Directed by
| Gregory Widen | ||
Writing Credits (WGA)
| Gregory Widen | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| W.K. Border | ... | executive producer |
| Raquel Caballes Maxwell | ... | co-producer |
| Don Phillips | ... | executive producer |
| Joel Soisson | ... | producer |
Music by
| David Williams | ... | (as David C. Williams) |
Cinematography by
| Richard Clabaugh | ... | director of photography |
| Bruce Douglas Johnson | ... | director of photography |
Editing by
| Sonny Baskin | ||
Casting By
| Don Phillips | ||
Production Design by
| Clark Hunter | ||
Set Decoration by
| Michele Spadaro | ||
Costume Design by
| Dana Allyson | ||
Makeup Department
| Tarra D. Day | ... | assistant hair stylist: Los Angeles (as Tarra Day) / assistant makeup artist: Los Angeles (as Tarra Day) |
| Peggy Hannaman | ... | hair stylist: Los Angeles / makeup artist: Los Angeles |
| Steven Mack | ... | hair stylist |
| Todd Masters | ... | special makeup effects producer |
| Scott Patton | ... | special makeup effects: Patton EFX |
| Martha Preciado | ... | key makeup artist (as Martha Cecilia) |
| Dave Snyder | ... | on-set prosthetics supervisor |
| Mark Villalobos | ... | special makeup effects artist |
| R. Stephen Weber | ... | second makeup artist |
Production Management
| Candice Campos | ... | post-production supervisor |
| JoAnn Perritano | ... | production manager |
| Paul Ratajczak | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Fernando Altschul | ... | first assistant director |
| William Paul Clark | ... | assistant director: Los Angeles |
| Philip Fracassi | ... | assistant director: Los Angeles (as Philip Dominic Peter Fracassi) |
| Michael Hamm | ... | second assistant director |
| John F. Hart | ... | assistant director: second unit |
| Louis Shaw Milito | ... | second second assistant director |
| Joel Soisson | ... | second unit director |
Art Department
| John G. Aldrete | ... | construction coordinator |
| Joe Arnold | ... | swing gang (as Joseph Arnold) |
| Max Biscoe | ... | swing gang: Los Angeles |
| Henry Cota | ... | carpenter: Los Angeles |
| Jose D. Cota | ... | carpenter: Los Angeles |
| Philip Fracassi | ... | on-set dresser (as Philip Dominic Peter Fracassi) |
| Scott Getzinger | ... | swing gang: Los Angeles |
| John Harrington | ... | property master |
| Baxter Jeffrey | ... | carpenter |
| Stacy Lande | ... | scenic artist |
| Merdyce McClaran | ... | assistant property master |
| Rick Potts | ... | scenic artist |
| Charles Righetti | ... | leadman |
| Joanne Bloomfield | ... | prop assistant (uncredited) |
Sound Department
| Flavia Amon | ... | audio post coordinator |
| Dickran Bezirgenian | ... | adr recordist |
| Mark Boccaccio | ... | additional sound designer (as Mark Boccacio) |
| Ed Carr | ... | foley mixer |
| Matt Colleran | ... | sound engineer / sound technical coordinator |
| Cole Coonce | ... | boom operator: Los Angeles |
| Mark DeSimone | ... | adr mixer |
| Pete Elia | ... | adr recordist |
| Michael Faba | ... | boom operator |
| Roger Fearing | ... | adr recordist |
| Erik Flockoi | ... | sound engineer |
| Monett Holderer | ... | foley mixer (as Monette Holderer) |
| Paul Holzborn | ... | foley mixer |
| Bess Hopper | ... | foley mixer |
| Lee Howell | ... | production sound mixer: Los Angeles |
| T.A. Moore Jr. | ... | re-recording mixer (as T.A. Moore) |
| Bret Newman | ... | sound engineer |
| Darren Paskal | ... | sound effects editor |
| John Post | ... | foley mixer |
| Paul Ratajczak | ... | re-recording mixer / sound supervisor |
| Al Rizzo | ... | production sound mixer |
| Will Rogers | ... | adr recordist |
| Dennis Sager | ... | chief engineer |
| Brian Slack | ... | sound consultant: Ultra Stereo |
| Randell Vandegrift | ... | dialogue editor (as Randy Vandergrift) |
| Daniel W. Victor Jr. | ... | stereo consultant: Ultra*Stereo® |
| Tom Warren | ... | sound account executive |
| Pawel Wdowczak | ... | production sound mixer: Los Angeles |
| David Weisberg | ... | sound designer |
