IMDb RATING
7.4/10
26K
YOUR RATING
A man tries to find out who his real mother is after the woman who raised him tells him the truth.A man tries to find out who his real mother is after the woman who raised him tells him the truth.A man tries to find out who his real mother is after the woman who raised him tells him the truth.
- Awards
- 17 wins & 9 nominations total
Rebecca Pan
- Rebecca
- (as Tik-Wa Poon)
Tony Leung Chiu-wai
- Chow Mo-wan
- (as Tony Chiu Wai Leung)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film was supposed to be the first part of a project. But due to its relatively poor performance at the box office when it was first released, the producers decided not to finish the second part. The nameless character that appears in the last scene played by Tony Leung Chiu-wai is supposedly the main character in the second part.
- GoofsWhen Tide checks into the hotel, the hotel manageress hands him the key to Room 206. However, in the next scene, Tide uses the key to enter Room 204. This, however, may not be so much a 'goof' as another recurrence of the number '2046' seen so often in Wong Kar-Wai's films.
- Alternate versionsA different 35mm print of the film features an altered prologue sequence and different edits during the final scenes of the film. This version decreases the length of the film from 95 to 94 minutes.
- ConnectionsFeatured in Still Love You After All These (1997)
- SoundtracksJungle Drums (Cantonese cover)
Music by Ernesto Lecuona & J. Cacabas
Lyrics by Sharon Chung
Performed by Anita Mui
Featured review
Though it has been argued that 'A Fei Zheng Chuan' (aka 'Days of Being Wild') is the first set of the trilogy which is completed by 'Fa Yeung Nin Wa' (aka 'In the Mood For Love') and '2046', it 'looks' different from the other two films. Kar Wai uses less colour, more shadow, rain and heat and more rawness. The tone is much darker than in 'Fa Yeung Nin Wa' as the film is set in the 50s. The music is beautiful and effectively used. And, here too Kar Wai ends up making a powerful product. Though this film was a box office failure, it is an artistic victory.
'A Fei Zheng Chuan' tells the story of 6 individuals whose lives are interconnected by each character's search and struggle for an identity. It's about loneliness, unrequited love, lost love, the search for love, and how the search continues. Kar Wai clevely brings up the theme of sex (without showing any nudity). The writing is excellent and the characterization is strengthened by superb and unique performances. The late Leslie Cheung's Yuddy is not a very likable person but we do sympathize with this man and recognize him. Maggie Cheung as Su gives one of the most subtle and finest performances. Carina Lau is energetic and terrific as Mimi. Rebecca Pan gracefully downplays her part. Andy Lau's Tide and Jacky Cheung's Zeb too are relatable and the actors are nothing short of remarkable. Actually, I recognize all the characters in this film.
I loved the cinematography, especially the long shots. One of my favorite shot is the introduction of the scene that glides from the Phillipine streets to Yuddy and Tide in a lunch bar. This is one fine example of skillful camera-work. The shaky camera (which thankfully isn't overdone) and the close-ups that mostly take place during conversations and intimate moments between two characters work very well. Doyle's camera-work simply guides us through the lives of these characters.
Summing it up, 'A Fei Zheng Chuan' works on many levels. It is an excellent study of characters, it 'tells' a universal story in a poetic way and it is a fine cinematic experience.
A bird that never lands will one day suddenly seize to exist.
'A Fei Zheng Chuan' tells the story of 6 individuals whose lives are interconnected by each character's search and struggle for an identity. It's about loneliness, unrequited love, lost love, the search for love, and how the search continues. Kar Wai clevely brings up the theme of sex (without showing any nudity). The writing is excellent and the characterization is strengthened by superb and unique performances. The late Leslie Cheung's Yuddy is not a very likable person but we do sympathize with this man and recognize him. Maggie Cheung as Su gives one of the most subtle and finest performances. Carina Lau is energetic and terrific as Mimi. Rebecca Pan gracefully downplays her part. Andy Lau's Tide and Jacky Cheung's Zeb too are relatable and the actors are nothing short of remarkable. Actually, I recognize all the characters in this film.
I loved the cinematography, especially the long shots. One of my favorite shot is the introduction of the scene that glides from the Phillipine streets to Yuddy and Tide in a lunch bar. This is one fine example of skillful camera-work. The shaky camera (which thankfully isn't overdone) and the close-ups that mostly take place during conversations and intimate moments between two characters work very well. Doyle's camera-work simply guides us through the lives of these characters.
Summing it up, 'A Fei Zheng Chuan' works on many levels. It is an excellent study of characters, it 'tells' a universal story in a poetic way and it is a fine cinematic experience.
A bird that never lands will one day suddenly seize to exist.
- Chrysanthepop
- Jan 31, 2008
- Permalink
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- The True Story of a Hoodlum
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $146,310
- Opening weekend US & Canada
- $18,090
- Nov 21, 2004
- Gross worldwide
- $3,255,660
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.85 : 1
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