Steel Frontier

Lots of action and violence in the Mad Max genre of things with a western twist. While all the acting was great, the best performance in the film is given by Brian Huckeba as the character "Chicken Boy." Much better than Vanilla Sky!

I made it about 8 minutes into "Steel Frontier" before I turned it off. Then, glutton for punishment that I am, I watched some more the next day. Today I had to iron a pile of clothes, so I decided to finish the movie, and that was its own punishment. Here's what I don't understand: Robert Rodriguez and Shane Carruth each spent $7,000 on their debut features and created two remarkable movies. Yet here we have two directors with arguably way more money, and they churn out a huge, steaming pile of crap. Let me see if I can figure out the logic: "It's 'Road Warrior' but it's like a future Western. We'll get the cheapest 'actors' we can find, we'll have my mentally challenged cousin write the script, and we'll spend the budget on a bunch of explosions. We can't lose!"

Seriously. I don't think even the MST3K guys could improve this. But if you insist on watching it, I recommend getting very drunk first.

As other reviewers have noted, this movie is a cross between (i.e. stolen from) stories we have seen before. Specifically, this looks like Clint Eastwood in High Plains Drifter inserted into Mad Max. Remove Clint's cigar, and replace with a cigarette; remove his horse and give him a high-tech motorcycle, and voilà, an updated drifter. In this movie, the "hero" is even more blatantly a "Savior" than High Plains Drifter. Now our hero has long brown hair, suffers a wound to his left side, and his entry into town is preceded by a plea for "salvation" by the surviving townspeople--a pretty transparent reference to a "Second Coming." I watched the movie on a hot, humid morning. Sleep was impossible and upon arising at 4:30 am, there was nothing else on TV. So the movie served its purpose. While unoriginal, with characters that are almost comic caricatures, the movie is still somewhat entertaining...at least at 4:30 in the morning.

Before you say Mad Max, they were making these films 20 yrs before Mel Gibson came along. Basically take any of Clint Eastwood's westerns and put it after the nuclear Holocaust. Great film for budget they had. My two gripes is the overuse of guns and gas powered vehicles. They try to justify it with a old military armory as the death riders base. But still a weak premise. And they set up a nice powered sniper rifle in the beginning but they never use it again. The best gun in the whole film is a throwaway used once to hunt down dinner. Yes most of the acting is weak and stiff but so we're 99% of these films. Also biggest continuity issue is several struggles use the clear sound of clothes being torn but after the struggle not a single new tear in their clothes.

It has to be said that this film is definitely one of the better "bargain bin" movies out there - I'd feel a bit cheated if I had paid £15 for it, but at about £1.50 I felt that I definitely got more than my monies worth.

The film can't quite decide if it wants to be "Mad Max" or one of the Clint Eastwood "man with no name" spaghetti westerns, and as such is stacked with clichés from both. Even the manic loony who hangs out with the bad guys in "Mad Max" is there.

That guy from "Blade Runner" also cops a good billing, although he only turns up at the beginning and the end of the movie.

Favourite bit - for me the punch-up on top of the oil refinery - if you look closely you can see the "post-apocalyptic" rush hour traffic thundering past in the distance as the two protagonists knock seven bells out of each other.

Get several lagers in, a few pizzas and sit back and enjoy what is ultimately lightweight but entertaining drivel.