| Robert E. Borge | ... | stereo consultant: Ultra*Stereo® (uncredited) |
| Kurt Kassulke | ... | re-recording mixer (uncredited) |
Special Effects by
| Thomas M. Ficke | ... | special effects technician (as Thomas Michael Ficke) |
| Larry Fioritto | ... | special effects: Los Angeles, Special Effects Services |
| David Gallion | ... | special effects rigger |
| Gary L. King | ... | special effects technician (as Gary King) |
| Jor Van Kline | ... | special effects coordinator |
| Dean Welch | ... | special effects technician (as Dean W. Welch) |
Visual Effects by
| T. Dow Albon | ... | cloud wrangler: Effects Associates, Inc. |
| Keith Allan | ... | titles and opticals: Title House |
| Jeff Bankert | ... | grip: optical unit |
| Kent Burton | ... | model animator: enemy ghost sequence, Todd Masters Company |
| Candice Campos | ... | first assistant director: optical unit |
| Scott Coulter | ... | digital effects supervisor: enemy ghost sequence, Todd Masters Company |
| R. Blaine Currier | ... | dolly grip: optical unit (as Blaine Currier) |
| June Czerwinski | ... | wardrobe: optical unit |
| Jim Danforth | ... | matte artist: angel effects and Mesa mattes, Effects Associates, Inc. / matte photographer: angel effects and Mesa mattes, Effects Associates, Inc. |
| Karen Danforth | ... | administration: Effects Associates, Inc. |
| Dragon | ... | computer imaging: cave sequence, Title House / rendering: cave sequence, Title House |
| Melissa Elliott | ... | titles and opticals: Title House (as Melissa Limmer) |
| Conánn Fitzpatrick | ... | digital animator: Available Light, Ltd. (as Conann Fitzpatrick) |
| Phillip Giles | ... | digital supervisor: Neo Digital |
| Jamison Goei | ... | digital animator: Neo Digital |
| Dave Gregory | ... | optical composites: enemy ghost sequence, Todd Masters Company (as David Gregory) / titles and opticals: Title House |
| Michael F. Hoover | ... | digital animator: enemy ghost sequence, Todd Masters Company (as Michael Hoover) |
| Bruce Douglas Johnson | ... | visual effects director of photography: cave sequence / visual effects supervisor: cave sequence |
| Laurel Klick | ... | digital supervisor: Available Light, Ltd. |
| Ralph Maiers | ... | digital compositor: Digital Magic Company |
| George Maxwell | ... | chief lighting technician: optical unit |
| Dan Middleton | ... | production coordinator: Effects Associates, Inc. |
| Joel Miller | ... | digital animator: enemy ghost sequence, Todd Masters Company |
| Rodney Montague | ... | visual effects producer: Digital Magic Company |
| Vincent Niebla | ... | sculptor: beast, enemy ghost sequence, Todd Masters Company (as Vince Nebla) |
| January Nordman | ... | digital animator: Available Light, Ltd. |
| Scott Patton | ... | digital animator: enemy ghost sequence, Todd Masters Company |
| Jeff Pierce | ... | digital transfer supervisor: Digital Magic Company |
| Rebeca Scott | ... | project coordinator: Effects Associates, Inc. |
| David Taylor | ... | first assistant camera: optical unit |
| Joseph Thomas | ... | digital animator: Available Light, Ltd. |
| Ronald Cosmo Vecchiarelli | ... | electrician: optical unit |
| Kimberly Weeks | ... | script supervisor: optical unit |
| Michelle 'Miki' Weiss | ... | titles and opticals: Title House (as Michelle [Miki] Weiss) |
| Gucci Westman | ... | project coordinator: Effects Associates, Inc. |
| Martin Zboril | ... | computer animation: cave sequence / conceptual art: cave sequence |
| Adalberto Álvarez | ... | grip: optical unit (as Adalberto Alvarez) |
Stunts
| Chuck Borden | ... | stunt coordinator: additional photography |
| Dan Bradley | ... | stunt coordinator |
| Doug Coleman | ... | stunts |
| Scott Alan Cook | ... | stunts |
| Doru Dumitrescu | ... | stunts |
| Ben Hernandez Bray | ... | stunts (as Ben Bray) |
| Leslie Hoffman | ... | stunt safety |
| Brett A. Jones | ... | stunts (as Brett Jones) |
| Dyanna Lynn | ... | stunts |
| Debby Lynn Ross | ... | stunts |
| Alexis Scher | ... | stunts |
| Erik Stabenau | ... | stunts |
