Directed by
Stephan Elliott |
Writing Credits
Stephan Elliott | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
Al Clark | ... | producer |
Michael Hamlyn | ... | producer |
Grant Lee | ... | tyro producer |
Rebel Penfold-Russell | ... | executive producer |
Stuart Quin | ... | executive producer (uncredited) |
Sue Seeary | ... | associate producer |
Music by
Guy Gross |
Cinematography by
Brian J. Breheny | ... | director of photography |
Editing by
Sue Blainey |
Production Design by
Owen Paterson |
Art Direction by
Colin Gibson |
Costume Design by
Tim Chappel | ||
Lizzy Gardiner |
Makeup Department
Angela Conte | ... | hair / makeup |
Cassie Hanlon | ... | hair / key makeup artist |
Strykermeyer | ... | hair / makeup |
Production Management
Tekin Cetinkaya | ... | assistant unit manager |
Rick Kornaat | ... | unit manager |
Sue Seeary | ... | post-production supervisor / production manager |
Mark Wolfe | ... | executive in charge of production |
Second Unit Director or Assistant Director
Stuart Freeman | ... | first assistant director |
Colin Gibson | ... | additional direction |
Maria Phillips | ... | second assistant director |
Jamie Platt | ... | third assistant director |
Emma Schofield | ... | second assistant director |
Art Department
Graham Beatty | ... | art department electrician |
Lyall Beckmann | ... | welder |
Kerrie Brown | ... | props buyer |
Simon Clayton | ... | scenic artist |
Jonathan Desprez | ... | carpenter |
Roz Hinde | ... | soft furnishings |
John Murch | ... | prop maker |
Philipa Playford | ... | prop maker (as Philippa Playford) |
Dougal Thompson | ... | carpenter |
Yann Vignes | ... | art department runner |
Sound Department
Steve Burgess | ... | foley editor |
Tim Colvin | ... | assistant sound effects editor (as Tim 'Lobes' Colvin) |
Steve Erskine | ... | sound coordinator / sound effects editor (as Stephen 'The Gherkin' Erskine) |
Simon Hewitt | ... | adr recordist (as Simon 'Dionne' Hewitt) |
Phil Judd | ... | sound mixer / sound supervisor |
Gerry Long | ... | foley editor |
Fiona McBain | ... | boom swinger |
Angus Robertson | ... | dialogue editor (as Angus 'Goose' Robertson) |
Grant Shepherd | ... | additional recording |
Guntis Sics | ... | additional sound designer / sound recordist |
Danielle Wiessner | ... | additional adr editor |
Visual Effects by
Roger Cowland | ... | visual effects |
Stunts
Robert Simper | ... | stunt coordinator |
Camera and Electrical Department
Paul Booth | ... | gaffer |
Richard Bradshaw | ... | first assistant camera: second unit / second unit assistant |
Michael Gaffney | ... | grip assistant |
Peter Holland | ... | third electric |
Matt Inglis | ... | best boy (as Best Naughty Boy) |
Elise Lockwood | ... | stills photographer |
Ian McAlpine | ... | grip |
Pat Nash | ... | key grip |
Bill Ross | ... | camera liaison |
Adrien Seffrin | ... | focus puller |
Martin Turner | ... | second unit camera |
Anna Wareham | ... | clapper/loader (as Anna Townsend) |
Casting Department
Faith Martin | ... | additional casting |
Bobbie Pickup | ... | casting: Broken Hill |
Costume and Wardrobe Department
Brett Cooper | ... | wardrobe coordinator |
Adam Dalli | ... | costume designers' assistant |
Glenn Lewis | ... | gowns: Mr Breheny (as Miss 3D) |
Tim Parry | ... | wardrobe: modelling |
Emily Seresin | ... | wardrobe supervisor |
Editorial Department
Tony Lynch | ... | post-production liaison |
Karen Psaltis | ... | negative matcher |
Michael Robertson | ... | telecine operator |
Ian Russell | ... | laboratory liaison: Atlab Australia |
Andrew Yuncken | ... | assistant editor (as Andy 'Foofy' Yuncken) |
Location Management
Rick Kornaat | ... | location manager |
Music Department
Robyne Dunn | ... | soprano soloist (as Robyn Dunn) |
