IMDb RATING
6.1/10
9.9K
YOUR RATING
Legs Sadovsky gets four other high school girls to think for themselves and react to a teacher's sexual harassment, which gets them suspended. They bond, and rebel, at an abandoned house.Legs Sadovsky gets four other high school girls to think for themselves and react to a teacher's sexual harassment, which gets them suspended. They bond, and rebel, at an abandoned house.Legs Sadovsky gets four other high school girls to think for themselves and react to a teacher's sexual harassment, which gets them suspended. They bond, and rebel, at an abandoned house.
Elden Henson
- Bobby
- (as Elden Ratliff)
María Celedonio
- Zoe
- (as Maria Celedonio)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAngelina Jolie said she grew close to one of her co-stars, Jenny Shimizu. "I fell in love with her the first second I saw her. I realized that I was looking at her in a way that I had looked at men. And it was great, and it was a discovery. It had never crossed my mind that I was going to one day experiment with or kiss a woman, it was never something I was looking for. I just happened to fall for a girl. I would probably have married Jenny if I hadn't married [Jonny Lee Miller.]"
- Quotes
Rita Faldes: Do you wanna come inside my house? Do you wanna show me things I've never seen before? I don't wanna tie you down, I just wanna tie you up. Do you wanna come inside my house?
- Alternate versionsWhen aired on television the scene where the girls are shopping is edited out. This is because there is strong sexual dialogue throughout, this will confuse viewers because later on in the movie Rita is asked if she ate any meat and potatoes. This is one of the slang terms used by Violet to describe male genitalia.
- ConnectionsReferenced in Dawson's Creek: Ego Tripping at the Gates of Hell (2002)
- SoundtracksEnergy Sucker
Performed by Luscious Jackson
Written by Jill Cunniff & Gabrielle Glaser
Courtesy of Grand Royal/Capitol Records
Under license from CEMA Special Markets
Featured review
I've always loved watching Angelina Jolie on screen... but watching her in "Foxfire" quite literally gave me *chills* (and still does). When Legs first walks into Maddy's classroom and they do that long, slow pan up - from head to foot - of Legs, you can instantly feel Angie's incredible magnetism and presence.
As much as people would like to point out the negative aspects of this film - that violence of any sort is "unladylike" or just plain wrong coming from females - "Foxfire" has got many more positive ones on its side.
Maddy and Legs' relationship is one of the warmest, most heartfelt I've ever seen portrayed on film ... Legs is not so much a maternal figure as she is a supportive driving force. She teaches each of the girls to respect themselves and not be ashamed or afraid to be who they are. If anything, I think it's Maddy that's the maternal one ... directing her loving and protective instincts towards Legs. Maddy teaches Legs to open up her heart and stop *running* long enough to realize that some people *can* love you and not abandon you (like her father) or die (like her mother). She teaches her to care again... to love again.
As much as people would like to point out the negative aspects of this film - that violence of any sort is "unladylike" or just plain wrong coming from females - "Foxfire" has got many more positive ones on its side.
Maddy and Legs' relationship is one of the warmest, most heartfelt I've ever seen portrayed on film ... Legs is not so much a maternal figure as she is a supportive driving force. She teaches each of the girls to respect themselves and not be ashamed or afraid to be who they are. If anything, I think it's Maddy that's the maternal one ... directing her loving and protective instincts towards Legs. Maddy teaches Legs to open up her heart and stop *running* long enough to realize that some people *can* love you and not abandon you (like her father) or die (like her mother). She teaches her to care again... to love again.
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Details
Box office
- Gross US & Canada
- $269,300
- Opening weekend US & Canada
- $141,617
- Aug 25, 1996
- Gross worldwide
- $269,300
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