After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife and becomes involved in a secret government plot being orchestrated by giant ... Read allAfter developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
- Awards
- 13 wins & 17 nominations
Joseph Scoren
- Kiki
- (as Joseph Scorsiani)
Louis Ferreira
- Exterminator #3
- (as Justin Louis)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe movie is packed with characters based on real people and events from the life of Burroughs. Like Bill Lee, William S. Burroughs was an exterminator and drug addict, who accidentally shot his wife during a drunken game of "William Tell". Joan Lee is based on Joan Vollmer, Burroughs' deceased wife. Hank and Martin, Bill's fellow writers, are Jack Kerouac and Allen Ginsberg. Burroughs moved to a section of Tangier, Morocco, known as the "International Zone", hence "Interzone". Tom Frost is based on Paul Bowles, and Kiki was the name of a young man Burroughs had a same-sex affair with in Tangier, while writing "Naked Lunch".
- GoofsThe glass shot off Judy Davis' head changes to a plastic glass. First instance as the glass is falling off her head after the shot and then at end of film it is a plastic glass Ms Davis balances on her head. It remains plastic until it falls to floor and changes back into glass.
- SoundtracksVaya Con Dios
Composed by Larry Russell / Inez James / Buddy Pepper
Performed by Les Paul and Mary Ford
Courtesy of Capitol Records
Featured review
Bill & Dave connect on the subject of meat
Mmmmm.... mugwump jizz
Themes: Substance addiction and how physically self-conscious it makes our protagonist feel, the creativity forced by imprisonment (a direct reference to real-life events between Burroughs, his wife, his subsequent incarceration and his heroin/acid issues), the sense of betrayal as more surprise than malice and of course the inevitable interface between Dave and Bill at the pelvic level.
The effects work is pre render-mation latex and sufficiently restrained to allow your imagination to back-fill the appropriate horror/fascination/titillation for the moment. Don't try to figure out which you =should= feel or to mentally sort it out, that'd rob you of the fun; it's the psychic and emotional disarray that makes it so compelling.
Peter Weller is suitably deadpan, allowing only a sparkle of the playful poet to shine through from time to time (the story about the Duke du Vantra's Espano-Suiza made me howl); he must have spent a few =fun= hours with Burroughs himself to get the role down.
If you liked Cronenburg's smarter stuff, such as Dead Ringers, you'll love this. If you've read Kerouac, Ginsberg or Burroughs in particular, I promise you'll love it. If you're not into exploratory literature, have issues with distasteful realities of poverty or have a personal affection for the quality works of Stallone, Willis and Schwarzenegger - you'll hate it.
It made a very strong impression on me; the day after I saw the opening night of Naked Lunch (long before the "internet"), I established and sysoped a BBS that was the primary alternative discussion forum for onliners in Edmonton, Alberta for several years. It's name? The Interzone.
The movie is fascinating, odd, reveals more on second viewing, and is faithful neither to Cronenburg nor Burroughs but an excellent mix of elements of both.
It has a great beat, easy to dance to... I give it an 89, Dick.
Either way, you won't look at a typewriter the same way ever again.
Themes: Substance addiction and how physically self-conscious it makes our protagonist feel, the creativity forced by imprisonment (a direct reference to real-life events between Burroughs, his wife, his subsequent incarceration and his heroin/acid issues), the sense of betrayal as more surprise than malice and of course the inevitable interface between Dave and Bill at the pelvic level.
The effects work is pre render-mation latex and sufficiently restrained to allow your imagination to back-fill the appropriate horror/fascination/titillation for the moment. Don't try to figure out which you =should= feel or to mentally sort it out, that'd rob you of the fun; it's the psychic and emotional disarray that makes it so compelling.
Peter Weller is suitably deadpan, allowing only a sparkle of the playful poet to shine through from time to time (the story about the Duke du Vantra's Espano-Suiza made me howl); he must have spent a few =fun= hours with Burroughs himself to get the role down.
If you liked Cronenburg's smarter stuff, such as Dead Ringers, you'll love this. If you've read Kerouac, Ginsberg or Burroughs in particular, I promise you'll love it. If you're not into exploratory literature, have issues with distasteful realities of poverty or have a personal affection for the quality works of Stallone, Willis and Schwarzenegger - you'll hate it.
It made a very strong impression on me; the day after I saw the opening night of Naked Lunch (long before the "internet"), I established and sysoped a BBS that was the primary alternative discussion forum for onliners in Edmonton, Alberta for several years. It's name? The Interzone.
The movie is fascinating, odd, reveals more on second viewing, and is faithful neither to Cronenburg nor Burroughs but an excellent mix of elements of both.
It has a great beat, easy to dance to... I give it an 89, Dick.
Either way, you won't look at a typewriter the same way ever again.
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- David Cronenberg's Naked Lunch
- Filming locations
- Toronto, Ontario, Canada(Studio, only interiors)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $2,641,357
- Opening weekend US & Canada
- $64,491
- Dec 29, 1991
- Gross worldwide
- $2,641,357
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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