IMDb RATING
6.1/10
8.5K
YOUR RATING
A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.
- Awards
- 3 nominations total
Holter Graham
- Christian (segment "The Black Cat")
- (as Holter Ford Graham)
Storyline
Did you know
- TriviaDario Argento originally wanted the film to be a collaboration between four directors: him, George A. Romero, John Carpenter, and Wes Craven. Carpenter and Craven pulled out, so Argento and Romero decided to tackle the project as a two-part story, each directing his own segment separately.
- GoofsIn second story when police comes to search the house, phone is shown unplugged and not working, but it rings just a few minutes later, working fine.
- Quotes
Policeman: We found blood in the freezer down in the cellar.
Det. Grogan: Christ! Rich people... Sick stuff always turns out to be rich people.
- Crazy creditsBefore the narrative of the film starts, the Poe house in Baltimore is shown, with a plaque reading: Edgar Allan Poe 1809 1849 Dreaming dreams no mortal ever dared to dream before.
- ConnectionsFeatured in Dario Argento: Master of Horror (1993)
Featured review
George Romero and Dario Argento, two great horror directors, tackling two short stories by Edgar Allan Poe. Sounds like a surefire hit. So why isn't it? Romero writes and directs his story, "The Facts in the Case of Mr. Valdemar." It's about a woman (Adrienne Barbeau) whose rich husband, Ernest Valdemar, is on his deathbed. A doctor (Ramy Zada) she's been having an affair with hypnotizes Valdemar into signing over all of his money to his wife. But Valdemar dies while hypnotized so he's stuck in between life & death and is surprisingly unhappy about it.
The biggest problem with Romero's story is that it feels like it was made for television. The annoyingly cheap and ceaseless music score doesn't help. Barbeau is the best part. She makes a paper-thin character work. She's also some very nice eye candy. E.G. Marshall plays Valdemar's attorney, who knows something is up but can't do much about it. Tom Atkins plays a homicide detective who conveniently answers 911 calls about screaming neighbors. The climax sees Romero turning Poe's story into something that belonged in Creepshow, which Romero directed and Barbeau, Atkins, and Marshall also appeared in. If this story was the entire movie, I might rate it a little higher. It's not great and there are big problems (that music!) but it's a passable time-killer. However, the other story drags the score down.
The Argento story is more stylishly directed, as you might expect. It's also more poorly written, as you might also expect. It's got lots of Poe references to establish Argento is clearly a fan but there's nothing of Poe's talent in this one. The story is "The Black Cat" and it's about a crime scene photographer (Harvey Keitel) who kills his girlfriend's cat. Then he goes crazy and it's a whole thing. Honestly, even with Keitel's bizarre performance and Argento's visuals, this one was a snoozer for me.
I think if you look at some of the other reviews here, particularly from those who love the movie, you'll see I'm in the minority on this. Most people seem to prefer Argento's story and hate Romero's. In a way, I get that. Argento has more style and a devoted cult following. I have enjoyed several of his horror films, though not enough to call myself a big fan of his. So take that into consideration. If you're someone who generally prefers a Dario Argento type of horror film, you are likely to prefer the second story to the first. Either way I'll be surprised if you love either of them, as they are both pretty mediocre.
The biggest problem with Romero's story is that it feels like it was made for television. The annoyingly cheap and ceaseless music score doesn't help. Barbeau is the best part. She makes a paper-thin character work. She's also some very nice eye candy. E.G. Marshall plays Valdemar's attorney, who knows something is up but can't do much about it. Tom Atkins plays a homicide detective who conveniently answers 911 calls about screaming neighbors. The climax sees Romero turning Poe's story into something that belonged in Creepshow, which Romero directed and Barbeau, Atkins, and Marshall also appeared in. If this story was the entire movie, I might rate it a little higher. It's not great and there are big problems (that music!) but it's a passable time-killer. However, the other story drags the score down.
The Argento story is more stylishly directed, as you might expect. It's also more poorly written, as you might also expect. It's got lots of Poe references to establish Argento is clearly a fan but there's nothing of Poe's talent in this one. The story is "The Black Cat" and it's about a crime scene photographer (Harvey Keitel) who kills his girlfriend's cat. Then he goes crazy and it's a whole thing. Honestly, even with Keitel's bizarre performance and Argento's visuals, this one was a snoozer for me.
I think if you look at some of the other reviews here, particularly from those who love the movie, you'll see I'm in the minority on this. Most people seem to prefer Argento's story and hate Romero's. In a way, I get that. Argento has more style and a devoted cult following. I have enjoyed several of his horror films, though not enough to call myself a big fan of his. So take that into consideration. If you're someone who generally prefers a Dario Argento type of horror film, you are likely to prefer the second story to the first. Either way I'll be surprised if you love either of them, as they are both pretty mediocre.
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Edgar Allan Poe
- Filming locations
- 1250 Fox Chapel Road, Fox Chapel, Pittsburgh, Pennsylvania, USA(Valdemar mansion - segment "The Facts in the Case of Mr. Valdemar")
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $349,618
- Opening weekend US & Canada
- $260,410
- Oct 27, 1991
- Gross worldwide
- $349,618
- Runtime2 hours
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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