IMDb RATING
5.0/10
2.6K
YOUR RATING
A terrorist hunter is hired by a scientist to deactivate her android double, a walking, talking, murderous nuclear bomb which has gone amok in the big city and is about to explode.A terrorist hunter is hired by a scientist to deactivate her android double, a walking, talking, murderous nuclear bomb which has gone amok in the big city and is about to explode.A terrorist hunter is hired by a scientist to deactivate her android double, a walking, talking, murderous nuclear bomb which has gone amok in the big city and is about to explode.
Craig Hensley
- Young Man on Train
- (as Craig Oldfather)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe tie in the pivotal opening scene was donated by Jim Belushi, who was originally considered for the role of McQuade, but was forced to drop out due to conflicts with the shooting schedule for Taking Care of Business (1990).
- GoofsThe steering wheel airbag that deploys in the BMW remains completely inflated after deployment, interfering with the driver's ability to steer. Air bags begin to deflate through built-in openings within 1/10th of a second or less after deployment, as they are designed to cushion an impact by decelerating a head and torso.
- Quotes
Colonel Jim McQuade: Well this is quite some toy you have yourselves here gentlemen. I suppose you want me to put it back in its box.
- ConnectionsReferenced in Entertainment Tonight: Episode dated 23 January 1991 (1991)
Featured review
My review was written in January 1991 after a Times Square screening.
Intense thesping by Renee Soutendijk in dual roles as "Eve of Destruction" almost lifts this tasteless horror fantasy above the norm. Inconsistent scripting and direction reduce the Orion release to a genre fan special with limited chances at finding a crossover audience.
That's a shame, because there are germs of interesting ideas in the screenplay by helmer Duncan Gibbins and Yale Udoff, latter the scripter of Nicolas Roeg's intriguing "Bad Timing".
Pic's basis is that most durable of sci-fi properties, Mary Shelley's "Frankenstein", which ranks second only to Bram Stoker's "Dracula" for inspiring motion pictures. "Eve" is the third recent pic to hark back to James Whale's classic "Bride of Frankenstein" after last year's satire "Frankenhooker" as well as mad scientist Bruce Davison creating a female cyborg in "Steel & Lace".
Italian bombshell Rosalba Neri played "Lady Frankenstein" in 1971 and created male monsters, but "Eve" goes one logical step further in having Dutch actress Soutendijk as scientist Eve Simmons creating a robot in her own image.
Effective opening scenes show the robot , Eve III, on a test run in San Francisco being damaged by gunfire during a bank holdup. The man monitoring Eve is killed and the beautiful monster becomes a loose cannon.
Gung ho Jim McQuade (Gregory Hines), no relation to Orion's "Lone Wolf McQuade" of eight years ago, is called in from his anti-terrorist activities to find Eve and immobilize her with a shot through the eye. What he isn't told is that Eve was created as a robot/bomb with nuclear capability.
Since Eve is endowed with her creator's memories as well as good looks, the trail to track her down retraces Dr. Eve's childhood traumas and current relationship;s. Film's psuedo-feminist theme is bungled badly: the monster starts living out Simmons' unrealized sexual fantasies only to kill or maim the endless stream of male chauvinist pigs it teses.
Further, the doctor's unresolved problems with her estranged dad (Kevin McCarthy, in a brief uncredited role), who beat her mother and caused her death, leads to a contrived scene of robot revenge.
Aiming at the low-end audience, film's nadir is a tasteless scene of sexy Eve picking up a guy in a bar and then biting off his most prized possession in a hot sheets motel room. The audience is spared the visualization of this "Porky's" level horror motif, but the damage to the film's tone is irreversible.
Running motif of Eve going into her killer molde whenever some guy calls her "bitch!" is the worst sort of pandering to one's assumed target viewer.
Atmospheric climax of Hines chasing Eve (clutching Simmons' son she takes to be her own) through the Manhattan subway tunnels is clumsily directed by Gibbins with several anti-climaxes and a fake James Bond-style countdown as the activated robot is seconds away from a nuclear explosion (film coincidentally is lensed by Bond cinematographer Alan Hume). Much is made of the boy' safety during this sequence, but pic foolishly ignores him completely once the danger is over.
