Directed by
John Frankenheimer |
Writing Credits (WGA)
Michael Mewshaw | ... | (novel) |
David Ambrose | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
Eric Fellner | ... | executive producer |
Edward R. Pressman | ... | producer |
Robert L. Rosen | ... | line producer |
Music by
Bill Conti | ||
Robert J. Walsh | ... | (uncredited) |
Cinematography by
Blasco Giurato |
Editing by
Lee Percy |
Casting By
Francesco Cinieri | ||
Louis DiGiaimo | ... | (as Lou DiGiaimo) |
Production Design by
Aurelio Crugnola |
Art Direction by
Luigi Quintili |
Set Decoration by
Franco Fumagalli |
Costume Design by
Ray Summers |
Makeup Department
Maurizio Fazzini | ... | makeup artist |
Marina Marin | ... | hair stylist |
Vincenzo Mastrantonio | ... | makeup artist |
Mario Michisanti | ... | key makeup artist |
Aldo Signoretti | ... | hair stylist |
Production Management
Laura Fattori | ... | unit production manager |
Gregory A. Gale | ... | post-production supervisor |
Luciano Pecoraro | ... | unit manager |
Second Unit Director or Assistant Director
Tony Brandt | ... | first assistant director |
Francesca Fuschini | ... | second assistant director |
Giandomenico Trillo | ... | second assistant director |
Art Department
Elio Altamura | ... | property master |
Giulia Chiara Crugnola | ... | set designer |
Massimiliano Paonessa | ... | assistant props |
Sound Department
Bernard Bats | ... | sound mixer |
Robert Deschaine | ... | adr and foley mixer / foley mixer |
Grover B. Helsley | ... | Rerecording Mixer (as Grover Helsley) |
Paul Heslin | ... | foley artist / sound editor |
Bob Hile | ... | machine operator |
Matthew Iadarola | ... | Rerecording Mixer |
David Jobe | ... | adr & foley recordist / foley recordist |
Robin Johnston | ... | machine operator |
Donlee Jorgensen | ... | sound editor |
Mike Le Mare | ... | supervising sound editor (as Mike Le-Mare) |
Patrick Paul Mullane | ... | asst. sound editor |
Brion Paccassi | ... | recordist |
John Post | ... | foley artist |
Robert L. Sephton | ... | asst. sound editor |
Steve F.B. Smith | ... | stereo consultant: Dolby |
Karola Storr | ... | sound editor |
Britton E. Taylor | ... | asst. sound editor |
John Wilkinson | ... | Rerecording Mixer (as John 'Doc' Wilkinson) |
Robert L. Sephton | ... | sound designer (uncredited) |
Special Effects by
Grant Burdette | ... | special effects |
Massimo Cardajoli | ... | special effects technician |
Massimo Cristofanelli | ... | special effects technician |
Stunts
Camera and Electrical Department
Francesco Brescini | ... | electrician |
David Crone | ... | camera operator |
Pascal D'Hueppe | ... | still photographer |
Bernard De Vries | ... | assistant camera |
Roberto Gengarelli | ... | assistant camera |
Fabio Lanciotti | ... | assistant camera |
Paolo Leurini | ... | electrician |
Carlo Passari | ... | camera operator |
Giuseppe Petrignani | ... | key grip (as Pino Petrignani) |
Paul Ronald | ... | still photographer |
Maurizio Serafini | ... | assistant camera |
Giuseppe Sgarra | ... | electrician |
Editorial Department
Gary Burritt | ... | negative cutter |
Phil Hetos | ... | color timer |
Sheila MacDowell | ... | assistant editor |
Location Management
Fabiomassimo Dell'Orco | ... | location manager |
Music Department
Lee De Carlo | ... | score mixer |
Jack Eskew | ... | orchestrator |
Ken Johnson | ... | music editor |
Steve Livingston | ... | music editor |
Script and Continuity Department
Rachel Griffiths | ... | script supervisor |
Additional Crew
Cecilia Alvarenga | ... | production coordinator (as Cecelia Alvarenga) |
Denise Blasor | ... | voice-over artist |
Judith Goodman | ... | production coordinator |
Christopher Otto | ... | production assistant: Los Angeles |
Milena Bono Parodi | ... | production secretary |
Franco Penna | ... | accountant |
Roberto Penna | ... | production accountant |
Eugene Rizzo | ... | unit publicist |
William Towne | ... | production assistant |