A New York girl sets her father up with a beautiful woman in a troubled marriage while her stepsister gets engaged.A New York girl sets her father up with a beautiful woman in a troubled marriage while her stepsister gets engaged.A New York girl sets her father up with a beautiful woman in a troubled marriage while her stepsister gets engaged.
- Awards
- 11 wins & 12 nominations total
Jeff DeRocker
- Homeless Man
- (as Jeff Derocker)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWoody Allen had to tell Goldie Hawn to try to sing worse because she sang too well to be believable as a normal person just breaking into song.
- GoofsIn the x-ray room, the nurse calls for Katie to come and look at the engagement ring in Drew's stomach, but the nurse that arrives has "Judith" on her name badge.
- Quotes
Joe: I'm gonna kill myself. I should go to Paris and jump off the Eiffel Tower. I'll be dead. In fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or... wait a minute. With the time change, I could be alive for six hours in New York, but dead three hours in Paris. I could get things done and I could also be dead.
- Crazy creditsNo opening credits save the title.
- ConnectionsFeatured in Siskel & Ebert: Jerry Maguire/Daylight/Everyone Says I Love You (1996)
- SoundtracksJust You, Just Me
Written by Raymond Klages and Jesse Greer
Arranged and Conducted by Dick Hyman
Performed by Edward Norton, Drew Barrymore (singing dubbed by Olivia Hayman), Vivian Cherry,
Diva Gray, Arlene Martell Martin (as Arlene Martell), Helen Miles, Paul Evans, 'Dick Hyman and the New York Studio Players', Itzhak Perlman (as Itzhak Pearlman), violin, Navah Perlman (as Navah Pearlman), piano, and Jon Gordon, alto sax
Featured review
Woody Allen, one of my absolute favorite film directors, goes against the grain of his normal outings with a very creative cinematic device which involves making a bright, happy musical that takes the course of a normal film starring actors who've never sung before singing with their normal voices in musical numbers with no truly professional dancers. With this vastly fun element of the movie, Allen shows us life if any old person broke out into song. And that is what makes it an even more pleasant and encouraging escape that many other normal musicals.
One has never before looked at a cast the same way. I wonder what reviews were like. I can say that Alan Alda, who's always fun, has one of the very best voices in the film and even plays the piano. The same goes for Goldie Hawn, who apparently was scared to death of singing in the film. She's also still extremely hot. Julia Roberts plays a very very serious role and never sings, but it was definitely interesting to observe what she and Woody are like on screen together. He carries the scenes, and she loyally follows. Natascha Lyonne is the definite highlight of the cast, playing a hyperconfident girl in that midpoint between girl and woman whose flights of fancy make her extremely fickle with men. Edward Norton, one of the best contemporary actors we have, is actually not at his best in this film. It feels like he just doesn't know how to get comfortable in his role. His voice is OK. Billy Crudup, in a small role, is actually quite unexpectedly funny in a little number in a cab with a Middle Eastern driver. Tim Roth, an unexpected addition to the bit players like Crudup, has a great non- singing role that recalls the genre he's been working in for most of his career.
Where a lot of musicals repel most people because of their agonizingly featherweight stories, this one does what a great musical is supposed to do, which is lift your spirits and make you feel the very deepest potential of life's beauty that can possibly be pulled out of it, and because of Allen's unorthodox method, it nails it. It's one of my favorite musicals, of which there are few. It's a very interesting ensemble epic that involves all different strands pertaining to the love life and newfound wisdom of each member of a wealthy and happy family.
One has never before looked at a cast the same way. I wonder what reviews were like. I can say that Alan Alda, who's always fun, has one of the very best voices in the film and even plays the piano. The same goes for Goldie Hawn, who apparently was scared to death of singing in the film. She's also still extremely hot. Julia Roberts plays a very very serious role and never sings, but it was definitely interesting to observe what she and Woody are like on screen together. He carries the scenes, and she loyally follows. Natascha Lyonne is the definite highlight of the cast, playing a hyperconfident girl in that midpoint between girl and woman whose flights of fancy make her extremely fickle with men. Edward Norton, one of the best contemporary actors we have, is actually not at his best in this film. It feels like he just doesn't know how to get comfortable in his role. His voice is OK. Billy Crudup, in a small role, is actually quite unexpectedly funny in a little number in a cab with a Middle Eastern driver. Tim Roth, an unexpected addition to the bit players like Crudup, has a great non- singing role that recalls the genre he's been working in for most of his career.
Where a lot of musicals repel most people because of their agonizingly featherweight stories, this one does what a great musical is supposed to do, which is lift your spirits and make you feel the very deepest potential of life's beauty that can possibly be pulled out of it, and because of Allen's unorthodox method, it nails it. It's one of my favorite musicals, of which there are few. It's a very interesting ensemble epic that involves all different strands pertaining to the love life and newfound wisdom of each member of a wealthy and happy family.
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Woody Allen Fall Project 1995
- Filming locations
- Rue Cortot, Paris 18, Paris, France(exteriors: Joe Berlin's apartment in Montmartre)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $9,759,200
- Opening weekend US & Canada
- $131,678
- Dec 8, 1996
- Gross worldwide
- $9,759,200
- Runtime1 hour 41 minutes
- Color
- Aspect ratio
- 1.85 : 1
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