Soutendijk, a versatile thesp who has followed her Dutch triumphs like "Spetters" with several U. S. telefilms and two American features released by Shapiro Glickenhaus, brings utter conviction to both roles to carry the picture.
Hines, no stranger to action roles in "Wolfen" and "Off Limits". Still seems out of place espousing Oliver North-style rhetoric in playing a shoot first, ask questions later hero. Supporting cast is weak in what plays like a 2-1/2 hander.. Makeup effects are satisfying, notably Soutendijk's more than nude scenes as she peels away body tissue to make self-repairs on her robot body. French ace Philippe Sarde contributes an effecitve musical score.
Intense thesping by Renee Soutendijk in dual roles as "Eve of Destruction" almost lifts this tasteless horror fantasy above the norm. Inconsistent scripting and direction reduce the Orion release to a genre fan special with limited chances at finding a crossover audience.
That's a shame, because there are germs of interesting ideas in the screenplay by helmer Duncan Gibbins and Yale Udoff, latter the scripter of Nicolas Roeg's intriguing "Bad Timing".
Pic's basis is that most durable of sci-fi properties, Mary Shelley's "Frankenstein", which ranks second only to Bram Stoker's "Dracula" for inspiring motion pictures. "Eve" is the third recent pic to hark back to James Whale's classic "Bride of Frankenstein" after last year's satire "Frankenhooker" as well as mad scientist Bruce Davison creating a female cyborg in "Steel & Lace".
Italian bombshell Rosalba Neri played "Lady Frankenstein" in 1971 and created male monsters, but "Eve" goes one logical step further in having Dutch actress Soutendijk as scientist Eve Simmons creating a robot in her own image.
Effective opening scenes show the robot , Eve III, on a test run in San Francisco being damaged by gunfire during a bank holdup. The man monitoring Eve is killed and the beautiful monster becomes a loose cannon.
Gung ho Jim McQuade (Gregory Hines), no relation to Orion's "Lone Wolf McQuade" of eight years ago, is called in from his anti-terrorist activities to find Eve and immobilize her with a shot through the eye. What he isn't told is that Eve was created as a robot/bomb with nuclear capability.
Since Eve is endowed with her creator's memories as well as good looks, the trail to track her down retraces Dr. Eve's childhood traumas and current relationship;s. Film's psuedo-feminist theme is bungled badly: the monster starts living out Simmons' unrealized sexual fantasies only to kill or maim the endless stream of male chauvinist pigs it teses.
Further, the doctor's unresolved problems with her estranged dad (Kevin McCarthy, in a brief uncredited role), who beat her mother and caused her death, leads to a contrived scene of robot revenge.
Aiming at the low-end audience, film's nadir is a tasteless scene of sexy Eve picking up a guy in a bar and then biting off his most prized possession in a hot sheets motel room. The audience is spared the visualization of this "Porky's" level horror motif, but the damage to the film's tone is irreversible.
Running motif of Eve going into her killer molde whenever some guy calls her "bitch!" is the worst sort of pandering to one's assumed target viewer.
Atmospheric climax of Hines chasing Eve (clutching Simmons' son she takes to be her own) through the Manhattan subway tunnels is clumsily directed by Gibbins with several anti-climaxes and a fake James Bond-style countdown as the activated robot is seconds away from a nuclear explosion (film coincidentally is lensed by Bond cinematographer Alan Hume). Much is made of the boy' safety during this sequence, but pic foolishly ignores him completely once the danger is over.
Soutendijk, a versatile thesp who has followed her Dutch triumphs like "Spetters" with several U. S. telefilms and two American features released by Shapiro Glickenhaus, brings utter conviction to both roles to carry the picture.
Hines, no stranger to action roles in "Wolfen" and "Off Limits". Still seems out of place espousing Oliver North-style rhetoric in playing a shoot first, ask questions later hero. Supporting cast is weak in what plays like a 2-1/2 hander.. Makeup effects are satisfying, notably Soutendijk's more than nude scenes as she peels away body tissue to make self-repairs on her robot body. French ace Philippe Sarde contributes an effecitve musical score.
- How long is Eve of Destruction?Powered by Alexa
Details
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $5,451,119
- Opening weekend US & Canada
- $2,163,024
- Jan 21, 1991
- Gross worldwide
- $5,451,119
- Runtime1 hour 39 minutes
- Color
- Aspect ratio
- 1.85 : 1
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