Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.
- Awards
- 9 wins & 9 nominations
- Denise
- (as Jessie Thomas)
- Coverboy
- (as Matt Ebert)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe scene with all the boys on the cover of the porno magazines coming to life and interacting was not done with any computers. At the time of production, CGI was still a very expensive tool. The individual pieces were filmed with the actors standing behind large pieces of plexi-glass, with the mock-magazine cover on front. Later, optical effects, similar to those used in matte painting, were used to composite them together on the "magazine rack".
- GoofsAt the campfire scene, whenever the camera shows Scott, Mike's hands are hanged to each other, but whenever the camera shows Mike, he is playing with piece of wood.
- Quotes
Scott Favor: I only have sex with a guy for money.
Mike Waters: Yeah, I know.
Scott Favor: And two guys can't love each other.
Mike Waters: Yeah.
Mike Waters: Well, I don't know. I mean... I mean, for me, I could love someone even if I, you know, wasn't paid for it... I love you, and... you don't pay me.
Scott Favor: Mike...
Mike Waters: I really wanna kiss you, man... Well goodnight, man... I love you though... You know that... I do love you.
- ConnectionsEdited into The Phoenix Portal (2005)
- SoundtracksCattle Call
Words and Music by Tex Owens
Performed by Eddy Arnold
Courtesy of Forster Music Publishing and the RCA Records label of BMG Music
My Own Private Idaho has a kind of grimy transcendentalism that almost touches wong-kar-wai territory. The camera swaggers and frames with a touch that the cameraman must have been born with- the exposure always beautiful. Top marks to the DOP. Another revelation is the dialogue- sometimes playing on the Shakespearian themes that riddle the plot- itself sometimes works its way into a psuedo Shakespearian grandeur (look at the scenes with Bob in them). Another touch is the acting- fantastic performances from all concerned especially as it has been noted before River P. But lets not forget Reeves here- he also plays a fantastic part.
But please, regardless of what I have just said- please do not expect much (as I did not) and then you may emerge from the viewing amazed and glad that you had dedicated your time to this gifted film-maker (like I did).
Details
Box office
- Budget
- $2,500,000 (estimated)
- Gross US & Canada
- $6,401,336
- Gross worldwide
- $6,407,514
- Runtime1 hour 44 minutes
- Color
- Aspect ratio
- 1.85 : 1