| Michael R. Thayer | ... | stunts |
| Pete Turner | ... | stunts / stunt double: Christopher Walken (uncredited) |
Camera and Electrical Department
| David Andress | ... | additional electrician |
| Christopher Baffa | ... | director of photography: second unit |
| Jason Elias | ... | electric best boy |
| David E. Elkins | ... | assistant camera: pick-up shots |
| Kenn Ferro | ... | Steadicam operator |
| Eric S. Foster | ... | chief lighting technician |
| Anthony Gotta | ... | lighting/additional photography |
| Andy Graham | ... | first assistant camera |
| Mark D. Greene | ... | additional electrician |
| Sean T. Hannan | ... | grip |
| Keith A. Hascher | ... | electrician |
| Greg Hewett | ... | key grip |
| John Johnson | ... | still photographer |
| Jeffrey S. Keiser | ... | first assistant camera (as Jeffrey Scott Keiser) |
| Dolan Kirkpatrick | ... | additional electrician |
| Brett 'Scooter' Losner | ... | grip |
| Richard Maxey | ... | best boy grip |
| George Maxwell | ... | additional electrician |
| Marianne Poravas | ... | second assistant camera (as Marianne Franco) |
| Paul Schmidt | ... | camera loader / first assistant camera: Los Angeles |
| Chris Shaw | ... | additional electrician (as Christopher D. Shaw) |
| Taylor Evan Sparks | ... | electrician |
| John A. Strubbe | ... | best boy grip (as John Adrian Strubbe) |
| David C. Terry | ... | "a" camera dolly grip / dolly grip |
| Dan Zaitz | ... | electrician |
Casting Department
| Lisa Bankert | ... | casting associate |
| Leigh French | ... | voice casting |
| Gay Gilbert | ... | casting: Arizona |
| Mary Santiago | ... | extras casting |
Costume and Wardrobe Department
| Cassandra Conners | ... | wardrobe supervisor |
| Jacqueline K. Fodor | ... | wardrobe supervisor |
Editorial Department
| David Hamme | ... | assistant colorist / assistant colorist: dailies |
| Jennifer Lane | ... | assistant editor |
| Sharon McGeeney | ... | negative cutting: Superior Film Service |
| Ray Morfino | ... | color timer |
| Ken Schwartz | ... | colorist |
| Ian Slater | ... | assistant editor |
Location Management
| John Grant | ... | location manager: Los Angeles |
| Pamela D. Kleckner | ... | assistant location manager: Arizona |
| Charlotte Purin | ... | assistant location manager: Los Angeles |
| Dennis H. Ranke | ... | location manager |
Music Department
| Mark Boccaccio | ... | music editor (as Mark Boccacio) |
Script and Continuity Department
| Carol Banker | ... | script supervisor (as Carol J. Banker) |
| Kimberly Weeks | ... | script supervisor: second unit (uncredited) |
Transportation Department
| Michael Bacon | ... | driver |
| Collin Butrum | ... | transportation |
| Gene Callahan | ... | driver |
| Erik Carter | ... | transportation captain |
| William Dawson | ... | driver (as William J. Dawson) |
| Michael Dewey | ... | driver |
| P. Gerald Knight | ... | transportation coordinator |
| Gene Petty | ... | driver |
| Steve Shoemaker | ... | driver (as Steve 'Shoe' Shoemaker) |
| Larry Smith | ... | driver: honeywagon |
| Richard Stauffacher | ... | driver |
| Dotti Thompson | ... | driver (as Dorothy V. Thompson) |
| Ron Volpe | ... | driver (as Ron M. Volpe) |
| DeAnna Weippert | ... | driver (as Deanna Rush) |
Additional Crew
| Cindy Adams | ... | caterer: Silver Screen Catering |
| Scott Adams | ... | caterer: Silver Screen Catering |
| Roger Arar | ... | legal services |
| Jason Autajay | ... | set production assistant |
| Kelly Baldwin | ... | assistant to producers |
| Lindsay Bayman | ... | legal services (as Lindsey Bayman) |
| Steven Belgard | ... | unit publicist (as Steve Waldo Belgard) |
| Thomas 'Doc' Boguski | ... | production coordinator |
| Brett Boydstun | ... | set production assistant (as Brett A. Boydstun) |
| Anna Braga | ... | stand-in |
| James 'Trip' Brown | ... | office production assistant: Los Angeles |
| Darcy J. Bruno | ... | studio teacher |
| Sandra B. Clark | ... | craft service assistant |
| Susan Coagan | ... | craft service |