Coralie Hartl | ... | orchestra contractor |
Phillip Hartl | ... | concert master |
Simon Leadley | ... | music engineer |
Sydney Philharmonia Choir | ... | music performers |
Sydney Symphony Orchestra | ... | orchestra |
Antony Walker | ... | choir director |
Diana Williams | ... | music clearances: songs |
Tim Ryan | ... | music editor (uncredited) |
Derek Williams | ... | orchestrator (uncredited) |
Transportation Department
Peter Cogar | ... | driver / set mechanic |
Mark McKinley | ... | driver / set mechanic |
Tim Parry | ... | vehicle coordinator |
Additional Crew
Antonia Barnard | ... | completion guarantor: Film Finances Inc. |
Libby Blainey | ... | title design |
Dave Burge | ... | liaison: Coober Pedy |
Lorraine Calway | ... | insurance broker: Jardine Tolley |
Martin Cooper | ... | legal representation: Martin Cooper + Co |
Kate Dennis | ... | continuity: woman |
Mark Devereux | ... | legal representation: Simon Olswang + Co |
Tim Duggan | ... | unit assistant |
Russell Fewtrell | ... | unit assistant |
Colin Gibson | ... | catering: Sunday |
Peter D. Graves | ... | executive marketing consultant |
Deb Gwilliam | ... | catering assistant |
Julia Gwilliam | ... | unit nurse |
Michael Kuhn | ... | big cheese |
Catherine Lavelle | ... | unit publicist |
Grant Lee | ... | second unit coordinator (as Grant D. Lee) |
Robyn Lee | ... | trainer: tranny |
Terry Lee | ... | aerial pilot |
Paul Malane | ... | unit assistant |
Frank Mangano | ... | unit assistant |
John May | ... | production accountant |
Mark Nancarrow | ... | catering assistant |
Jo O'Keefe | ... | liaison: London office |
Jenny Lee Robinson | ... | tutor (as Jenny-Lee Robinson) |
Esther Rodewald | ... | production coordinator |
Stephen Rutter | ... | travel manager |
Trudy Salven | ... | travel coordinator: Travel International |
Robert Simper | ... | safety supervisor |
Kim Steblina | ... | liaison: base office |
Strykermeyer | ... | executive consultant: drag |
Mark White | ... | choreographer |
Clare Wise | ... | assistant to the producers |
Thanks
Martin Armiger | ... | quite special thanks: hold the sweetener |
Maureen Barron | ... | quite special thanks: hold the sweetener |
Graham Bradstreet | ... | special thanks: no cream - cherries optional |
Caroline Burton | ... | quite special thanks: hold the sweetener |
David Cipriano | ... | quite special thanks: hold the sweetener |
Sue Cohen | ... | quite special thanks: hold the sweetener |
Kim Dalton | ... | quite special thanks: hold the sweetener |
Ann Darrouzet | ... | quite special thanks: hold the sweetener |
Andrena Finlay | ... | extra special thanks: with cream on top |
Kim Green | ... | special thanks: no cream - cherries optional |
Billy Hinshelwood | ... | quite special thanks: hold the sweetener |
Merlyne Jamieson | ... | quite special thanks: hold the sweetener |
Sheridan Jobbins | ... | thanks |
Tom Knapp | ... | quite special thanks: hold the sweetener |
Keith Lupton | ... | quite special thanks: hold the sweetener |
Xavier Marchand | ... | quite special thanks: hold the sweetener |
Graeme Mason | ... | quite special thanks: hold the sweetener |
Jane Moore | ... | quite special thanks: hold the sweetener |
Tracey Mulligan | ... | quite special thanks: hold the sweetener |
Owen Paterson | ... | acknowledgment: Gloria's Puncture Kit provided by |
Aline Perry | ... | quite special thanks: hold the sweetener |
Sarah Radclyffe | ... | quite special thanks: hold the sweetener |
Brian Ross | ... | quite special thanks: hold the sweetener |
Peter Skillman | ... | extra special thanks: with cream on top |
Kathryn Smith | ... | quite special thanks: hold the sweetener |
Stewart Till | ... | quite special thanks: hold the sweetener |