alligator eyes appear on the water. Everybody freezes. "There's a gator! Oh, my God!" Alec says, "It's cool. I'm going in." The stuntman goes, "You're not going in!" Alec says, "Roll the camera!" They roll the camera, Alec jumps in, crosses the pond, gets out. "Okay, we got the shot?" And we moved on. I couldn't believe it. He's got the balls of a dinosaur, dude. It was wild. True story! He really did that. It was cool!"
- GoofsRoger Ebert's assessment of the rings left by Claudette's gin Rickey was completely off base, incorrect in both facts as presented as well as needlessly snarky.
Bubba Rock mentions the gin Rickey fixation that Claudette has in their first scene. Bubba also insists Dave use a coaster in this scene, in addition to getting in a spat with Claudette, as Bubba is annoyed by her not using one.
Later, Claudette is seen on Dave's porch drinking from her stainless steel thermos. You can clearly see that she uses a very small cup that also serves as a lid for the thermos, not much bigger than a shot glass, with a wider base. There are only a couple of rings, not many, as if to suggest she was not setting the cup down between sips.
The rings on the table in the porch scene, and later near the end, are residue from the gin Rickey from when Claudette pours the drink from her thermos. Gin Rickeys contain lime, a distinctive taste and smell that will leave residue after evaporating. Dave also notices the rings on the porch table.
In the late reveal, when Dave spots the rings after killing Romero, Claudette's pitcher is in the same shot, tipped over next to the rings of lime and gin, which again, is from pouring into a small cup.
During that scene near the end, Dave, a former homicide detective and recovering alcoholic, Dave tastes the residue. The taste of gin might just be known to a former big time drinker. Lime is again, hard to miss. Dave can also see the thermos, again, tipped over next to the drink rings.
Mere seconds later, in the very next scene after Dave discovers the leftover gin Rickey thermos and evaporated residue, he confronts Claudette at the Rock residence, who is drunk, this time drinking from a glass. Dave asks her, "Where's your little thermos?".
Thus, Ebert's observation that the residue must have come from condescension, was incorrect. Dave saw the rings which were a result of pouring into a shallow cap from a thermos, the thermos on Claudette and in the cleaners later, knew the drink she drank, and tasted the distinctive residue, which is how he reasoned that Claudette was behind the hit. There is no factual error concerning this part of the plot, whatsoever. Roger Ebert was wrong.
- Quotes
Dave Robicheaux: I want those other two men that killed my wife.
Bubba Rocque: I had nothin' to do with that, Dave. When I wanna straighten out a problem, a person's gonna see this face.
Dave Robicheaux: They were your people.
Bubba Rocque: I'm gonna tell you somethin', and I'm gonna tell you only once. Now you can accept it, or you can stick it up your ass. I am one guy. I am not a crime wave. And when you mess with the action outta New Orleans, you fuck with hundreds of people. Do you understand, Dave Robicheaux?
Dave Robicheaux: My wife had to be buried in a closed casket. I want you to think about that for a minute. Now, I'm gonna find those two men, and when I do, I'm gonna squeeze them extra hard, and if your name comes outta either one of their mouths, I'll be back here to feed your sorry fuckin' ass to the shrimp.
- ConnectionsFeatured in Siskel & Ebert: Twister/Captives/Boys/Dead Man/Cold Comfort Farm (1996)
- SoundtracksTwenty Ton Weight
Performed by The Hoax
Written by The Hoax
Courtesy of Code Blue/Atlantic Recording Corporation
By Arrangement with Warner Special Products
Opening with a stylish and atmospheric semi to-camera confession, this film immediately caught my interest and managed to hold throughout despite not actually being that good. The film is set in the Deep South and is full or rather annoying mannerisms and clichés from that area that put me off a bit. Despite this, I still quite enjoyed it; the plot meanders out of control a bit and involves too many characters to really keep a tight emotional grip on the audience but it still have enough grit and tension to it to keep you watching. Some elements are better than others though - when the film focuses on Dave and his tough investigation it is great; but when it tries to expand (eg with Robin) it just comes across as baggy.
The film hasn't got massive action scenes but it does have some good chases and moments of thrills - most notably a roof top chase across New Orleans. These are fine but the film does too much talking in slow southern drawls for my liking - also making the film feel a lot longer than it probably was! The talking is fine, but it does more than enough to set the tone and action - and then it keeps talking! Combine this with the characters and you have a film that can't help but feel baggy and slightly disjointed.
The one thread that holds it all together though is Baldwin. He gives a great performance across the whole film; dealing well with the various emotions that it throws at him. Roberts is OK, certainly better than some other rubbish I've seen him in. Lynch is given little to do but look good in a bikini; Masterson is not cast well and doesn't fit into the trashy stripper role; Hatcher gets naked and looks good but her character is not dealt with that well by the script. The support cast includes Hall and Guilfoyle but this is Baldwin's film and, for it's other faults, he carries it with him. The direction is also good; using some very good shots to up the tension and the pace of the film at key moments - if only the editor had been a bit more persistent though.
Overall this is a tough noir-ish thriller that works well for the majority despite feeling bogged down by dialogue and characters at times. If you can put up with the heavy Southern drawls and the iced-tea clichés then it is worth a look.
- bob the moo
- Mar 20, 2004
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Prisioneros del cielo
- Filming locations
- White Castle, Louisiana, USA(Nottoway Plantation)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $5,009,305
- Opening weekend US & Canada
- $2,308,797
- May 19, 1996
- Gross worldwide
- $5,009,305
- Runtime2 hours 12 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1