| Tarry Cokolow | ... | security |
| Brad Curd | ... | office production assistant: Arizona |
| Kevin S. Curd | ... | office production assistant: Arizona |
| Konrad Dowling | ... | insurance: RHH/Albert G. Ruben |
| Maureen Duffy | ... | completion guarantor: Film Finances |
| John Dusenberry | ... | office production assistant: Los Angeles |
| David Epstein | ... | production accountant (as David B. Epstein) |
| Chad Ferrin | ... | office production assistant |
| Nan Garcia-Wood | ... | medic: Los Angeles |
| Jennifer Getzinger | ... | assistant to director / script supervisor: Los Angeles |
| Phillip J. Hardy | ... | production assistant: Los Angeles |
| Robin Hewitt | ... | production controller |
| Lew Horwitz | ... | production financing: The Lewis Horwitz Organization (as Lewis Horwitz) |
| Tiby Kantrowitz | ... | set production assistant (as Tiby Lee Kantrowitz) |
| Brian M. Kingman | ... | insurance: RHH/Albert G. Ruben (as Brian Kingman) |
| Jeffrey Kurz | ... | acquisitions executive |
| Peter Lambert | ... | production financing: The Lewis Horwitz Organization |
| John Lark | ... | stand-in |
| Karl Lund | ... | security |
| Ramiro López | ... | catering: Los Angeles, International Catering (as Ramiro Lopez) |
| Frank Marinella | ... | set production assistant (as Frank Michael Marinella) |
| Melanie Masson | ... | set production assistant |
| Melanie Miller | ... | production secretary: Los Angeles |
| Ken Moglovkin | ... | accounting services: NEO |
| Kathleen Papera | ... | set production assistant: Los Angeles |
| Gayle Phelps | ... | bird wrangler: optical unit |
| Richard Potter | ... | production executive |
| Steve Ransohoff | ... | completion guarantor: Film Finances |
| Andrew Rona | ... | production executive |
| Adrian F. Roscher | ... | legal services (as Adrian Roscher) |
| Richard E. Rosenthal | ... | studio teacher: Los Angeles (as Richard Rosenthal) |
| Ron Schmidt | ... | assistant production coordinator (as Ronald J. Schmidt) / production coordinator: Los Angeles (as Ronald J. Schmidt) |
| Scott Smith | ... | medic: Arizona (as C. Scott Smith) |
| Carol Sonheim | ... | bird wrangler: optical unit |
| Marion Spiegelman | ... | completion guarantor: Film Finances |
| Jr. Donald Stanton | ... | office production assistant: Los Angeles (as Donald Stanton) |
| David Steinberg | ... | legal services |
| Janet L. Stott | ... | legal services |
| Art Stribley | ... | production financing: The Lewis Horwitz Organization (as Arthur Stribley) |
| Traci Tasher | ... | assistant to producers / craft service: Los Angeles |
| Claudia Templeton | ... | assistant accountant (as Claudia Soisson) |
| David Wittenstein | ... | office production assistant: Arizona |
| Kurt Woolner | ... | completion guarantor: Film Finances |
| Stephen Zakman | ... | office production assistant: Los Angeles (as Stephen M. Zakman) |
Thanks
| Syd Cole | ... | special thanks: Magic Film & Video Works |
| Marie Hélène Desbiens | ... | special thanks: Magic Film & Video Works (as Marie-Hélène Desbienes) |
| Joe Forte | ... | special thanks |
| Rubén García | ... | special thanks: Magic Film & Video Works (as Ruben Garcia) |
| Rima Greer | ... | special thanks (as Rima Bauer Greer) |
| Brian Kibbie | ... | special thanks: Magic Film & Video Works |
| Don O. Knowlton | ... | special thanks (as Donald Knowlton) |
| Mario Landeros | ... | special thanks |
| Robert W. Lowe | ... | special thanks: Chief of Police, Superior |
| William MacCallum | ... | special thanks: Director, Arizona Film Commission (as William E. McCallum) |
| Eric Makus | ... | special thanks |
| Patrick McAllister | ... | special thanks (as Patrick Kerlee McAllister) |
| Mike Petzold | ... | special thanks |
| Greg Pruss | ... | special thanks (as Gregory Pruss) |
| Jim Ryan | ... | special thanks: Principal, Superior High School |
| Kathryn Takis | ... | special thanks |
| Donald Widen | ... | special thanks |
| Tracy Wong | ... | special thanks |
| Chris Zapata | ... | special thanks: Superior Town Manager |