IMDb RATING
6.6/10
7.1K
YOUR RATING
A prototype enhanced human, on the run from Chinese-hired hit men, hooks up with a dread-locked bystander, and the two of them elude their pursuers narrowly each time.A prototype enhanced human, on the run from Chinese-hired hit men, hooks up with a dread-locked bystander, and the two of them elude their pursuers narrowly each time.A prototype enhanced human, on the run from Chinese-hired hit men, hooks up with a dread-locked bystander, and the two of them elude their pursuers narrowly each time.
- Awards
- 1 win total
Ron Yuan
- Razor Scarred
- (as Ron Winston Yuan)
'Evil' Ted Smith
- Joss
- (as Ted Smith)
Cece Tsou
- Leung Communication
- (as CeCe Tsou)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWong says his name is " Sammo Kam-Bo Hung."
- GoofsWhen Malik is beat up by the motorcyclists he performs a back somersault, yet the stunt double used is white, despite Mailk being black.
- Quotes
Malik Brody: You pulled a whip on me? Are you out of your fucking mind? Let me tell you something - DON'T YOU EVER PULL A WHIP ON A BLACK MAN AGAIN!
- Alternate versionsThe original cut of the movie was about 20 minutes longer and had a different soundtrack than the one heard throughout the movie. When the production company saw the movie was longer than they expected, they recut the film and added a techno soundtrack to it.
- ConnectionsReferenced in Rush Hour 2 (2001)
- SoundtracksHe Remembers She
Written by Chanté Moore and Jonathan Robinson
Featured review
[Action/Martial-Arts - Graphic Violence/Profanity - 10 out of 10]
Unlike most Hollywood produced martial-arts movies in which fights seem toned down and silly rather than exciting, this movie shows a strong tie to older and much more "alive" martial arts movies in that the fights are strong and unhindered leaving a truly amazing style. This could be the reason why it has won two international film awards and has been called the best martial arts done by a western studio.
Aside from the normal dose of corny jokes and lack of consistent acting expertise, this movie is true to the genre of martial-arts. The fight-choreography done by Koichi Sakamoto and his team alone should make this a film worth watching. The main character (played by a skilled martial-arts actor) goes through no less than five large fight scenes worthy of anything done by Jet Li or Jackie Chan. The ending fight scene prominently displays some of the best and most powerful hits that I have ever seen on screen. My favorite fight sequence is inside a hotel room when four men attack the main character in a space no larger than 20 square feet. I've never really seen a fight that cramped before. The fight itself is very fluid and the moves in the close-quarters battle are outstandingly original.
As for plot, I find it pretty original. The very basic summary is this: a man with an implant in his chest that triples strength and increases stamina is being hunted by the organization that put it there in order to stop him before he sells it to a rival corporation. Along the way he meets up with someone that could use the money that he is offered and an instant friendship is created in-between non-stop attacks on their person. The Director's Cut offers more plot-explanation as well as an original score but that is not the version that is being reviewed.
I'd like to compare `Drive' to some other movies but I can't think of anything like it. `Rush Hour' perhaps, due to it's Asian/American tag team action. `Drive' definitely excels in choreography and action but not in character chemistry or plot. Another movie that comes to mind is `The One' with one of the main characters possessing the ability to move faster and outmaneuver the opposition. The only difference is that `Drive' does not use computer effects in order to show the supremacy of the main character's skills. I believe that `Drive' is an original film that excels beyond anything it is similar to.
This relatively unknown masterpiece has raised my expectations for all martial-arts/action movies like The Matrix raised the bar for action. If one cannot see how this movie surpasses the others in its genre, then they should be fine with watching such films as `Shanghai Noon' or `Kiss of the Dragon' and leave `Drive' to those that can truly appreciate it's unique qualities.
Unlike most Hollywood produced martial-arts movies in which fights seem toned down and silly rather than exciting, this movie shows a strong tie to older and much more "alive" martial arts movies in that the fights are strong and unhindered leaving a truly amazing style. This could be the reason why it has won two international film awards and has been called the best martial arts done by a western studio.
Aside from the normal dose of corny jokes and lack of consistent acting expertise, this movie is true to the genre of martial-arts. The fight-choreography done by Koichi Sakamoto and his team alone should make this a film worth watching. The main character (played by a skilled martial-arts actor) goes through no less than five large fight scenes worthy of anything done by Jet Li or Jackie Chan. The ending fight scene prominently displays some of the best and most powerful hits that I have ever seen on screen. My favorite fight sequence is inside a hotel room when four men attack the main character in a space no larger than 20 square feet. I've never really seen a fight that cramped before. The fight itself is very fluid and the moves in the close-quarters battle are outstandingly original.
As for plot, I find it pretty original. The very basic summary is this: a man with an implant in his chest that triples strength and increases stamina is being hunted by the organization that put it there in order to stop him before he sells it to a rival corporation. Along the way he meets up with someone that could use the money that he is offered and an instant friendship is created in-between non-stop attacks on their person. The Director's Cut offers more plot-explanation as well as an original score but that is not the version that is being reviewed.
I'd like to compare `Drive' to some other movies but I can't think of anything like it. `Rush Hour' perhaps, due to it's Asian/American tag team action. `Drive' definitely excels in choreography and action but not in character chemistry or plot. Another movie that comes to mind is `The One' with one of the main characters possessing the ability to move faster and outmaneuver the opposition. The only difference is that `Drive' does not use computer effects in order to show the supremacy of the main character's skills. I believe that `Drive' is an original film that excels beyond anything it is similar to.
This relatively unknown masterpiece has raised my expectations for all martial-arts/action movies like The Matrix raised the bar for action. If one cannot see how this movie surpasses the others in its genre, then they should be fine with watching such films as `Shanghai Noon' or `Kiss of the Dragon' and leave `Drive' to those that can truly appreciate it's unique qualities.
- crimsonfury
- Aug 25, 2003
- Permalink
- How long is Drive?Powered by Alexa
Details
Box office
- Budget
- $3,500,000 (estimated)
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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