IMDb RATING
7.5/10
8.1K
YOUR RATING
The story of Monsieur de Sainte Colombe, fierce and somber man, grand master of the viola da gamba and professor of Marin Marais, prestigious musician in the court of Louis XIV.The story of Monsieur de Sainte Colombe, fierce and somber man, grand master of the viola da gamba and professor of Marin Marais, prestigious musician in the court of Louis XIV.The story of Monsieur de Sainte Colombe, fierce and somber man, grand master of the viola da gamba and professor of Marin Marais, prestigious musician in the court of Louis XIV.
- Awards
- 9 wins & 8 nominations total
Caroline Silhol
- Madame de Sainte Colombe
- (as Caroline Sihol)
Philippe Duclos
- Brunet
- (voice)
Yves Gourvil
- Lequieu
- (voice)
Gilles Loutfi
- Le messager
- (uncredited)
Storyline
Did you know
- TriviaThe soundtrack album of Baroque music outsold Michael Jackson, upon its release in France, and outsold Madonna upon its release in the United States.
- GoofsThroughout the film the music-making is very poorly mimed.
- Quotes
[last lines]
[in French, using English subtitles]
Monsieur de Sainte Colombe: I'm proud to have been your teacher. Please play me the air my daughter loved.
- ConnectionsFeatured in The 50th Annual Golden Globe Awards (1993)
- SoundtracksLes pleurs
Music by Sainte-Colombe
Featured review
Les Matins is a film for those who have lived enough of life to know that it is a complex mix of pain and joy, with much of it pain, but much of that pain resulting from the greatest of lost joy. Pain that could even eventually give a form of joy again, if it is introspective and searching enough to move one to realize that devastating pain is merely the other side of ecstatic joy. Interrelated, indivisible, and necessary to each other for the severe lessons they teach us as a result of the strength of their inseparable unity.
This primary point was driven home time after time in Les Matins to the point where even the most abject hardheart would soon feel the story's full impact, that the shallow and mediocre fluff of life, no matter how rich, no matter how acclaimed, cannot provide an offset to the bitter agony of lost perfect love, sublime adoration that is well understood in this particular case never to come again to Sainte-Columbe and would surely be less welcome to him in his suffering than would tortured death, no matter how sweet that new love might be to another person less soul-stricken. As the story formed fully, it was seen that death would eventually be a comfort to him by finally joining him with his adored lost love and thereby ceasing his intense worldly torture. His would be a death that ended our collective hope in the discovery of more elegiac beauty in any future music he could have written, but it served to force us to appreciate more fully the few soulful and heart rending pieces he painfully but adoringly accomplished while writing at his personal creative zenith, his apogee in, and as a result of, paramount human suffering. This is a common theme told in many stories through the years, yes, but it is as real and stunning in this film as was ever done in any medium.
Les Matins is the best film story of an artist I have ever seen due to the honesty in which it understands and conveys to the audience the inescapable agony felt by a fatally tortured, artistic genius, and how that agony moved him to write his greatest music.
This primary point was driven home time after time in Les Matins to the point where even the most abject hardheart would soon feel the story's full impact, that the shallow and mediocre fluff of life, no matter how rich, no matter how acclaimed, cannot provide an offset to the bitter agony of lost perfect love, sublime adoration that is well understood in this particular case never to come again to Sainte-Columbe and would surely be less welcome to him in his suffering than would tortured death, no matter how sweet that new love might be to another person less soul-stricken. As the story formed fully, it was seen that death would eventually be a comfort to him by finally joining him with his adored lost love and thereby ceasing his intense worldly torture. His would be a death that ended our collective hope in the discovery of more elegiac beauty in any future music he could have written, but it served to force us to appreciate more fully the few soulful and heart rending pieces he painfully but adoringly accomplished while writing at his personal creative zenith, his apogee in, and as a result of, paramount human suffering. This is a common theme told in many stories through the years, yes, but it is as real and stunning in this film as was ever done in any medium.
Les Matins is the best film story of an artist I have ever seen due to the honesty in which it understands and conveys to the audience the inescapable agony felt by a fatally tortured, artistic genius, and how that agony moved him to write his greatest music.
- bobbobwhite
- Oct 29, 2003
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- All the Mornings of the World
- Filming locations
- Le Château de Bodeau, Rougnat, Creuse, France(Sainte-Colombe's castle)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,089,497
- Opening weekend US & Canada
- $39,277
- Nov 15, 1992
- Gross worldwide
- $3,089,497
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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By what name was Tous les matins du monde (1991) officially released in India in English?
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